Other bibliographical items, cited only once, can be found in the catalogues.
| AB | The Art Bulletin | |
| Achiardi, 1908 | Achiardi, Pietro d’, Sebastiano del Piombo, Rome, 1908 | |
| Actes, 1975 | Actes du collogue international sur l’art de Fontainebleau (Fontainebleau and Paris, 18–20 October 1972), ed. André Chastel, Paris, 1975 | |
| Actes de Francois Ier, 1887–1908 | Catalogue des Actes de Francois Ier, 10 vols, 1887–1908 | |
| Adelson, 1980 | Adelson, Candace, “Bachiacca, Salviati and the Decoration of the Sala dell’Udienza in Palazzo Vecchio,” Le arti del principato mediceo, Specimen, 6, Florence, 1980, 141–200 | |
| Adhémar, 1938 | Adhémar, Jean, Inventaire du fonds français, Bibliothèque nationale, Dèpartment des estampes. Graveurs du XVI siècle, 2, Paris, 1938 | |
| Adhémar, 1946 | Adhémar. Jean, Les graveurs français de la renaissance, Paris, 1946 | |
| Adhémar, GdBA, XXX, 1946 | Adhémar, Jean “The Collection of Paintings of Francis I,” GdBA, 6th series, XXX, 1946, 5–16 | |
| Adhémar, 1953 | Adhémar, Jean, “Pierre Milan et les origines de l’école de Fontainebleau” GdBA, 6th series, XLI, 1953, 361–364, English trans., 380–381 | |
| Adhémar, 1954 | Adhémar, Jean, Le dessin français au XVI siècle, Lausanne, 1954 | |
| Adhémar, JWCI, XVII, 1954 | Adhémar, Jean, “Aretino: Artistic Adviser to Francis I,” JWCI, XVII, 1954, 311–318; originally published as “L’Arétin conseilleur artistique de François I,” Mélanges van Moé, Paris, 1950 | |
| Adhémar, 1955 | Adhémar, Jean, French Drawing of the XVI Century, New York, 1955 | |
| Adhémar, 1959 | Adhémar, Jean, “Compléments de l’inventaire du fonds français du Cabinet des Estampes de Paris,” Bibliothèque d’humanisme et de renaissance, XXI, 1959, 468–472 | |
| Adhémar, 1969 | Adhémar, Jean, “Henri Zerner et les etapes de l’école de Fontainebleau,” GdBA, 6th series, LXXIV, 1969, 116–120 | |
| Adhémar, 1974 | Adhémar, Jean, “Les cartouches de Fontainebleau,” Nouvelles de l’estampes, XVII, 1974, 32 | |
| Age of Vasari, 1970 | The Age of Vasari exh. cat., Notre Dame–Binghamton, 1970 | |
| Alazard, 1924; 1948 | Alazard, Jean, Le portrait florentine de Botticelli à Bronzino, Paris, 1924; translated as The Florentine Portrait, London–Brussels, n. d. [1948] | |
| Alberti, 1972 | Alberti, Leon Battista, On Painting and Sculpture, ed. Cecil Grayson, London–York, 1972 | |
| Alciati–Daly, 1985 | Alciati, Andreas, Index eblematicus, I: The Latin Emblems. Indexes and Lists, II: Emblems in Translation, ed. Peter M Daly, with Virginia Callahan, assisted by Simon Cuttler, Toronto–Buffalo, 1985 | |
| Alleau (and Destanque), 1967 | Alleau, René, Guide de Fontainebleau mystérieux, (“Iconographie” by Pierrette Destanque), Paris, 1967, 204–223 | |
| Ames, 1954 | Ames, Winslow, “Some Physical Types Favored by Western Artists,” GdBA, 6th series, KLIV, 1954, 91–116 | |
| Amicizia, 1899 | Amicizia, Giuseppe, Guida artisticocommerciale di Città di Castello, Città di Castello, 1899 | |
| Andrea da Salerno, 1985 | Andrea da Salerno nel Rinascimento meridionale, exh. cat., Giovanni Previtali, ed., Padula (Salerno), 1986, San Casciano (Florence), 1986 | |
| Andrews, 1968 | Andrews, Keith, Catalogue of Italian Drawings at the National Gallery of Scotland, 2 vols., Cambridge, 1968 | |
| Androsov, 1976 | Androsov, Sergey O. “Tre bronzi veneziani dell’ inizio del XVI sec. all’Ermitage,” Arte Veneta, XXX, 1976, 158–163 | |
| Angelini, 1986 (1987) | Angelini, Alessandro, Review of exhibition Andrea del Sarto 1498–1530. Dipinti e disegni a Firenze, Firenze, Palazzo Pitti, novembre 1986–marzo 1987, Prospettiva, 45, 1986 (printed in 1987) 85–92 | |
| Annunziata Arezzo, 1990 (1993) | Atti del Convegno di Studi su La Chiesa della SS. Annunziata di Arezzo nel 500o della sua Costruzione, Arezzo, Casa del Petrarca, 14 September 1990 (Accademia Petrarca di Lettere Arti e Scienze, Arezzo), Città di Castello, 1993 | |
| Antal, 1939–1940 | Antal, Frederick, “Drawings of Salviati and Vasari after a Lost Picture by Rosso,” Old Master Drawings, XIV, 1939–1940, 47–49 | |
| Antal, BM, 1951 | Antal, Frederick, “Italian Fifteenth and Sixteenth Century Drawings at Windsor Castle,” (review of Popham and Wilde, 1949), BM, XCII, 1951, 28–35 | |
| Antal, 1955 | Antal, Frederick, Fuseli Studies, London, 1956 | |
| Antal, 1966 (1928–1929) | Antal, Frederick, “Zum Problem des Niederländischen Manierismus,” Kritische Berichte zur Kunstgeschichtlicher Literatur, 3–4, 1928–29; translated as “The Problem of Mannerisim in the Netherlands,” in Antal, Frederick, Classicism and Romanticism with other Studies in Art History, London, 1966, 47–106 | |
| Anxiety and Elegance, 1962 | Anxiety and Elegance, The Human Figure in Italian Art 1520–1580, exh. cat., 1–25 May 1962, Fogg Art Museum, Harvard University, Cambridge, Mass., 1962 | |
| Apuleius–Gaselee, 1957 | Apuleius, The Golden Ass, trans. W. Adlington, revised S. Gaselee, Cambridge, Mass.–London, 1958 | |
| Archer, 1995 | Archer, Madeline Cirillo, The Illustrated Bartsch, 28 Commentary (Le Peintre-Grareur 15 [Part 1]), Italian Masters of the Sixteenth Century, Abaris Books, Ltd. 1995 | |
| Aretino–Camesasca, 1957 | Aretino, Pietro, Lettere sull’arte di Pietro Aretino, ed. Ettore Camesasca, I, Milan, 1957 | |
| Argan, 1968 | Argan, Carla Giulio, Storia dell’arte italiana, Florence, 1968 | |
| Arnauldet, 1861 | Arnauldet, Thomas, “Noël Garnier et Jean Viset, orfèvres-graveurs en taille-douce,” Archives de l’art français, 1861, 357–369 | |
| Art Francais Ancien, 1935 | Art Francais Ancien XIIe-XVIIe siècle, Exposition des dessins, manuscripts, enluminés, miniatures, livres et xylographies conservés dans les collections de l’École et tirés en majeure partie de la donation Jean Masson, Paris, École nationale supérieure des Beaux-Arts, 1935 | |
| Art Italien, 1935 | Art italien des XVe et XVIe siècle, exh. cat., Paris, École des Beaux-Arts, 1935 | |
| Askew, 1990 | Askew, Pamela, Caravaggio’s “Death of the Virgin,” Princeton, 1990 | |
| Aspetti dell’Arte, 1984 | Aspetti dell’Arte a Roma primo e dopo Raffaello, exh. Cat., Rome, 1984 | |
| Azzi, 1931 | Azzi, Giustiniano degli, “Documenti su artisti aretini e non aretini lavoranti in Arezzo,” Il Vasari, IV, 1931, 49–69; reprinted in Azzi, Giustiniano degli, Documenti su opere d’arte e pittori aretini, with notes by Alessandro del Vita, Dalla Casa Vasari, Arezzo, 1933 | |
| Babelon, 1989 | Babelon, Jean-Pierre, Les Châteaux de France au siècle de la Renaissance, Paris, 1989 | |
| Bacchus, Vénus et l’Amour, 1989 | “Bacchus, Venus, et l’Amour.” Redécouvert d’un tableau de Rosso Fiorentino, peintre de Francois Ier, exh. cat., Luxembourg, 1989 | |
| Bacou, 1955 | Bacou, Roseline, Choix de dessins de maîtres florentins et siennois de la première moitié du XVIe siècle, exh cat., Louvre, Cabinet des Dessins, Paris, 1955 | |
| Bacou, 1968 | Bacou, Roseline, with the collaboration of Françoise Viatte, Great Drawings of the Louvre Museum. The Italian Drawings, New York, 1968 | |
| Baert–Reiffenberg, 1848 | Baert, Phillipe, Mémoires sur les sculpteurs et architects aux Pays-Bas, MS, Brussels, Bibliothèque Royale, Fonds de M. Van Hulthem, Cat. imp., nos. 847 et 848, published by M. le baron de Reiffenberg, in Compte-rendu des sèances de la Commission Royale d’Histoire ou Recueil de ses Bulletins, XIV, 1848, 39–101, 528–574 | |
| Baldini, 1982 | Baldini, Umberto, ed., Metodo e scienza operatività e ricerca nel restauro, exh. cat., Palazzo Vecchio, 23 June 1982–6 January 1983, Florence, 1982 | |
| Baldus, 1881 | Baldus, Edouard, Oeuvre de Jagues Androuet dit du Cerceau, Héliogravure par Edouard Baldus, Paris, n.d. [1881?] | |
| Ballardini, 1938 | Ballardini, Gaetano, Corpus della maiolica italiana. II. Le maioliche datate dal 1531 al 1535, Rome, 1938 | |
| Balsano, 2006 | Balsano, Jean, “Poetical and Political Readings of Petrarch’s Rime in XVIth Century France: A Critical Revaluation,” Petrarch and His Readers in the Renaissance, ed. Karl A. E. Enenkel and Jan Papy, Leiden and Boston, 2006, 261–285 | |
| Banker, 1988 | Banker, James R., Death in the Community. Memorialization and Confraternites in an Italian Commune in the late Middle Ages, Athens–London, 1988 | |
| Bann, 1989 | Bann, Stephen, The True Vine. On the Visual Representation and the Western Tradition, Cambridge, 1989 | |
| Baratte, 1993 | Baratte, Sophie, Léonard Limosin au musée du Louvre, Paris, 1993 | |
| Barbet de Jouy, 1861 | Barbet de Jouy, H, “La Diana de Fontainebleau,” GdBA, X, 1861, 7–13 | |
| Barcia, 1906 | Barcia, Angel M. de, Catàlogo de la colección de dibujos oriainales de la Biblioteca national, Madrid, 1906 | |
| Bardon, 1963 | Bardon, François, Diane de Poiters et le mythe de Diane, Paris, 1963 | |
| Barocchi, 1950 | Barocchi, Paola, Il Rosso Fiorentino, Rome, 1950 | |
| Barocchi, Commentari, 1950 | Barocchi, Paola, “Ricognizione testuale e valutazione critica del Rosso di Fontainebleau”‘ Commentari, I, 1950, 157–162 | |
| Barocchi, 1951 | Barocchi, Paola, “Precisazioni sul Primaticcio,” Commentari, II, 3–4, 1951, 203–223 | |
| Barocchi, 1956 | Barocchi, Paola, “Il Vasari Pittore,” Rinascimento, VII, no. 2, Dec. 1956, 187–217 | |
| Barocchi, 1958 | Barocchi, Paola, “Riepilogo sul Rosso e sul Primaticcio,” Actes du XIXe Congrès International d’Histoire de l’Art, Paris, 1958, 233–239 | |
| Barocchi, 1962 | Barocchi, Paola, Michelangelo e la sua scuola, I disegni di Casa Buonarroti e degli Uffizi, 2 vols., Florence, 1962 | |
| Barocchi, 1964 | Barocchi, Paolo, Mostra di disegni del Vasari e della sua cerchia, Florence, 1964 | |
| Barocchi, Vasari, 1964 | Barocchi, Paola, Vasari pittore, Milan, 1964. | |
| Barocchi and Ristori, 1973 | Barocchi, Paolo, and Renzo Ristori, Il Carteggio di Michelangelo, III, ed. Giovanni Poggi (posthumous), Florence, 1973 | |
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| Bartsch | Bartsch, Adam, Le peintre-graveur, 21 vols., Vienna, 1803–1808 | |
| Basan, (Mariette Sale), 1775 | Basan, F., Catalogue raisonné des différence objects de curiosités dans les sciences et arts gui composoient le Cabinet de feu M. Mariette…, Paris, 1775 | |
| Battistini, 1928 | Battistini, Mario, “Il Rosso Fiorentino pittore,” Miscellanea Votterrana, Pescia, I, 1928, 16 | |
| BdA | Bollettino d’Arte | |
| Bean, 1960 | Bean, Jacob, Inventaire Général des Dessins des Musées de Province, IV, Bayonne, Musée Bonnat. Les Dessins italiens de la Collection Bonnat, Paris, 1960 | |
| Bean, 1982 | Bean, Jacob, with the assistance of Lawrence Turcic, 15th and 16th Century Italian Drawincs in the Metropolitan Museum of Art, New York, 1982 | |
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| Becherucci, 1955 | Becherucci, Luisa, “Momenti dell’artefiorentina nel cinquecento,” Il cinquecento (Libera cattedra di storia della civiltà fiorentina [Unione Fiorentina]), Florence, Sansoni, 1955, 159–183 | |
| Becherucci, 1958 (1968) | Becherucci, Luisa, “Mannerism,” EWA, IX, 1968, cols. 443–478; Italian ed. 1958 | |
| Becherucci, 1965 | Becherucci, Luisa, Giuseppe Bellini, Mario Bellini, Carlo L. Ragghianti, Gualtiero Volterra, “Consistenza e valore dei dipinti della Galleria degli Uffizi,” Critica d’Arte, new series, XII, fasc. 72, 1965, 16–71 | |
| Beck, 1996 | Beck, James, Review of Franklin, 1994, American Historical Review, 101, 1, 1996, 202–203 | |
| Béguin, 1960 | Béguin, Sylvie, L’École de Fontainebleau, Le Manierisme a la Cour de France, Paris, 1960 | |
| Béguin, L’Oeil, 1960 | Béguin, Sylvie, ‘Un aspect negligé, de l’École de Fontainebleau: la peinture sacrée,” L’Oeil, 72, 1960, 55–65 | |
| Béguin, 1964 | Béguin, Sylvie, “Toussant Dubreuil, premier peintre de Henri IV,” Art de France, IV, 1964, 85–107 | |
| Béguin, 1965 | Béguin, Sylvie, Rosso e Primaticcio al Castello di Fontainebleau, Milan–Geneva, 1965 | |
| Béguin, 1966 | Béguin, Sylvie, Review of exhibition “Between Renaissance and Baroque. European Art 1520–1600,” Master Drawings, IV, 1, 1966, 56–59 | |
| Béguin, Mariette, 1967 | Béguin, Sylvie, Le cabinet d’un grand amateur, P. J. Mariette, exh. cat., Paris, Louvre, 1967 | |
| Béguin, 1969 | Béguin, Sylvie, Mostra di Nicolò dell’ Abate, Bologna, 1969 | |
| Béguin, Revue du Louvre, 1969 | Béguin, Sylvie, “La vierge, reine des anges par le Primatice,” La Revue du Louvre et des Musées de France, XIX, 3, 1969, 143–156 Béguin, RdA, 1969 | |
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| Béguin, 1970 | Béguin, Sylvie, Il cinquecento francese, I disegni dei maestri, ed. Walter Vitzthum, Milan, 1970 | |
| Béguin, “Maître Roux,” 1972 | Béguin, Sylvie, “Le directeur des travaux: “Maître Roux”” “Galerie,” RdA, 1972, 102–105 | |
| Béguin, “Mythologuique” 1972 | Béguin, Sylvie, “Le programme mythologique,” “Galerie,” RdA, 1972, 165–167 | |
| Béguin, et al, 1972 | Béguin, Sylvie, André Chastel, Georg Kauffman, Myron Laskin, Jacques Thuillier, Henri Zerner, “L’École de Fontainebleau,” L’Oeil, 215, 1972, 2–13 | |
| Béguin, and Pressouyre, 1972 | Béguin, Sylvie, and Sylvie Pressouyre, “Documentation, descriptions, interprètations et exégéses,” “Galerie,” RdA, 1972, 124–142 | |
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| Béguin, 1976 | Béguin. Sylvie, “Empédocle, un dessin inédit de Rosso,” Paragone, 317–319, 1976, 77–82. | |
| Béguin, 1982 | Béguin, Sylvie, “Contribute allo studio dei disegni del Primaticcio,” BdA, LXVII, 6th series, 15, 1982, 27–52 | |
| Béguin, Louvre, 1982 | Béguin, Sylvie, Le XVIe siècle florentin au Louvre, Paris, 1982 | |
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| Béguin, 1988 (1989) | Béguin, Sylvie, “Un projet de Rosso pour le chapitre de Notre-Dame de Paris,” Bulletin de la Société de l’Histoire de l’Art français, 1988 (1989), 7–16 | |
| Béguin, 1989 | Béguin, Sylvie, “New Evidence for Rosso in France,” BM, CXXXI, 1989, 828–838 | |
| Béguin, CASVA, 1989 | Béguin, Sylvie, “Rosso Fiorentino Studies,” Center 9, Research Reports and Record of Activities, June 1988–May 1989, National Gallery of Art, Center for Advanced Study in the Visual Arts, Washington, 1989, 39–40 | |
| Béguin, Paragone, 1989 | Béguin, Sylvie, “À propos des Andrea del Sarto au Musée du Louvre,” Paragone, XL, no. 18 (477), 1989, 3–22 | |
| Béguin, 1990 | Béguin, Sylvie, “Rosso Fiorentino’s St. Peter and St. Paul, Print Quarterly,” VII, 2, 1990, 164–167 | |
| Béguin, 1992 (1987) | Béguin, Sylvie, “Projets Bellifontains,” Dal disegno all’opera compiuta, Atti del Convegno Internazionale, Torigiano, 1987, ed. M. di Giampolo, Perugia, 1992, 89–96 | |
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