Blogging at the intersection of urban studies and popular music

dance with me while they sleep: the 7" singles of Martha and the Muffins

dance with me while they sleep: the 7″ singles of Martha and the Muffins

Let’s start with the obvious: Martha and the Muffins were never a ‘singles band.’ The musicians in Canada’s greatest new wave band came of age in the 1970s, a time when the rock album was the format of choice for mass audiences and (in the case of the young Muffins)...
the story of DinDisc Records

the story of DinDisc Records

OMD were a perfect fit for what I had in mind for DinDisc — they had a serious, artistic side with real depth, as well as a commercial, pop side. That duality was reflected in all the early DinDisc signings, like Martha and the Muffins, and then the Monochrome Set....
how the Queen Street West scene began, pt. 1: the Thornhill sound

how the Queen Street West scene began, pt. 1: the Thornhill sound

THE EVERGLADES are ambassadors of the Thornhill Sound, a sound long fermenting in the rec rooms and condo apartments just north of STEELES AVE. Among its proponents include: Martha and the Muffins, Johnny and the G-Rays, the B-Girls, and the now defunct Dishes, Cads, E-Static and the legendary Oh Those...
in exile: the rootless cosmopolitanism of Jeffrey Lee Pierce and the Gun Club

in exile: the rootless cosmopolitanism of Jeffrey Lee Pierce and the Gun Club

I’ve never quite understood why the Gun Club, one of the all-time great Los Angeles bands, had an estranged relationship with their city of origin. It seems to me no local critic or serious music fan can deny their impact on L.A.’s music legacy. One of the great cult bands...
putting the Hudson Valley on the musical map: Basilica Soundscape and O+ Festival

putting the Hudson Valley on the musical map: Basilica Soundscape and O+ Festival

Over the last month I’ve been writing for Sound It Out, a new music blog that covers adventurous new music from a snark-free, consumer-friendly point of view. “The music may be evil, but we’ll try not to be” is the motto. Most of my writings there are basic reviews and...
the greatest reinventions in pop-music careers, #50-41

the greatest reinventions in pop-music careers, #50-41

Today I take up a question of pop-culture history: which performers made the most unexpected left turns with their careers?  I farmed this question out awhile back to readers of this blog, and today I start filing the results based on my own subjective assessment.  Debate and criticisms are welcome...
Martha and the Muffins: a book project in musical urbanism

Martha and the Muffins: a book project in musical urbanism

This summer I begin in earnest a new research project on the Canadian new wave group Martha and the Muffins.  I’ve blogged about them extensively already, focusing on the mixed-gender approach and geographical sensibilities that inform their work.  The book I intend to write will incorporate these into a new...
sound in 70 cities: the European urbanism of Simple Minds

sound in 70 cities: the European urbanism of Simple Minds

Dream, dream, dream It’s the eighties’ youthful theme Loving the city A theme for great cities And loved ones And love – “Wonderful In Young Life” (1981)   Americans know them mostly as “that Breakfast Club band” from the 80s, but Scotland’s Simple Minds have carried on in one form...
musical suburbanism, pt. 1: Kidz Bop and the commodification of kids' listening

musical suburbanism, pt. 1: Kidz Bop and the commodification of kids’ listening

Last summer I took a family roadtrip and was driven slightly insane by the heavy rotation of Kidz Bop CDs on the car stereo.  In a rare moment of solitude carved out of a frenzied week, I sent out these missives via Twitter:   1. if one promise of musical...
studying the college music scene and beyond

studying the college music scene and beyond

Remember the bands that formed in college?  You heard them at dorm parties, frat parties, apartment parties, the campus bar, battle-of-the-bands competitions, and impromptu outdoor settings.  They practiced in dorm rooms, dorm basements, conservatory and theater rooms, backyard sheds, and laundry rooms, amusing/irritating neighbors and passers-by.  Many college rockers and...
Tito Larriva: the hombre secreto of L.A.'s culture industry

Tito Larriva: the hombre secreto of L.A.’s culture industry

As a central destination for musicians, actors, filmmakers and artists, Los Angeles has more than its share of unsung, forgotten or behind-the-scenes figures who have made a significant mark on the city in the course of their careers. In this category, one of my favorites is Tito Larriva, who readers...
living the urban crisis at the new wave rent party

living the urban crisis at the new wave rent party

I recently downloaded the reissued Human Switchboard album, Who’s Landing in my Hangar? Anthology 1977-1984, which set me off again obsessing about a subgenre of new wave that I’ve never really seen recognized.  I don’t even know how best to name this subgenre, although I’m convinced it has a musical coherence. ...
looking for the Hudson Valley hipster

looking for the Hudson Valley hipster

In the town where I live, there’s been a lot of chatter over a recent NY Times article which reports how Brooklynites (an apparent synonym for NYC’s mobile, creative types) are descending upon the Hudson Valley area some 75 miles north of the city to live, visit, consume, and generally do...
musical urbanism: statement of a scholarly project

musical urbanism: statement of a scholarly project

It’s promotion review time for me, and in writing a research statement for the three anonymous sociologists evaluating my work, I’ve had the occasion to compile and synthesize my thinking on musical urbanism into a single essay.  Think of this post as a users manual for understanding what I’ve been...
how Joy Division came to sound like Manchester

how Joy Division came to sound like Manchester

[Update: this blog post has been expanded and revised into an article for the Journal of Popular Music Studies.] I’m always puzzled when I hear how Elvis Presley or Mick Jagger “sounded black” when they first appeared on the radio.  Back in the 70s, when I was a kid listening...
just stay put: an alternative vision for arts-based urban revitalization

just stay put: an alternative vision for arts-based urban revitalization

Here are some thoughts about a different way to think about arts-based urban revitalization, written in the form of a suspiciously confident manifesto.  These ideas are completely pie-in-the-sky and fly in the face of the prevailing wisdom in this field, but I’m fine with that if it reveals some fallacies...
Latest entries
shameless self-promotion: "Pursing Quality of Life"

shameless self-promotion: “Pursing Quality of Life”

I’m pleased to announce that my new book has finally been published: Pursuing Quality of Life: From the Affluent Society to the Consumer Society.  Here’s the official blurb. From anxieties over work-life balance and entangling technologies, to celebrations of cool jobs and great places to live, quality of life  frames the ways we enhance our lives...
branding alienation with Tony Wilson

branding alienation with Tony Wilson

I recently watched Joy Division (2007, dir. Grant Gee), an exciting documentary that carries more intellectual heft than maybe any other film about a rock group.  Great interviews not just with the surviving band members and others who knew them, but also early followers who were deeply affected by the band’s records and performance.  I’m struck, for...
adventures in arts-based urban revitalization: the RoboCop statue in Detroit

adventures in arts-based urban revitalization: the RoboCop statue in Detroit

On February 7th, someone tweeted the mayor of Detroit with a passing thought: “Philadelphia has a statue of Rocky & Robocop would kick Rocky’s butt. He’s a GREAT ambassador for Detroit.”  The city’s mayor (and former NBA all star) Dave Bing replied, “There are not any plans to erect a statue to Robocop. Thank you...
Teaching Musical Urbanism

Teaching Musical Urbanism

As you may know, this blog runs in tandem with a team-taught undergraduate seminar I teach at Vassar College with Hua Hsu.  We’re four weeks into the semester now, and I’m excited by the multidisciplinary group of students we have in the course.  In case you’re interested in what a course on musical urbanism looks...
singing in Tahrir Square

singing in Tahrir Square

Words can hardly convey the magnitude of this historic moment in Egypt, or of my awe and admiration at the people’s achievement in forcing the dictator out nonviolently. So no essay today. Instead, the sights and songs of the joyful crowds in Egypt’s streets. To get a feel for what it might sound like in...
uncovering the underground: Ladbroke Grove

uncovering the underground: Ladbroke Grove

As someone who’s been seeking out underground rock music for over 25 years, punk rock really fucked me up. Specifically, the punk rock dogma I internalized by reading the English music weekly New Musical Express religiously between 1983-85. Punk rock in England was largely over in these years, unless you were talking about groups like...
gathering no moss with Keith Richards

gathering no moss with Keith Richards

The beginning of the new semester has kept me from posting recently. Well, that and the excellent distraction provided by Keith Richards’ autobiography, Life. So much fun to read, and so much food for thought for someone who’s admittedly not the world’s biggest Stones fan. One theme that emerges loud and clear is his cosmopolitanism. Raised...
are you really going to listen to their new album?

are you really going to listen to their new album?

I’ll admit, I got excited after seeing the announcement that Echo & the Bunnymen are performing their first two albums, Crocodiles and Heaven Up Here, in their entirety on an upcoming North American tour.  Ocean Rain is fine; they played that whole album on tour awhile ago anyway.  For my money, though, the gloomy garage rock—“Going Up,” “Over The...
out of the valley of the dolls

out of the valley of the dolls

Since we’re talking about Legs McNeil and Gilliam McCain’s Please Kill Me: The Uncensored Oral History of Punk, one of the most colorful quotes in a book chock full of them comes from Peter Jordan, the oft-forgotten replacement for bassist Arthur Kane in the New York Dolls. Jordan describes the 1971-74 milieu in which Kane fell...
please skill me: the growing credentialism of NYC's rock underground

please skill me: the growing credentialism of NYC’s rock underground

Using an admittedly unscientific sample of 38 indie-rock groups from Brooklyn, I poked around the bands’ Wikipedia pages and their underlying sources to look for any members’ college affiliations. In no time at all [update: and with further information from my sources; see below], I found information for 26 groups. Even if we assume the remaining...
heavy metal before subculture

heavy metal before subculture

Anyone who went to an American high school in the 1980s or later, when black t-shirts displaying stylized band logos were a common sight, is likely to be confused by what “heavy metal” meant in the prior decade. I’m still unsure, frankly. Today, the consensus is that in the 1970s, heavy metal was whatever Black...
making the scene in the creative city

making the scene in the creative city

In exploring how cities sustain musical creativity, you eventually get around to the creative city thesis. This is most commonly associated with Richard Florida, the regional planning professor and urban consultant who contends in books like The Rise of the Creative Class that the most prosperous cities and regions are the ones with the highest density of...

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