Martha and the Muffins – “About Insomnia” b/w “1 4 6” (DIN 19)
“About Insomnia” b/w “1 4 6” DinDisc Records DIN 19 (UK) Released on July 4, 1980 Produced by Mike Howlett Things were moving rapidly for Martha and the Muffins by June 1980. Metro Music had spent six weeks in the UK album charts, so the Muffins’ label DinDisc/Virgin were preparing the debut album’s global release...
Martha and the Muffins – “Paint By Number Heart” b/w “Copacabana” (VS 1115)
“Paint By Number Heart” b/w “Copacabana” Virgin/DinDisc Records VS 1115 (Canada) Released probably in summer 1980 Produced by Mike Howlett Like the rest of the world outside the UK, Martha and the Muffins’ home country Canada took longer to embrace “Echo Beach” for the simple reason that Virgin proposed a wait-and-see approach and delayed the...
Martha and the Muffins – “Echo Beach” b/w “Teddy The Dink” (DIN 9)
“Echo Beach” b/w “Teddy The Dink” DinDisc Records DIN 9 (UK) Released on January 25, 1980 Produced by Mike Howlett As the new decade began, Martha and the Muffins had a debut album in the can when they released their second British single. Written by guitarist Mark Gane, “Echo Beach” is exactly the same recording...
Martha and the Muffins – “Insect Love” b/w “Cheesies and Gum” (DIN 4)
“Insect Love” b/w “Cheesies and Gum” DinDisc Records DIN 4 (UK) Released on November 3, 1979 Produced by Mike Howlett Once more, with feeling: Martha and the Muffins re-recorded “Insect Love” for their first release on DinDisc Records, a boutique label established by Carol Wilson under the Virgin UK umbrella. What a difference a producer...
Martha and the Muffins – “Insect Love” b/w “Suburban Dream” (MM 001)
“Insect Love” b/w “Suburban Dream” Muffin Music MM 001 (Canada) Released in February 1979 Produced by Martha and the Muffins This is a self-released single under the band’s DIY label, Muffin Music. The tracks were taken from a June 1978 demo of five songs (the other three recordings are “Teddy the Dink,” “Trance and Dance,”...
dance with me while they sleep: the 7″ singles of Martha and the Muffins
Let’s start with the obvious: Martha and the Muffins were never a ‘singles band.’ The musicians in Canada’s greatest new wave band came of age in the 1970s, a time when the rock album was the format of choice for mass audiences and (in the case of the young Muffins) adventurous listeners alike. The group...
the curious case of Mariya Takeuchi’s Plastic Love: guest blog by Thomas Calkins
[I’ve wanted Thomas Calkins to write something for this blog since well before I served as external adviser to his University of Wisconsin-Milwaukee sociology dissertation on the life and death of urban record stores. While that project currently evolves into academic journals publications, he found the time to share some thoughts on a quite recent...
the story of DinDisc Records
OMD were a perfect fit for what I had in mind for DinDisc — they had a serious, artistic side with real depth, as well as a commercial, pop side. That duality was reflected in all the early DinDisc signings, like Martha and the Muffins, and then the Monochrome Set. – Carol Wilson, head of...
how to teach Musical Urbanism in three lectures
Thought I would share this for teachers and academics: a guest lecture section that I just gave in an undergraduate Introduction to Urban Studies course taught by Lisa Brawley at Vassar College. Readers are welcome to incorporate or adapt this material into their own teachings. Day 1: Theorizing the post-industrial city Readings: Richard Lloyd...
David Mancuso at Dub Spot Records
In this year of awful news, I wonder if we’re currently experiencing what evangelical Christians call the rapture. Only now the evangelicals remain on earth, while great people whose contributions made the world a better place are passing away almost daily. Just reviewing the music world memoriam since January: David Bowie, Lemmy, Glenn Frey, Blowfly...
a Toronto/Martha & the Muffins annotated bibliography
For the Martha and the Muffins book project, the first task I’ve set for myself is to dive into the literature. Toronto is fairly terra incognito for me; to contextualize the geographic sensibilities embodied in the band’s music and career, an appreciation of its urban history and geography is in order. Also, Canadianness and ‘Canada’...
the greatest reinventions in pop-music careers, #50-41
Today I take up a question of pop-culture history: which performers made the most unexpected left turns with their careers? I farmed this question out awhile back to readers of this blog, and today I start filing the results based on my own subjective assessment. Debate and criticisms are welcome in the comment section (or,...