In 1869 in two men digging a well came across at ten foot tall stone man in rural New York. Immediately the find was claimed to be alternately an example of the Biblical giants from Genesis 6:4 or an ancient statue carved by a long gone tribe. In fact it was neither of these it had been created by an atheist tobacconist named George Hull. He was inspired and enraged by a conversation with a biblical literalist reverend he met in Iowa. Hull acquired a 5 ton block of Gypsum and swore multiple people to secrecy along the way as he got the man carved and buried on the farm of William Newell in Cardiff New York.

Newell began to display the artifact now known as the “Cardiff Giant” under a tent on his farm and charging fifty cents for people to come look at it, and he made a killing with this. American’s traveled from across the eastern seaboard to see this remnant of some sort of ancient past. This was the Burned Over District during the Second Great Awakening which meant that the Cardiff Giant was discovered in a time and place there was an immense amount of religious seeking and thus the idea of physical evidence of an ancient Biblical past on American soil was enthusiastically received by the general public. It’s not so different from the beginnings of Mormonism.

The Giant was soon exposed as a hoax and yet people continued to visit it in its new home in Syracuse. And P.T. Barnum even offered to lease it for 3 months for $60,000 and when he could not get it he built his own replica to travel with his circus. The Giant now resides in the Farmer’s Museum in Cooperstown, New York where people still visit it today.

The Cardiff Giant on display at the Farmers Museum in Cooperstown, NY

The Cardiff Giant is an example of groups of people building a cultural identity around an “archaeological” find. Fundamentalist Christians wanted to validate their faith and their connection to a Christian past in America to legitimize the colonization of America. And if this giant man was really a petrified body of a biblical giant no one could deny that Christianity and, by the logic, Europeans had a right to be in the Americas.

But even when the truth was revealed and the Cardiff Giant was clearly not an actual archaeological artifact people continued to be fascinated by it, and in this way we can see something about America today. We are interested in how we see our pasts and the Cardiff Giant is now a ridiculous example of how easily people could be hoaxed in the past. We like to think we have e come farther and that we are better at validating our artifacts but fraud in archaeology is still prevalent and it is estimated that over 1200 fake artifacts are on display in major museums, so honestly we cannot say that we have gotten much better as a society at collectively recognizing hoaxes. Or maybe the hoaxers have just gotten better.

Bibliography

“Cardiff Giant, Cooperstown, New York.” RoadsideAmerica.com. Web. 10 Nov. 2014. .

Renfrew, Colin, and Paul Bahn. Archaeology Essentials. 2nd ed. London: Thames & Hudson, 2010. Print.

“The Cardiff Giant.” The Farmers’ Museum. Web. 10 Nov. 2014. .

“The Littlest Literary Hoax.” Museum of Hoaxes. Web. 10 Nov. 2014.

Link to original post in Reall Archaeology

The Israel/Palestine conflict illustrates how different the theory of indigenous archaeology is in practice. The discrepancies involve how complicated the following issues are: determining cultural affiliation, the right to control and keep archaeological finds; pseudoarchaeology, the misrepresentation of the past; and repatriation, returning artifacts to their places of origin. Both groups claim precedence to the land and attempts to return Israeli occupied Palestinian territory have often involved one step forward and two steps back. In the face of this, determining which group has claim to the artifacts according to the mandates of indigenous archaeology is very difficult.

In nation-building conflicts such as this, who has cultural affiliation over excavation/archaeology is crucial. Artifacts are part of creating imagined communities as the identity of people and nations is built on past experiences. This is the motivation behind why groups want to regain their artifacts. Artifacts represent part of their history and national/ethnic identity and are therefore essential in substantiating their claim, so much so that they may be manipulated or misrepresented in the process.

In the West Bank pseudoarchaeologists, religious scholars studying biblical archaeology, in conjunction with the Israeli state have shaped the archaeological landscape. These pseudoarchaeologists suggest that all artifacts found are of Jewish heritage and serve as evidence to back up Israel’s religious/historical claim to the land.  However, these people are searching with the preconceived goal of finding artifacts that prove the land’s Biblical and Jewish connection, rather than being open to the possibility that artifacts found here may represent something different if interpreted through Palestinian traditions. Indigenous archaeology argues that artifacts must be interpreted within the relevant context, so as both groups provide the context here, dual or co-interpretations may be necessary.  Additionally, this pseudoarchaeology is a distortion of the scientific method which requires using facts to form conclusions not forming conclusions and then finding facts that support them.

Figure 1: Charred goat bones discovered at Qumran thought to be a genetic match for the leather of the Dead Sea Scrolls and provide a Jewish connection to the site

Currently, Israel controls who has access to archaeological sites like Qumran in the West Bank, even though according to maps/treaties, this land is Palestinian.  Therefore Israel determines who excavates the area, religious pseudoarchaeologists, and through this control determines how artifacts are interpreted. Additionally, the Israeli government determines where artifacts go, which involves the transfer of the artifacts out of Palestinian territories and into Israel.  Since 1967 over 6000 sites in the West Bank have been excavated; these artifacts remain in military warehouses in Israel, completely hidden from the public until 2007 when Israeli researchers sued and obtained limited access.

Figure 2: A map of where in the West Bank is being excavated and each red dot is an excavation site in the West Bank whose artifacts haven’t been published

However, these Israeli officials and pseudoarchaeologists in control are “others” to the culture of the Palestinians, so artifacts that are more closely related to Palestine may be overlooked or misinterpreted to create the Israeli narrative. Alternatively if the Palestinians controlled who excavated and interpreted findings, they may overlook or misinterpret artifacts of Jewish heritage effectively “othering” the Israeli. This demonstrates how difficult it is to determine who has right to access when multiple groups can claim a place as their area of origin.

In archaeological theory, cultural affiliation and repatriation may seem clear cut but since the social and political conditions of the world are often very complicated it can be difficult to determine who should have claim to certain artifacts for their nation building. The role of pseudoarchaeologists further complicates these issues. So multiple indigenous interpretations and varied or shared cultural affiliations may be necessary when the alternative is inhibiting both groups from access to their history.

Read more:http://www.haaretz.com/archaeology/1.589219

http://www.academia.edu/1877854/The_Stones_of_Contention_
The_Role_of_Archaeological_Heritage_in_Israeli_Palestinian_Conflict._Archaeologies.
_The_Journal_of_the_World_Archaeological_Congress

Resources: Figure 1:http://www.dailymail.co.uk/sciencetech/article-2331562/Dead-sea-scrolls-sale-family-sells-fragments-set-raise-millions.html

Figure 2:http://www.theatlantic.com/international/archive/2013/02/the-biblical-pseudo-archeologists-pillaging-the-west-bank/273488/?single_page=true

Anderson, B. (1983). Imagined Communities. London: Verso Books.

Renfrew, Colin and Paul Bahn (2010) Archaeology Essentials. 2nd edition. Thames & Hudson, New York.

The Biblical Pseudo-Archeologists Pillaging the West Bank. (2013, February 28). Retrieved from The Atlantic: http://www.theatlantic.com/international/archive/2013/02/the-biblical-pseudo-archeologists-pillaging-the-west-bank/273488/?single_page=true

Link to original post in Reall Archaeology

You don’t have to solely follow pseudoarcheology to get all the thrills and compelling stories, such as the possibility of aliens on our planet. Bioaracheology and forensic anthropology can provide captivating stories in regard to the cause and time of death of humans from the Holocene (10,000 years ago) to the present, without the gross exaggerations created in pseudoarcheaology. Bioarcheaologists and forensic anthropologists are specialists in human osteology who use theory and method of biological anthropology to answer questions about how recent humans lived and died. Largely born from the practices of New Archeology, it advocates using processual methods to test hypotheses about the interaction between culture and biology, or a bio-cultural approach. Due to the fact that the shape of skeletons of humans and other animals is dictated mostly by its function in life and its evolutionary history, bioarcheaologists and forensic anthropologists can reconstruct probable age, sex, and sometimes ancestry. As a result, biological profiles of the skeletal remains can be constructed to further understand the life of the individual and their response to natural and cultural change. Skeletal remains can be aged according to their skeleton size and teeth and sexed based on the pelvis and the skull. But at what cost?

The aging and sexing of a skeleton is crucial evidence in determining how that individual may have lived. Both features are present in Snow’s protocol for proper identification. When determining age, the skeleton is crucial due to the fact that it grows rapidly during childhood. For this reason, assessing the age of a subadult (younger than 18 years) is easier and often more precise than aging an adult skeleton. In addition, teeth are a key factor in determining between children and adults. However, after the child has reached 12 years of age, aging by teeth becomes difficult due to the fact that at this point most adult teeth have erupted. In regards to sexing skeletons, the pelvis is the best indicator. Due to selective pressures for childbirth, human females have pelves that provide a relatively large birth canal. Skeletal remains can also be sexed with the idea that humans are slightly sexually dimorphic…whereas in most cases men will be larger than women. Male skulls are more robust on average and have a larger browridge. So why might all this information be useful and relevant to modern day people and cultures? Bill Maples case of the Romanovs used the preceding information, among other information, to successfully identify nine individuals thought to be the remains of the Romanovs.

Figure 1. Male Pelvis (left) and Female Pelvis (right)

From a bog on the outskirts of Ekateringburg, nine almost complete skeletons were found in a shallow grave. Assemblages to these skeletons included fourteen bullets, bits of rope, and a shattered jar. Bill Maples was able to identify the age and sex of these individuals and identify five of them as male and four of them as female. Additional information included that all of the females had dental work while most of the males had few teeth at all. There is a skeleton to fit everyone in the Romanov family that was reported as missing with exceptions of Tsarevich Alexei and his daughter, Anastasia. If discovering bodies that have been missing in history is not as exciting if not more exciting than aliens on our planet, I’m not sure what is. Archaeology can be captivating if given the attention and everything doesn’t and shouldn’t be about pseudoarchaeology.

Accumulation of skeletal pieces from Romanov remains

The previously mentioned “cost’ of bioarchaeology includes that it is often criticized for having little to no concern for culture or history. Large-scale skeletal collections have been amassed from the remains of Native Americans with no permission granted from surviving family for study and display. Federal laws such as NAGPRA (Native American Graves Protection and Repatriation Act) have allowed Native Americans to regain control over the skeletal remains of their ancestors and associated artifacts in order to reassert their cultural identities. The attempt of NAGPRA to balance science and respect for the past is a nearly impossible task. The results are a never-ending cycle between trying to respect past cultures while also trying to better understand them. In a world full of questions, its becoming harder and harder to find the answers.

Image References:

 Ipatiev House – Romanov Memorial – The Final Chapter. (n.d.). Retrieved November 5, 2014, from http://www.romanov-memorial.com/final_chapter.htm

Pelvic Girdle Male and Female. (n.d.). Retrieved November 5, 2014, from http://faculty.tcc.fl.edu/scma/aplab/Practical Two/Appendicular/PelvicgirdleMaleandFemale.htm

References:

Renfrew, Colin and Paul Bahn (2010) Archaeology Essentials. 2nd edition. Thames & Hudson, New York.

Maples, W., & Browning, M. (1994). Dead men do tell tales. New York: Doubleday.

Future Reading:

 Duffield, L. (n.d.). AGING AND SEXING THE POST-CRANIAL SKELETON OF BISON. Plains Anthropologist, 18(60), 132-139. Retrieved from http://www.jstor.org/stable/25667142

 Slater, W. (2007). The many deaths of Tsar Nicholas II: Relics, remains and the Romanovs. London: Routledge.

Link to original post in Reall Archaeology

I do think that Punk Archaeology does succeed in challenging established modes of thought. First, let’s define Punk Archaeology since it’s a very different way of studying archaeology. It is a technique that urges one to approach the familiar understandings of archaeology in new/unfamiliar ways. This type of archaeology supports conventional archaeology, which provides a distance for understanding objects from the past, but in most cases these objects are already unfamiliar to the modern viewer. Maybe I need to emphasize how punk archaeology makes the familiar and everyday unfamiliar. Punk archaeology began between archaeologists Kostis Kourelis and Bill Caraher who while studying archaeology listened to punk rock music. Punk Archaeology follows certain elements of punk philosophy through the study of archaeology. Archaeologists demolish the very object that they seek to study, and Punk Archaeology grasps chaos as a creative force. Its spontaneity gives off a creative destruction of the objects they are seeking to study.

The archaeologists who dug up the Atari game in the trash dump in New Mexico validated the theory of Punk Archaeologists is an established mode of thought. Filmmakers were also part of the crew of archeologists. Their initial response was motivated by interest in archaeology science and video game history. These punk archaeologists reversed the value of a culture that valued the past and things that are old and unique for searching for games that were not rare, but ordinary. The most interesting thing about this was that the scientists dug up the old Atari game, which represented a look at corporate history and the “end-of-lifecycle” for products. Thus their work helped people better understand Atari’s corporate decision making and how they tried to advertise the game. This dig answered the question where old, returned or overproduced products went to die out. Did they just vanish? Punk Archaeology showed where these old products went. Thirty years later, these old video games became material record of the past. The most favored game was E.T. The Extra -Terrestrial, and E.T. finally came home. The archeologists were part of turning these old games into museum artifacts from target of consumer wishes. The archaeologists also wanted to see the concrete and the line between product and trash as well as the games. Atari had concealed the unsold and/or undesirable games under concrete.

Film director Zak Penn holds up Atari E.T. the Extra-Terrestrial game at the dumpsite

After the media blitz, the archaeologists were overlooked in the papers and the news focused more on the filmmakers who documented it. The filmmakers knew that the excavation gave the archeologists, anthropologists and historians a chance to look into a modern landfill while digging up the recent past, while people responded to this modern find. Even though some believe they were overlooked, I believe this excavation showed that Punk Archaeology did succeed in challenging established modes of thought to help people better understand our culture.

Up close photo of game cover

References:

http://www.theatlantic.com/technology/archive/2014/08/why-we-dug-atari/375702/?single_page=true

http://mediterraneanworld.wordpress.com/category/punk-archaeology/

Image URL/further reading:

http://www.nbcnews.com/news/us-news/diggers-find-hundreds-atari-e-t-video-games-new-mexico-n90491

2nd image:

http://www.ign.com/articles/2014/04/26/the-dig-uncovering-the-atari-et-games-buried-in-new-mexico-desert

Link to original post in Reall Archaeology