The Mechanisms and Challenges of Marine Archaeology

Marine archaeology, unlike traditional archaeology, was not considered a scientific discipline until the 1960s. It is most often concerned with shipwrecks but can be applied to any study or excavation of artifacts on or below the ocean floor. This area of research comes with its own unique set of challenges, as many of the standard archaeological methods simply cannot be applied. It is far more labor intensive and expensive, with common obstacles including poor weather conditions and tidal complications (Blakemore, 2019). Despite these roadblocks, marine archaeology provides insight to huge swaths of history lost to the ocean’s depths.

Side Scan Sonar, USGS

Many different methods and strategies are used for underwater excavation. For initial surveillance of the ocean floor’s topography, side scan sonar has long been the preferred operation. Unlike standard sonar, which scans in a conical shape, side scan sonar scans in two directions at once, both vertically and laterally. This allows for a far sharper resolution of depth imaging (Egenrieder, 2014). For coastline detection and mapping, satellite imaging is also employed (Blakemore, 2019). Many of the same tools that are used by archaeologists on land can be used underwater, such as hand trowels, but others are very different (Adovasio, Hemmings, 2012). While archaeologists on land scoop dirt onto a screen to sift through it, underwater archaeology requires a massive vacuum cleaner-like machine to suck sediment off of the seafloor at a rate of 600 gallons per minute and then press it through a floating screen deck to sift through the debris (Adovasio, Hemmings, 2012). Many organic materials, such as wood, bone fragments, and plant fibers are better preserved underwater than on land, but the process of extracting these fragile materials from the seafloor requires significant caution (Adovasio, Hemmings, 2012). They must be carefully removed, brought to the surface, stabilized, and often refrigerated to prevent decomposition caused by exposure to the light and air that they likely haven’t seen since they sunk to these depths (Adovasio, Hemmings, 2012).

Sediment vacuum in use on an underwater archeological site, Global Foundation For Ocean Exploration

Underwater archaeologists must undergo additional training on top of their credentials as archaeologists. Diving training is essential, as well as many hours of practice for the specific conditions of an underwater archaeological site (Kenyon, 2020).  It is easy to accidentally damage the site when you are met with environmental challenges like quick moving currents, wildlife, and unexpected weather patterns (Kenyon, 2020). Risks like these can make this profession a dangerous one, so abundant caution and years of practice are the key to successful research outcomes. Still, this research remains invaluable. Over two thirds of the earth’s surface is covered with water, oceans and rivers that humans have been crossing and tossing items of precious historical significance into for as long as we’ve been here. The trouble lies in accessing them.

Sources:

“Maritime Archaeology”. Archaeology: National Marine Sanctuaries Maritime Heritage Program.  NOAA.

 Blakemore, Erin. August 2, 2019. “How Underwater Archaeology Reveals Hidden Wonders”. National Geographic. National Geographic.

Egenrieder, Tim. June 19, 2014. “A Beginner’s Guide To Side Scan Sonar”. On The Water. On The Water.

Kenyon, Kimberly. April 29, 2020. “What Is Underwater Archaeology?”. Submerged NC. North Carolina Office of State Archaeology. 

 Adovasio, J.M.. Hemmings, C. Andrew. 2012. “Underwater Archaeological Excavation Techniques”. Exploring The Submerged New World 2012. Ocean Exploration NOAA.

Links To Further Reading:

  1. https://ocean.si.edu/human-connections/exploration/what-marine-archaeology
  2. https://maritimearchaeologytrust.org/

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‘Sky World’: Re-conceptualizing Space Exploration

Skywoman Descending Turtle Island, Arnold Jacobs

Our class discussions about Dr Space Junk vs The Universe have touched on issues concerning space exploration and the potential colonization/industrialization of outer space. The frameworks we use in these discussions are very important. As we learn about Indigenous histories, postprocessual archaeology, and the future of anthropology, we should consider which paradigms we are operating within and where our research is based. Do we understand Western science as fact? Regard Indigenous history as myth? Are we driven by curiosity, or is there a looming sense of entitlement and capitalism in our language and discussion?
Question your understanding and conceptualization of what space is. We consider ourselves so far removed from the world above, so it could even be seen as preposterous to the colonized mind that ‘space’ may be entitled to the same respect, cultural consideration that we (more or less) treat our planet with. Much like the ecology of our earthly landscape, this planet is part of a large interstellar community, and we are as well.
I would also ask us to suspend our Westernized mindsets for a moment and reconsider our trust in science and denial of ‘myth.’ Only when we distrust, silence and regard histories as myth can we dignify colonial campaigns on this planet and intercellestially. I want to bring the story of Sky Woman into the conversation when discussing the conceptualization of space. “In the beginning there was Skyworld,” starts Robin Wall Kimmerer, author of Braiding Sweetgrass. Kimmerer describes how Sky Woman initially fell from the Sky World above. As she tumbled into the world below, she was caught by a flock of geese and greeted by a great turtle, among many other animals welcoming her to a world she had never known. Together they built the land, and they grew plant life from the seeds she offered as thanksgiving upon her arrival. We live today as descendants of Sky Woman, a mother native to the world above, and we will continue to offer thanks to this earth and to our co-inhabitants for welcoming us here. Relationality is key in the history of Sky Woman. Descendant from the sky, nurtured by the world below, tending to the land we sew. If we were to consider, actually consider, these truths, would we not approach the Sky World differently?
With a perspective that essentially separates us from the world around us, you can see how easily we can turn a blind eye to exploitation on this planet and, to an even greater extent, ignore the exploitation we cannot see or comprehend, those taking place intercelestially. Western methods of science (the ones that have led the march into space) do not consider many spiritual or immaterial aspects of the world around them. Space expedition and colonization are rooted in western philosophies that not only disregard and mythologize Indigenous truths, but also excuse/corroborate the exploitation of land and space (on this planet and otherwise) through the denial of those truths. If we were to consider Sky World and other histories in our conversations, respect and protection might come more easily to the industrialized mind when considering ‘outer space.’ Regarding the universe as ‘community’ is just the beginning of understanding space, not as a land for discovery and exploitation but as home or friend, worthy of respect and honor.

River of Souls, Carl Gawboy

References

A. Mitchell et al. Dukarr lakarama: Listening to Guwak, talking back to space colonization,
Political Geography, Volume 81, 2020, https://www.sciencedirect.com/science/article/pii/S0962629818304086

Gorman, Alice. Dr Space Junk vs the Universe: Archaeology and the Future. The MIT Press, 2020.

Kimmerer, Robin Wall. Braiding Sweetgrass. Vancouver, B.C.: milkweed editions, 2013.

Maryboy, Nancy C. “Process and Relationship in Indigenous Astronomy: Connectivity of Mother Earth and Father Sky.” International Journal of Applied Science and Sustainable Development, no. 2 (2020).

Additional Reading

https://jps.library.utoronto.ca/index.php/des/article/view/19145/16234

https://academic.oup.com/astrogeo/article/47/5/5.27/231805

https://www.researchgate.net/profile/Philip-Clarke-4/publication/276207325_THE_ABORIGINAL_AUSTRALIAN_COSMIC_LANDSCAPE_PART_1_THE_ETHNOBOTANY_OF_THE_SKYWORLD/links/555292f308ae6943a86d751f/THE-ABORIGINAL-AUSTRALIAN-COSMIC-LANDSCAPE-PART-1-THE-ETHNOBOTANY-OF-THE-SKYWORLD.pdf

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How Do the Walls Around the World Function Differently?

After World War Ⅱ, the number of border walls all over the world increases significantly. Nowadays the border situation between the US and Mexico is widely discussed, and a wall is actually in people’s envision. What are some border walls in other countries like? Do they all function as the prevention of illegal migrants and refugees?

Serving similar purpose with the wall between US and Mexico, the security at Calais port between France and UK prevents illegal migrants from entering the UK. The security is equipped with detection technologies, such as heartbeat and carbon dioxide detectors, and both countries funded together for a “control and command center”. One difference between Calais port and US border wall is that Calais port prevents the migration problem “at source”, with the aid of strict systems, while the US border wall exposes migrants into the potential danger in the desert. What’s more, between UK and France governments, there is a promoted joint agreement to determine if the migrants are accepted as asylum seekers, get detained or deported.

Another example is the fences in Europe. Hungary and Slovenia are two countries with the region’s largest expanse of fences. These border fences serve to prevent illegal migrants as well but face more religious issues than the one between US and Mexico. It is revealed that people living near these barriers often find that they serve little purpose and can be psychologically damaging. For example, children in the camp in village are scared of their proximity to the fence.

Figure 1. The border wall along Hungary and Slovenia.

We are probably familiar with US president Trump’s use of the Great Wall in China as a comparison to his plans of building the wall. However, these two walls actually serve distinct purposes. The Great Wall was built to prevent exterior military incursion instead of as a security barrier. The construction of Great Wall started in 7th century BC, went through several dynasties, and finished in Ming dynasty. The Great Wall is not impregnable in Chinese history, so perhaps the border wall between US and Mexico will not be totally impregnable as well; moreover, according to Edward Alden, trade policy expert at the Council on Foreign Relations, increased enforcement efforts along the border may explain about 35 to 40 percent of the decline in illegal immigration flow.

Figure 2. The Great Wall served as the prevention of military attacks.

Nowadays, the border wall that is actually similar to the Great Wall is probably the wall built by Saudi Arabia. The 600-mile-long wall in their northern frontier is built to prevent ISIS from attacking the oil-rich territory.

If the government is determined to use border wall to prevent migration, it might be better to set up an excellent system instead of exposing the migrants in danger in the desert. And even though the wall may serve well politically, we need to think about how to reduce the psychological effect it brings to people who live nearby.

 

References:

Hjelmgaard, Kim

2018 From 7 to 77: There’s been an explosion in building border walls since World War II. Electronic document,

https://www.usatoday.com/story/news/world/2018/05/24/border-walls-berlin-wall-donald-trump-wall/553250002/, accessed December 2, 2018

 

BBC News

2016 Calais migrants: How is the UK-France border policed? Electronic document,

https://www.bbc.com/news/uk-33267137, accessed December 2, 2018

 

Hjelmgaard, Kim

2018 Trump isn’t the only one who wants to build a wall. These European nations already did. Electronic document,

https://www.usatoday.com/story/news/world/2018/05/24/donald-trump-europe-border-walls-migrants/532572002/, accessed December 2, 2018

 

Michelle Ye Hee Lee

2016 Why Trump’s comparison of his wall to the Great Wall of China makes no sense. Electronic document,

https://www.washingtonpost.com/news/fact-checker/wp/2016/03/08/why-trumps-comparison-of-his-wall-to-the-great-wall-of-china-makes-no-sense/?noredirect=on&utm_term=.972ab6dde511, accessed December 2, 2018

 

ShantiUniverse

2015 Saudi Arabia Builds 600 Mile Wall to Keep Islamic State OUT! Electronic document,

https://www.youtube.com/watch?v=AG_m4LKOCBk, accessed December 2, 2018

 

Further Reading:

The (Anthropological) Truth about Walls

https://blogs.scientificamerican.com/anthropology-in-practice/the-anthropological-truth-about-walls/

 

The Trump Wall in Archaeological Perspective

https://howardwilliamsblog.wordpress.com/2016/11/14/the-trump-wall-in-archaeological-perspective/

 

Images:

Figure 1. https://www.usatoday.com/story/news/world/2018/05/24/donald-trump-europe-border-walls-migrants/532572002/

 

Figure 2. https://www.washingtonpost.com/news/fact-checker/wp/2016/03/08/why-trumps-comparison-of-his-wall-to-the-great-wall-of-china-makes-no-sense/?noredirect=on&utm_term=.26dac171f9e3

 

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Immigration Archaeology: The Trails Behind Migrants

As anthropologist Jason De León illustrates, “[a]rchaeology is about ‘trying to understand human behavior in the past through the study of what people leave behind’…[n]obody ever said the past had to be a thousand years ago” (Hartigan Shea 2018). When one hears the term ‘archaeology’, they may be tempted to think of the far past whereas it — as De León emphasizes — could refer to even one minute prior.

Today, immigration across the Mexico-United States border (into the United States) remains a prominent issue. De León has studied this area (specifically the Sonoran Desert where many migrants attempt to cross despite its gruesome conditions) in great depth. De León has been recognized by the MacArthur Foundation in 2017 for his expertise in “[c]ombining ethnographic, forensic, and archaeological evidence to bring to light the human consequences of immigration policy at the U.S.–Mexico border” (MacArthur Foundation 2017). Unsurprisingly, De León is one of the only people within the range of “archaeologists and material culture specialists” (Hamilakis 2016) to partake in this field.

A Dora The Explorer backpack, among many others, recovered from near the Mexico-United States border and displayed in the “State of Exception” exhibit at the Sheila C. Johnson Design Center of The New School (Dobnik 2017).

On the Greek island of Lesvos, a similar situation with immigration is occurring. “[M]ore than 500,000 people crossed from Turkey, migrants and war refugees from Syria, Afghanistan, Iraq, as well as many other Asian and African countries, to [this] island with 85,000 permanent inhabitants” (Hamilakis 2016). In venturing to safer land, “[s]ome of [their] camps…can become substantial and highly organized structures despite their makeshift character, as [seen] in northern Greece” (Hamilakis 2016). These people make do with what little they have, setting up shop and moving onwards — these campsites becoming modern sites for archaeological investigation.

An aerial view of a cramped, makeshift camp in Idomeni on the Greece-Macedonia border, housing approximately 7 thousand people at the time of imaging (Telegraph Video 2016).

In regards to what immigrants jettison in regions like the Mediterranean and the Arizona desert, what is left behind “form[s] worthwhile topics for further reflection and study” (Hamilakis 2016), and a budding ‘branch’ of archaeology. By locating these abandoned objects, voices and identities are given to otherwise invisible immigrants. This growing problem of today mirrors the movement of past peoples and how they have been studied to understand why they left and where they went. However, currently — the time in which this is an issue — the world has the power to work to reach a logical solution. When looking through their belongings, one can see how these people, regarded as ‘invaders’ and ‘inconvenient’, are human. Understanding that these immigrants are giving up everything to head to safer places for acceptable livelihoods is crucial; they are leaving their past lives to stay alive.

Inevitably, there is no reason to disregard the people leaving their countries for our land of dreams, because they are just like the rest of us.

Additional Readings

De León, Jason

  2013 Undocumented migration, use wear, and the materiality of habitual suffering in the Sonoran Desert. Journal of Material Culture 18 (4): 321-345. doi:10.1177/1359183513496489.

 

Papataxiarchis, Evthhymios

  2016 Being ‘there’: At the front line of the ‘European refugee crisis’ — part 1. Anthropology Today 32 (2): 5-9. doi:10.1111/1467-8322.12237.

 

Pringle, Heather

  2011 The Journey to El Norte. Archaeology, January/February. Accessed November 24, 2018. https://archive.archaeology.org/1101/features/border.html.

 

Works Utilized

Dobnik, Verena

  2017 NYC gallery displays migrants’ backpacks, belongings. The Washington Times, February 10. Accessed November 24, 2018. https://www.washingtontimes.com/news/2017/ feb/10/ny-gallery-displays-migrants-backpacks-belongings/.

 

Hamilakis, Yannis

  2016 Archaeologies of Forced and Undocumented Migration. Journal of Contemporary Archaeology 3 (2): 121-139. doi:10.1558/jca.32409.

 

Hartigan Shea, Rachel

  2018 Immigration Archaeology: What’s Left at Border Crossings. National GeographicAugust. Accessed November 24, 2018. https://www.nationalgeographic.com/magazine/2018/08/embark-genius-jason-immigration-archaeology/.

 

MacArthur Foundation

  2017 Jason De León. MacArthur Foundation, October 11. Accessed November 24, 2018. https://www.macfound.org/fellows/986/.

 

Telegraph Video

  2016 Watch: Aerial footage of crowded migrant camp on Greece-Macedonia border. Telegraph Video, March 2. Accessed November 24, 2018. https://www.telegraph.co.uk/news/worldnews/europe/macedonia/12180807/Watch-Aerial-footage-of-crowded-migrant-camp-on-Greece-Macedonia-border.html.

 

Images Utilized

Lennihan, Mark

  2017 Migrant Belongings Art [image]. Associated Press. Accessed November 24, 2018. https://www.washingtontimes.com/multimedia/image/ap_migrantsbelongings_art_83724jpg/.

 

Telegraph Video

  2016 Migrant Camp – Aerial [image]. Telegraph Video. Accessed November 24, 2018. https://secure.i.telegraph.co.uk/multimedia/archive/03587/migrant-camp-aeria_3587034b.jpg.

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Memorials and the Archaeological Record

This past week in class, we talked about the way in which archaeology can help people reflect on trauma and suffering of the past. I’m interested in the way archaeological records are employed in museums and memorials to emphasize past sufferings. An example that we talked about was Holocaust museums and how the collections of the items can invoke empathy and understanding about the sheer horror and quantity of that horror that happened half a century ago. What Edward Rothstein of the New York Times calls the “archaeology of trauma” can be seen in

Piles of shoes from Holocaust victims at the United States Holocaust Memorial Museum.

Holocaust museums across the world (Rothstein). Special effects and simulations, and, more so on the archaeological front, collections of artifacts from the 6 million Jews who were murdered (United States Holocaust), work together to give a museum visitor an intense experience. Other memorials might list all the names of the people who lost their lives, if such records exist and are known. Growing up in Jewish day school for ten years, I’ve been to my fair share of Holocaust museums and memorials. I can say as a first hand spectator that looking at piles and piles of clothes, shoes, suitcases, jewelry pieces, or other various personal belongings from the archaeological record of the Holocaust shakes a person to the core. It gives you the physical objects to visualize the scale of the trauma and is incredibly effective at doing so.

Following the discussion of this topic in class, I became curious about how we then create this reflection on trauma if little remains from the archaeological record. What if there are no artifacts? No suitcases? No shoes? Nothing to point to the atrocity

At the National Memorial for Peace and Justice. There are names and places of those murdered written on the bottoms of the hanging concrete blocks.

that happened? These questions led me to The National Memorial for Peace and Justice. This memorial, opened recently in 2018 and inspired by the Berlin Holocaust memorial, serves as a memorial for African American people who were murdered by lynching in this country throughout history (Robertson). This memorial / museum “embarked on a project to memorialize this history by visiting hundreds of lynching sites, collecting soil, and erecting public markers” (EJI). The memorial displays this collected soil, along with the names of those murdered and evocative art pieces that emphasize the historical racial injustice of this country. While we may not have the

Jars of soil collected for the National Memorial for Peace and Justice

most personal belongings of every person who was a victim of racial violence, we do have access to art, to names, and to the soil: the soil that was underneath when these murders happened. They provide the context for the history that happened. We can look at that soil and feel the horror of what it witnessed. The art provides our narrative. We can look at the art and feel the pain of what happened. I’ve been brought up with the understanding that objects are what gives a historical event its weight, but perhaps we should rethink that definition. Doing so might stop the erasure of historical trauma that cannot always be articulated through objects.

Additional reading on this topic:

For the Equal Justice Initiative’s piece and video about why building this memorial was important, click HERE.

For more images and a look inside the memorial, click HERE.

Sources Cited:

2018 EJI. The National Memorial for Peace and Justice. Electronic Document, https://museumandmemorial.eji.org/memorial , accessed November 19, 2018.

Robertson, Campbell.

2018 . NYTimes. A Lynching Museum is Opening. Electronic Document, https:/www.nytimes.com/2018/04/25/us/lynching-memorial-alabama.html , accessed November 19, 2018.

Rothstein, Edward.

2012 . NYTimes. Holocaust Museums in Israel Evolve. Electronic Document, https://www.nytimes.com/2012/09/05/arts/design/israels-holocaust-museums-evolve-in-message-and-methods.html , accessed November 19, 2018.

2018 United States Holocaust Memorial Museum. Documenting Numbers of Victims of the Holocaust and Nazi Persecution. Electronic Document, https://encyclopedia.ushmm.org/content/en/article/documenting-numbers-of-victims-of-the-holocaust-and-nazi-persecution , accessed November 19, 2018.

Image sources:

Holocaust museum shoes – http://solotravelgirl.com/solitude-and-reflection-in-the-u-s-holocaust-memorial-museum/

National memorial for Peace and Justice – https://massdesigngroup.org/work/national-memorial-peace-and-justice

Jars of soil – https://www.nytimes.com/2018/04/25/us/lynching-memorial-alabama.html

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