Spotlight: Barbara Durniak – Database Searching

The Gargoyle Bulletin asked Research Librarian, Barbara Durniak, current Head of Access Services, to describe the most significant changes she has experienced at Vassar Library during her 28 years of service here.

Ancient library hieroglyphics? Actually, yes. In 1984, long before Google, the library hired me to launch a program introducing a new way to conduct academic research: DIALOG. DIALOG hosted commercial databases such as PsycInfo, ERIC, and Medline. Connection was via dial-up access using a telephone connected to a modem, searching was done via a specific command-driven syntax (see above – b11 was the command to start a search in PsycInfo), and charges were calculated by the time spent on the system and by the number of searches retrieved.

Because the service was costly to use, reference librarians mediated the searches. To minimize costs, librarians spent a lot of time preparing for each DIALOG session, meeting with students or faculty in order to understand their research needs and devising a search strategy that was as efficient as possible for while we were online. Still, it was nerve-racking to know the meter was running every second we were connected to the database. It was not uncommon to see charges of $30 or more per session.

New searching method: CD-ROM

By the late 1980s, commercial databases were migrating their data to another medium – CD-ROMs – that allowed end-users to do their own research with no clock ticking. Although this was a major advantage, only one person at a time could use the cd-rom workstation and every month updates had to be installed. And of course, the researcher had to be in the library to use the data.

We’re online … almost

Fast-forward to 1994, when another migration resulted in access to these resources through an online, text-based interface. This solved the problem of single-user access and clunky updating. However, the college’s internet capacity was woefully inadequate to handle the increased traffic and users experienced many busy signals and dropped calls. Fortunately, bandwidth issues were resolved just as databases migrated from text-based to web based interfaces.

The database landscape today

In 2004, the library enhanced online searching by adding a proxy server that enabled off-campus access to our proprietary databases and by implementing a program that linked citations from online databases to the fulltext of journals the library subscribed to electronically. As a result of these advances, doing library research is now an almost seamless process. Anywhere at anytime, you can search your topic and connect to online versions of articles.

Google and other search engines also started gaining traction around this time, however, even now, Google doesn’t provide the same search experience as the library’s proprietary databases. Check out our offerings on the library’s DATABASES page. The library subscribes to over 150 databases and if you need help navigating them, don’t hesitate to contact a research librarian.

 

The Library Café Returns

The Library Café, an independent, weekly radio interview program hosted by Vassar Art Librarian Thomas Hill, returns to the airwaves on WVKR (91.3 FM) this semester. The first interview, airing Wednesday, 12:00 – 1:00 p.m., will be with Werner Pfeiffer, who will discuss the exhibition of his work presently on view in the Thompson Library, Van Ingen Art Library, and Frances Lehman Loeb Art Center entitled: “Reexamining Books: Book Objects and Artist’s Books by Werner Pfeiffer.” The Library Café features interviews with scholarly authors, publishers, librarians, technologists, and artists about books, ideas, and the formation and circulation of knowledge. Podcasts of past interviews, along with a listing of future programs, can be found on the program website at: http://library-cafe.org.

Thomas Hill is the Digital Art Librarian at Vassar College Libraries.  Contact him at thhill AT vassar.edu.

The Fortnightly Cattarian

Fortnightly Cattarian, May 1906

It’s not obvious why some items are special enough to be in Vassar’s Archives and Special Collections Library. The cuneiform tablets: obviously special. Vassar’s copy of the U.S. Constitution? Yup, special. The first editions of Dickens? In original serial form? Without a doubt, special. But what about The Fortnightly Cattarian? Weird? Yes. Wacky fun? Indubitably. But should it be in Special Collections? The answer is yes, but why? Let’s investigate.

The Fortnightly Cattarian, “a magazine devoted to the advancement of the domestic cat,” was published from 1903-1907. Its founder and editor, Mabel Cornish Bond, was a physician, parasitologist and (much later) an analyst specializing in the “Psychic Re-education Method of Jung.” Between the Cattarian’s covers, the cat fancier of the day could find news of prominent cat clubs and catteries, advertisements for kittens and cat studs, advice on cat care, cat-centric humor, and updates on cat-related legislation.

Lunch Time at the Drexel Kennel

The key to why we have the Cattarian here in Special Collections is nestled in the middle of the last paragraph: Mabel Cornish Bond. Among her other claims to fame, Bond was a member of Vassar’s Class of 1889.  One component of our rare book collection is the Vassar College Alumnae/i  Collection, which includes a variety of material published by our graduates. So, even if the Cattarian‘s only possible use was telling us something about Mabel Cornish Bond, that would be enough to keep it in our collection. [We can’t actively collect the work of every Vassar graduate, but what we do have is an important source of information on our alumnae/i and their life beyond Vassar.]

But the Cattarian tells us about more than Mabel Bond. Ever wonder how our country became so obsessed with pets? The Cattarian might offer some clues – or at least raise some constructive questions.  By the turn of the century, when Bond was developing her public interest in cats, the world of “cat fancy” (the appreciation and/or breeding of cats) was expansive and varied. There were national and local cat clubs, a myriad of cat-related magazines, and annual cat shows in several major cities (though, ironically, many cat shows were in conjunction with poultry exhibitions). This makes the world of the cat seem awfully cheerful, but in reality, it concealed a darker situation. A piece Bond wrote in 1903 about conditions at some of those cat shows reveals that many cats didn’t survive the festivities. Dangerous means of transport, poor ventilation, fluctuating temperatures, bad food, and easily spread disease made cat shows a perilous proposition for many cats. While cat fanciers were ramping up the cat shows and taking cute pics of their (surviving) tabbies for magazines, the ASPCA was in the early years of its war against animal cruelty, and the first professional American veterinarians were trying to bring order to the world of animal health. Mabel Bond used the Cattarian to bridge the world of cat fancy and animal welfare, combining her medical knowledge with a love of felines to improve the lot of U.S. cats.

The Cattarian is an artifact from an era of change in the world of domestic animals. It might have some really silly pictures of kitties, but we’re pleased and proud to have it in our Special Collections.

Cream of Maine

Laura Streett is the Archivist at Vassar College Libraries.  Contact her at lastreett AT vassar.edu.