[Presented at the University of Toronto Department of Sociology on May 1, 2015. Thanks to Judith Taylor and John Hannigan for this opportunity.] It’s a pleasure to speak today on a new research project I’m working on. In anticipation of this talk, I had a couple of other topics I could have lectured on with...
On April 15, the Musical Urbanism seminar brought Mark Richardson, editor-in-chief at Pitchfork, to Vassar College for an informal conversation about independent music, online journalism, and the relevance of places and scenes in an era of digital music. With hardly any effort made to publicize the event, the lecture hall was packed with Vassar students....
For the Musical Urbanism seminar, Hua Hsu and I were pleased to invite Piotr Orlov to speak about his research on musical legacies and migrations in upstate New York. Here’s the video of our conversation (apologies for the way his mic drops in and out between 7:30-27:00). “Leonard Nevarez and Hua Hsu of Vassar College’s...
In ninth grade, my musical interests shifted from hard rock heard on the radio to the new wave and punk I discovered from tape mixes and recommendations passed on by the new kids I was hanging with. I chalk this shift in listening habits up in some part to the attraction that the city held...
In the endlessly diverting media game of finding the next Brooklyn, the Hudson River Valley gets referenced a lot. I suppose there’s good reason, since it’s not so much that this region rivals the urban upgrading and cultural attention associated with the New York City borough some 100 miles to the south, but that the...
In preparation for the Musical Urbanism course readings on Sheffield, England, we’ve put together this playlist of music documentaries and promo videos to get you further acquainted with the city, its music scene, and our point of departure, the band Pulp. PULP VIDEOS When reading Owen Hatherley’s book Uncommon: An Essay on Pulp, it...
Welcome to the first of a series of “lab sessions” this semester in conjunction with the Musical Urbanism seminar. Tonight we’re screening Hype!, a 1996 documentary that’s currently out of print. This means the version you’re watching was torrented by your professors. Although as we heard it’s also available on YouTube, I promised our students...
An interesting thing happens when you intersect two texts, Howard Becker’s essay on “Art Worlds and Collective Activity” (1982) and David Byrne’s essay on “How to Make a Scene” (2012), with each other. Somewhat anachronistically, the former enlists the latter into its thesis. To begin, Becker’s text is not especially directed toward the contemporary interest...
I’m excited to announce that I’m teaching an undergraduate seminar in Musical Urbanism at Vassar College again this semester, with my colleague Hua Hsu. This is a multidisciplinary course housed in the Urban Studies Program, taught by an urban sociologist (myself) and literature professor/critic (Hsu). We revised the syllabus significantly from the last time we...
Jane Weaver – The Silver Globe I’m rapidly reaching obsessive levels of play with this adventurous album. Space rock meets 60s British melancholia: if you puzzle over which element is retro and which is futuristic, then this is the record for you. Weaver’s voice is mysterious and spellbinding — just one more reason why she...
For the Martha and the Muffins book project, the first task I’ve set for myself is to dive into the literature. Toronto is fairly terra incognito for me; to contextualize the geographic sensibilities embodied in the band’s music and career, an appreciation of its urban history and geography is in order. Also, Canadianness and ‘Canada’...
August 27 marks a chilling anniversary in the Hudson Valley’s musical geography: 65 years ago, Paul Robeson was to perform a concert in Peekskill that culminated in violence and effectively ended his career. I asked sociologist Dick Flacks, author of Playing for Change: Music and Musicians in the Service of Social Movements, to elaborate. Paul...
