“About Insomnia” b/w “1 4 6” DinDisc Records DIN 19 (UK) Released on July 4, 1980 Produced by Mike Howlett Things were moving rapidly for Martha and the Muffins by June 1980. Metro Music had spent six weeks in the UK album charts, so the Muffins’ label DinDisc/Virgin were preparing the debut album’s global release...
“Paint By Number Heart” b/w “Copacabana” Virgin/DinDisc Records VS 1115 (Canada) Released probably in summer 1980 Produced by Mike Howlett Like the rest of the world outside the UK, Martha and the Muffins’ home country Canada took longer to embrace “Echo Beach” for the simple reason that Virgin proposed a wait-and-see approach and delayed the...
“Saigon” b/w “Copacabana” DinDisc Records DIN 17 (UK) Released on April 11, 1980 Produced by Mike Howlett Woe betide the band choosing a follow-up single to “Echo Beach,” the unexpected smash hit for Martha and the Muffins and a commercial breakthrough for their label DinDisc as well. “Saigon” didn’t repeat that success, and the band...
“Echo Beach” b/w “Teddy The Dink” DinDisc Records DIN 9 (UK) Released on January 25, 1980 Produced by Mike Howlett As the new decade began, Martha and the Muffins had a debut album in the can when they released their second British single. Written by guitarist Mark Gane, “Echo Beach” is exactly the same recording...
“Insect Love” b/w “Cheesies and Gum” DinDisc Records DIN 4 (UK) Released on November 3, 1979 Produced by Mike Howlett Once more, with feeling: Martha and the Muffins re-recorded “Insect Love” for their first release on DinDisc Records, a boutique label established by Carol Wilson under the Virgin UK umbrella. What a difference a producer...
“Insect Love” b/w “Suburban Dream” Muffin Music MM 001 (Canada) Released in February 1979 Produced by Martha and the Muffins This is a self-released single under the band’s DIY label, Muffin Music. The tracks were taken from a June 1978 demo of five songs (the other three recordings are “Teddy the Dink,” “Trance and Dance,”...
This year marks the first time that some end-of-year favorite albums were enjoyed on streaming platforms only. That probably tells you all you need to know about my old-man embrace of the contemporary listening experience. Cate Le Bon – Reward The daffy “it girl” from Wales finally recorded an album with deep emotional resonance,...
Ranked in approximate order of what I would consider most essential listening, these albums comprise a decent playlist of what my decade of new music sounded like… at least from the perspective of the final year. (I see that at least one 2018 album included here didn’t make my end-of-year favorite music of 2018 list...
[Nicole Lipman has been my undergraduate research assistant for three years and has helped me immeasurably by transcribing interviews, scanning and indexing press clippings, and doing other work that my book project needed. Nicole is also a musician and music writer, so before she graduated in May, I asked her to update me on the...
[I’ve wanted Thomas Calkins to write something for this blog since well before I served as external adviser to his University of Wisconsin-Milwaukee sociology dissertation on the life and death of urban record stores. While that project currently evolves into academic journals publications, he found the time to share some thoughts on a quite recent...
[Note: Since the original 2019 post, I’ve updated this page with five additional years (2018-2022) of Times coverage, archived at the bottom of this page. An analysis of this period, inclusive of Covid-19 and its accompanying pandemic gentrification, is forthcoming. -LN] I’ve noticed that folks in the Hudson Valley can’t avoid taking the bait when...
Thus Owls – The Mountain That We Live Upon Top billing goes to the stark, incantatory, incandescent fourth album by this Quebec duo. Singer Erika Angell is the most exciting and committed vocalist I heard all year. Jonathan Wilson – Rare Birds Producer to the indie stars and dude who looks like Jesus achieves...
