Blogging at the intersection of urban studies and popular music

dance with me while they sleep: the 7" singles of Martha and the Muffins

dance with me while they sleep: the 7″ singles of Martha and the Muffins

Let’s start with the obvious: Martha and the Muffins were never a ‘singles band.’ The musicians in Canada’s greatest new wave band came of age in the 1970s, a time when the rock album was the format of choice for mass audiences and (in the case of the young Muffins)...
the story of DinDisc Records

the story of DinDisc Records

OMD were a perfect fit for what I had in mind for DinDisc — they had a serious, artistic side with real depth, as well as a commercial, pop side. That duality was reflected in all the early DinDisc signings, like Martha and the Muffins, and then the Monochrome Set....
how the Queen Street West scene began, pt. 1: the Thornhill sound

how the Queen Street West scene began, pt. 1: the Thornhill sound

THE EVERGLADES are ambassadors of the Thornhill Sound, a sound long fermenting in the rec rooms and condo apartments just north of STEELES AVE. Among its proponents include: Martha and the Muffins, Johnny and the G-Rays, the B-Girls, and the now defunct Dishes, Cads, E-Static and the legendary Oh Those...
in exile: the rootless cosmopolitanism of Jeffrey Lee Pierce and the Gun Club

in exile: the rootless cosmopolitanism of Jeffrey Lee Pierce and the Gun Club

I’ve never quite understood why the Gun Club, one of the all-time great Los Angeles bands, had an estranged relationship with their city of origin. It seems to me no local critic or serious music fan can deny their impact on L.A.’s music legacy. One of the great cult bands...
putting the Hudson Valley on the musical map: Basilica Soundscape and O+ Festival

putting the Hudson Valley on the musical map: Basilica Soundscape and O+ Festival

Over the last month I’ve been writing for Sound It Out, a new music blog that covers adventurous new music from a snark-free, consumer-friendly point of view. “The music may be evil, but we’ll try not to be” is the motto. Most of my writings there are basic reviews and...
the greatest reinventions in pop-music careers, #50-41

the greatest reinventions in pop-music careers, #50-41

Today I take up a question of pop-culture history: which performers made the most unexpected left turns with their careers?  I farmed this question out awhile back to readers of this blog, and today I start filing the results based on my own subjective assessment.  Debate and criticisms are welcome...
Martha and the Muffins: a book project in musical urbanism

Martha and the Muffins: a book project in musical urbanism

This summer I begin in earnest a new research project on the Canadian new wave group Martha and the Muffins.  I’ve blogged about them extensively already, focusing on the mixed-gender approach and geographical sensibilities that inform their work.  The book I intend to write will incorporate these into a new...
sound in 70 cities: the European urbanism of Simple Minds

sound in 70 cities: the European urbanism of Simple Minds

Dream, dream, dream It’s the eighties’ youthful theme Loving the city A theme for great cities And loved ones And love – “Wonderful In Young Life” (1981)   Americans know them mostly as “that Breakfast Club band” from the 80s, but Scotland’s Simple Minds have carried on in one form...
musical suburbanism, pt. 1: Kidz Bop and the commodification of kids' listening

musical suburbanism, pt. 1: Kidz Bop and the commodification of kids’ listening

Last summer I took a family roadtrip and was driven slightly insane by the heavy rotation of Kidz Bop CDs on the car stereo.  In a rare moment of solitude carved out of a frenzied week, I sent out these missives via Twitter:   1. if one promise of musical...
studying the college music scene and beyond

studying the college music scene and beyond

Remember the bands that formed in college?  You heard them at dorm parties, frat parties, apartment parties, the campus bar, battle-of-the-bands competitions, and impromptu outdoor settings.  They practiced in dorm rooms, dorm basements, conservatory and theater rooms, backyard sheds, and laundry rooms, amusing/irritating neighbors and passers-by.  Many college rockers and...
Tito Larriva: the hombre secreto of L.A.'s culture industry

Tito Larriva: the hombre secreto of L.A.’s culture industry

As a central destination for musicians, actors, filmmakers and artists, Los Angeles has more than its share of unsung, forgotten or behind-the-scenes figures who have made a significant mark on the city in the course of their careers. In this category, one of my favorites is Tito Larriva, who readers...
living the urban crisis at the new wave rent party

living the urban crisis at the new wave rent party

I recently downloaded the reissued Human Switchboard album, Who’s Landing in my Hangar? Anthology 1977-1984, which set me off again obsessing about a subgenre of new wave that I’ve never really seen recognized.  I don’t even know how best to name this subgenre, although I’m convinced it has a musical coherence. ...
looking for the Hudson Valley hipster

looking for the Hudson Valley hipster

In the town where I live, there’s been a lot of chatter over a recent NY Times article which reports how Brooklynites (an apparent synonym for NYC’s mobile, creative types) are descending upon the Hudson Valley area some 75 miles north of the city to live, visit, consume, and generally do...
musical urbanism: statement of a scholarly project

musical urbanism: statement of a scholarly project

It’s promotion review time for me, and in writing a research statement for the three anonymous sociologists evaluating my work, I’ve had the occasion to compile and synthesize my thinking on musical urbanism into a single essay.  Think of this post as a users manual for understanding what I’ve been...
how Joy Division came to sound like Manchester

how Joy Division came to sound like Manchester

[Update: this blog post has been expanded and revised into an article for the Journal of Popular Music Studies.] I’m always puzzled when I hear how Elvis Presley or Mick Jagger “sounded black” when they first appeared on the radio.  Back in the 70s, when I was a kid listening...
just stay put: an alternative vision for arts-based urban revitalization

just stay put: an alternative vision for arts-based urban revitalization

Here are some thoughts about a different way to think about arts-based urban revitalization, written in the form of a suspiciously confident manifesto.  These ideas are completely pie-in-the-sky and fly in the face of the prevailing wisdom in this field, but I’m fine with that if it reveals some fallacies...
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under the shadow of Woodstock: listening to the Hudson Valley

under the shadow of Woodstock: listening to the Hudson Valley

Another problem with the “Brooklynization of Hudson River Valley” thesis that I discussed in my last post is that the music in these parts isn’t very hip.  That’s not a judgment, just a statement of fact if by “hip” we mean the product or embrace of 20-something hipsters who disproportionately reside in Brooklyn. However, the Hudson Valley...
the end of the line in Sheffield: Sex City? a review of "Uncommon: An Essay on Pulp" by Owen Hatherley

the end of the line in Sheffield: Sex City? a review of “Uncommon: An Essay on Pulp” by Owen Hatherley

With the horribly regressive debt-ceiling legislation passed by the U.S. Congress today, the West took yet another step toward making the neoliberal dream — gutting social programs, enshrining the market as the means and end of social well-being, idealizing upward mobility and the consumer good life, and leaving the lower classes to their own fate...
totally PV, "Totally Go-Go's": the ambitions of Los Angeles new wave

totally PV, “Totally Go-Go’s”: the ambitions of Los Angeles new wave

It’s Friday night, December 4, 1981, in Palos Verdes Estates, California, and tonight the Go-Go’s — the Los Angeles band of the moment — are playing your high school. OMIGAWD! Palos Verdes Estates was probably not a big stomping grounds for the Go-Go’s. A tiny, coastal municipality sheltered from the rest of Los Angeles County...
sons of Norway: scratching at the local myth of the Replacements

sons of Norway: scratching at the local myth of the Replacements

The Replacements are in the ether again.  Do they ever leave?  Their legend has hardly faded since they broke up in 1991, but it seems now that popular culture, having cycled through late 70s/early 80s new wave and post-punk, is in the midst of a nostalgic phase for late 80s/early 90s college-radio music.  There was...
listening alone, together: a review of "Pop Music, Pop Culture" by Chris Rojek

listening alone, together: a review of “Pop Music, Pop Culture” by Chris Rojek

British sociologist Chris Rojek has just published a major work in the social analysis of pop music.  To say its argument isn’t completely satisfying doesn’t belittle the remarkable accomplishment of Pop Music, Pop Culture (Polity, 2011), which covers the gamut of musical production, content, and reception from the pre-historic oral tradition to today’s P2P networks.  Most distinctively, Pop...
my guest blog on Social Shutter Re: Maryland Deathfest 2011

my guest blog on Social Shutter Re: Maryland Deathfest 2011

This week the visual urban sociology blog Social Shutter ran my photos and a new essay about Maryland Deathfest.  If you didn’t see the post, I’ve reprinted it below.  And do check out Social Shutter, where Georgia State University sociologist Deirdre Oakley and her students offer some compelling and provocative photoessays. Deathfest Posted by Leonard Nevarez, BALTIMORE, MD — The Maryland Deathfest...
Maryland Deathfest 2011: my photos and a first take

Maryland Deathfest 2011: my photos and a first take

Maryland Deathfest 2011, a set on Flickr. So much to chew on from my weekend in Baltimore. Talked to a lot of folks, got a decent look at a few local areas, did some record shopping, and became acquainted with National Bohemian beer, a.k.a. Natty Bo, the cheap beer of choice in Baltimore. Plus, I...

getting ready for Maryland Deathfest, part 2: scanning the schedule

Now, which bands to see?  I know a handful of the older ones from having listened to and seen them in concert 20 or more years ago.   Still, there’s much catching up to do, and I’ve been digesting all the preparatory material I can find: the Inverted Umlaut podcast, the Invisible Oranges program guide, the Baltimore City Paper cover...
getting ready for Maryland Deathfest, part 1: statement of intent

getting ready for Maryland Deathfest, part 1: statement of intent

Grades have been turned in, the school year is over, and now I turn to more important responsibilities — road trip! In eight days I’ll be attending Maryland Deathfest to experience the state of the art in extreme heavy metal. As the event’s website states, “With an emphasis on diversity, the festival brings together the very best death...
4/20/11 panel: "Media and the Community: A Concept of Public Culture"

4/20/11 panel: “Media and the Community: A Concept of Public Culture”

I haven’t been able to write on the Musical Urbanism blog for awhile, thanks to the crush of teaching, grading, and overseeing surveys for the city of Poughkeepsie’s community food assessment, all of which have peaked in the month of April.  (Twitter has been a good time-suck, too, I’ll admit.)  So I’m excited to be participating...
scaling up in Silverlake (R.I.P. Arthur)

scaling up in Silverlake (R.I.P. Arthur)

Arthur Magazine is no more. After 31 issues published over 2002-08, and another two years as blog and events promoter, the self-styled countercultural periodical ran out of money and, on March 15, 2001, ceased releasing new writing altogether. Today there is silence from this bold and clever champion of freak folk, psych rock, underground comix,...
don't cross a Scottish new romantic

don’t cross a Scottish new romantic

I’ve always loved Ultravox since I first heard “Vienna” in the early 1980s. However, my musical education from the New Musical Express (which, as I mentioned before, kind of fucked me up) quickly impressed upon me that Ultravox were actually fey pompous bourgeois muso popstars. (Just earning three of those five modifiers would ensure a critical death...

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