Unconventional or Contextual? The Power of the Present in Understanding the Past

If I told you to get a bunch of your friends, bring them to an old building, eat bones, drink blood, and kneel at the feet of a dead nail ridden body you would be taken aback.

What if I told you that your children were encouraged to hide their identities, visit strangers, and threaten those strangers to give them cavities?

These traditions sound unreasonable, when in actuality they are going to a Catholic mass and trick-or-treating. Their true meaning is lost when taken out of context and the same applies to archaeology. Although the field has improved from a time of speculation to one of evidentiary support, the discussion of some archaeological topics is still distorted. The Mayan civilization is an intriguing area of archaeological study, but how much truth is there in this civilization’s portrayal by popular media?

It is believed, by the general public, that the Mayans spread as far as Roatán, Honduras. This Mayanization began when early archaeologists used document sources by Christopher Columbus’s son, Ferdinand, to identify private collections of Roatán artifacts as Mayan. As Ferdinand depicted these Honduras natives as possessing Mayan watercrafts, the archaeologists misinterpreted their origins. This misinterpretation is substantiated due to the tourist attraction, Maya Keys. At this site there are replicas of Copán (Mayan) artifacts, and so the visiting public assumes that Honduras was Mayan as the island representatives have taken these artifacts out of context to increase tourism.

Figure 1: Mayan city Copán’s hieroglyphic stairway replicated in non-Mayan Maya Key, Roatán, Honduras

However, archaeologist Christopher Wells has been able to use modern tools to correct this geographic misconception. Through geographic information systems (GIS) he created maps and gathered environmental data to interpret the material culture found on the island and reveal that its artifacts fit the typology, or style, of the Pech and Miskitu Indians. These populations are indigenous to mainland Honduras, dating 600 to 1,000 years ago, and are not of Mayan descent.

Mayan civilization is also associated with the end of the world and black magic to maximize public interest. Yet when compared to present cultures and analyzed with modern techniques, these practices had a more mundane purpose. Due to volcanic activity, a natural formation process, archaeologists have uncovered well preserved art illustrating the Mayan’s use of rituals to prepare for war. This art shows tzompantli, or racks of skulls, were used not for dark voodoo, but to instill fear in their enemies much like current day burglar alarms do, and teotlacualli, or a paste made of poisonous insects for spirit communication, was used in order to be able to learn from the past when developing war strategies. Additionally, through examining the trash of the Mayan elite or artifact scatters of ceramic shards, which before the use of regional survey techniques could have been overlooked or lost to excavation, archaeologists have been able to determine that Mayan sorcery was simply a way of advancing political agenda demystifying the civilization further.

Figure 2:Mayan monument of royal woman conjuring deceased warrior spirit for aid with dispute between royal houses

Ultimately, to understanding the real Mayan civilization of the past the sampling techniques and context of the present must be applied.

Read More: http://www.ancient-origins.net/news-history-archaeology/archaeologists-discover-two-long-lost-ancient-maya-cities-jungle-mexico
http://www.academia.edu/3113895/Mayanizing_Tourism_in_
Roatan_Honduras_Archaeological_Perspectives_on_Heritage_Development_and_Indigeneity

Sources: 
Figure 1: http://www.mayakeyroatan.com/content/en/activities/images/DSC_0086.jpg
Figure 2: http://www.learner.org/courses/globalart/assets/non_flash_386/work_237.jpg

Renfrew, Colin and Paul Bahn (2010) Archaeology Essentials. 2nd edition. Thames & Hudson, New York.
American Archaeology Magazine Vol. 16 No. 3 “That Old Black Magic” and “Revealing the Real Roatán”
http://www.archaeologicalconservancy.org/american-archaeology-magazine/

 

Link to original post in Reall Archaeology

St. Jerome in Mastering Light: Illuminating Transience

Today’s post comes from Chris Dietz, class of 2017 and Art Center Student Docent.
The Art Center’s delightful new exhibition, Mastering Light: From the Natural to the Artificial, showcases one of the most interesting works in the permanent collection—the German master Albrecht Dürer’s St.

Link to original post in Off the Wall

Shedding Light on “Mastering Light”

Today’s post comes from Calvin Lamothe, class of 2017 and Art Center Student Docent.
 
On April 11 at 5:30pm, Vassar students, museum employees, and community members alike crowded into Taylor Hall to hear William Sharpe’s opening lecture for the Art Center’s current exhibition Mastering Light: From the Natural to the Artificial.

Link to original post in Off the Wall