Now, which bands to see? I know a handful of the older ones from having listened to and seen them in concert 20 or more years ago. Still, there’s much catching up to do, and I’ve been digesting all the preparatory material I can find: the Inverted Umlaut podcast, the Invisible Oranges program guide, the Baltimore City Paper cover...
Grades have been turned in, the school year is over, and now I turn to more important responsibilities — road trip! In eight days I’ll be attending Maryland Deathfest to experience the state of the art in extreme heavy metal. As the event’s website states, “With an emphasis on diversity, the festival brings together the very best death...
I haven’t been able to write on the Musical Urbanism blog for awhile, thanks to the crush of teaching, grading, and overseeing surveys for the city of Poughkeepsie’s community food assessment, all of which have peaked in the month of April. (Twitter has been a good time-suck, too, I’ll admit.) So I’m excited to be participating...
Arthur Magazine is no more. After 31 issues published over 2002-08, and another two years as blog and events promoter, the self-styled countercultural periodical ran out of money and, on March 15, 2001, ceased releasing new writing altogether. Today there is silence from this bold and clever champion of freak folk, psych rock, underground comix,...
I’ve always loved Ultravox since I first heard “Vienna” in the early 1980s. However, my musical education from the New Musical Express (which, as I mentioned before, kind of fucked me up) quickly impressed upon me that Ultravox were actually fey pompous bourgeois muso popstars. (Just earning three of those five modifiers would ensure a critical death...
I’m pleased to announce that my new book has finally been published: Pursuing Quality of Life: From the Affluent Society to the Consumer Society. Here’s the official blurb. From anxieties over work-life balance and entangling technologies, to celebrations of cool jobs and great places to live, quality of life frames the ways we enhance our lives...
I recently watched Joy Division (2007, dir. Grant Gee), an exciting documentary that carries more intellectual heft than maybe any other film about a rock group. Great interviews not just with the surviving band members and others who knew them, but also early followers who were deeply affected by the band’s records and performance. I’m struck, for...
On February 7th, someone tweeted the mayor of Detroit with a passing thought: “Philadelphia has a statue of Rocky & Robocop would kick Rocky’s butt. He’s a GREAT ambassador for Detroit.” The city’s mayor (and former NBA all star) Dave Bing replied, “There are not any plans to erect a statue to Robocop. Thank you...
As you may know, this blog runs in tandem with a team-taught undergraduate seminar I teach at Vassar College with Hua Hsu. We’re four weeks into the semester now, and I’m excited by the multidisciplinary group of students we have in the course. In case you’re interested in what a course on musical urbanism looks...
Words can hardly convey the magnitude of this historic moment in Egypt, or of my awe and admiration at the people’s achievement in forcing the dictator out nonviolently. So no essay today. Instead, the sights and songs of the joyful crowds in Egypt’s streets. To get a feel for what it might sound like in...
As someone who’s been seeking out underground rock music for over 25 years, punk rock really fucked me up. Specifically, the punk rock dogma I internalized by reading the English music weekly New Musical Express religiously between 1983-85. Punk rock in England was largely over in these years, unless you were talking about groups like...
The beginning of the new semester has kept me from posting recently. Well, that and the excellent distraction provided by Keith Richards’ autobiography, Life. So much fun to read, and so much food for thought for someone who’s admittedly not the world’s biggest Stones fan. One theme that emerges loud and clear is his cosmopolitanism. Raised...