EDM as tourism: the rebranding of UK rave
Last month, I answered some questions for a UK media/marketing firm researching how UK rave circa 1989 evolved into the US youth phenomenon of electronic dance music (EDM) — a question I’ve asked before on this blog. The piece is lengthy and lies behind a paywall, but author Emmajo Read did a great job. By...
album radio spots, 1967-82
Continuing with my last post on the decline of urban music retail, here’s a truly extinct medium: the album radio spot. These advertisements flourished in an era when record companies pursued mass markets of radio listeners who bought their music in record stores. How many of those conditions exist anymore, at least in this combination?...
some thoughts on the decline of urban music retail
I had a brief but interesting Twitter conversation yesterday triggered by Maura Johnston’s link to a New York Times article about how J&R Music World, a venerable downtown NYC retailer of music, hardware and technology, is abandoning its CD sales. already happened to fans of all music across US… MT @nytimes NY classical fans running...
Restless Records, 1989: from an independent label intern’s view
The inspiration for my latest post: a request. How cool to find out @enigmarecords, where I did my first internship, is on @twitter. Tweet more, Enigma! What are the Effigies up to? — Mara Schwartz (@mara_schwartz) December 8, 2013 @MusicalUrbanism @EnigmaRecords I would like to read this. — Mara Schwartz (@mara_schwartz) December 9, 2013 In...
how the sound of New York came from four Brooklyn high schools
One of the great eras in New York City music comes not from a ‘scene’ of musicians and audiences as we normally think of this term, but from the very mercenary activities associated with the songwriters, publishers, and promoters associated with the city’s Tin Pan Alley. In Always Magic in the Air: The Bomp and...
cherchez la femme: Tommy Mottola and Dr. Buzzard’s Original Savannah Band
I’m fairly immune to the musical charms of the many recording artists whose careers were launched into stratosphere by Tommy Mottola, “one of the most powerful, visionary, and successful executives in the history of the music industry.” Mariah Carey, Daryl Hall & John Oates, Celine Dion, Gloria Estefan, New Kids on the Block, Shakira, Jennifer...
musical suburbanism, pt. 1: Kidz Bop and the commodification of kids’ listening
Last summer I took a family roadtrip and was driven slightly insane by the heavy rotation of Kidz Bop CDs on the car stereo. In a rare moment of solitude carved out of a frenzied week, I sent out these missives via Twitter: 1. if one promise of musical urbanism is Simmel’s vision of...
the dull ubiquity of placeless music festivals
Some questions for investigations here, presented in the form of a rant. As part of my research in musical urbanism, I consume a fair amount of music coverage in print and online. Jesus Christ, all I seem to find these days is “writing” about generic touring festivals headlined by Coldplay/Metallica/Fiona Apple/Beach House/you name it. News about new music...
swimming in the music ecosystem: an interview with Scott Reitherman of Throw Me The Statue
Scott Reitherman is the singer, multi-instrumentalist, songwriter and main guy behind Throw Me The Statue, an indie-pop band based in Seattle. They have two albums out on Secretly Canadian, an independent label based out of Bloomington, Indiana, and are currently in the studio recording a third one. Their 2007 debut Moonbeams got a warm reception...
Poughkeepsie and America’s musical hinterlands as seen from British eyes
Thanks to the Slicing Up Eyeballs blog, I’ve discovered a new BBC Four music documentary, “How the Brits Rocked America: Go West,” about the three generations of British musicians, from the Beatles to Duran Duran, who scaled the walls of American pop culture. Some of them made their fortunes, many more failed, and a few just wanted...
Tito Larriva: the hombre secreto of L.A.’s culture industry
As a central destination for musicians, actors, filmmakers and artists, Los Angeles has more than its share of unsung, forgotten or behind-the-scenes figures who have made a significant mark on the city in the course of their careers. In this category, one of my favorites is Tito Larriva, who readers might recognize if they review...
on the stroll: a book review of “The Chitlin’ Circuit and the Road to Rock ‘n’ Roll” by Preston Lauterbach
Cities shape music, we know, but how does music shape cities? To be specific, how can a DIY music industry heat up urban economies, enliven public spaces, foster local idioms and local traditions of artistic practice, and even create jobs? This question suggests the policy criteria adopted by creative-city analysts, as well as the legacy...