Update.

Hi there, fellow human beings.

Joe and I are still working on our latest project, W.W.S.D. We have taken most of your opinions for the main question. Some of you we gave time to think, while others we asked spontaneously. I explained as to why that was in the last update. I also wrote down some new question for the refection that will be also in the video. Today we did get far.

Later,

Hanna

quotes

These are some quotes Shemona likes that she wants to include in her video:

if you dont like me,someone else will,if your not missing me someone else is.if your dont love me someone else will.  (-drake)

 

you cant lose what you never had,you cant keep whats not yours, and you cant hold onto something that does not want to stay. (-drake)

 

you said i love you and i said it too. the only difference is i dont lie to you (-drake)

 

dont be flattered that he misses you, he should miss you however, he’s still the same person who broke your heart remember,the only reason he can miss you is because he’s choosing everyday not to be with you. (-drake)

 

i got a small circle circle ,i’m not with different crews. we walk on the same path but we got on different shoes.(-drake)

 

i just kinda do what i feel. i never knew what lane i would fill. i didnt even really contemplate that far down the road. i just started having fun.once i put that into perspective it was like everything just got easier for me,because i no longer wanted to fit in anybody’s box. i just wanted to be shemona (-nicki minaji)

 

a woman has the last word in any argument, anything a man says starts a new argument (-nicki minaji)

Shemona

Hi this is the 4th time i have been here and so far my project is going really well.

this song that i will be singing …well lets just hope it goes good. i hope that when you guys

here my poem and the song that my perspective of you guys being the kids in the program

who knows me changes so you can think of me being more than a MEAN and OBNOXIOUS

person, because i really do have  heart.

– shemona <3 <3

 

FIGMENT–“Write yourself in”

http://figment.com/

This website is a portal for all kinds of readers and writers. It has everything from essay contests to book previews. Anyone over the age of 13 can sign up to be a member–and its free! Once you’ve created an account, you can submit your work to contests, order the latest recommended books, read other members’ work, and more! Fiona likes the website because she can find all different kinds of books that she likes. She just types in a genre and receives entire lists of recommended books. There are also tons of opportunities for her to share her work and read other members’ essays, stories, film screenplays, and poems! Check it out!

Time for Writing

Tom Romano’s and Donald Murray’s chapters on writing both made me think back to my earliest academic writing experiences, in elementary school. When I was in second grade, my small, rural public school began a system that they called, creatively enough, “Writer’s Notebooks.” Basically, everyone had to buy a notebook, and they had to write in it. That was pretty much the whole thing. I don’t think there were many requirements to the project–as I recall, we simply had to write, and from time to time the teacher would collect the notebooks to see how we were doing. If we had written something we wanted to keep private, we could fold the page over (I remember thinking “yeah, right,” and watching what I wrote on folded pages too, but still, the option was there). In short, the only goal was to get us writing. When we got the notebook back, there’d be maybe a few spelling corrections, but mostly just reactions to the small events of our second grade lives, and questions to push us furtheron our topics.

I guess they liked the results, because the program continued through the rest of my time at the school. The school began provided the notebooks, which would we decorate at the beginning of the year. We were supposed to write for 20 minutes in class, anything at at all, progressing to 30 minutes as we got older. We were supposed to do the same at home every night. I found I loved doing this. I started off in second grade writing about my day to day life, my ideas for the future, etc, but from third grade on discovered that I loved writing stories and poems. I don’t think I would have the interest I have in writing as an adult if not for this early, forced daily work. It would not have occurred to me, as an eight or nine year old, to make time to write, so my teachers did it for me.

This seems to me to be exactly what Romano and Murray recommend in their essays. From Romano, to write constantly and to write everything, in order to become comfortable working in diverse genres. And Murray, right in his opening, forcues on simply making the time to write, unplanned and comfortably. This seems so obvious–how are we to know what interests us if we cannot explore, and how are we to become comfortable with different tones if we are always trapped in a single, academic form? Further, how are we to think of writing as a means of communication, of expression, if we only ever encounter it as a rote task, a way to respond to basic questions?

And yet, when I think beyond my elementary school years, to middle and high school, and then to the middle and high school classrooms I observe now, and even to some of my own college classes, it is so rare that older students are simply given time to write. Why is this? Students do not naturally lose creativity or curiosity and they get older unless they are taught to. But after elementary school, the only times that I remember being given the space to simply write were a couple elective courses late in high school. During my observations now, a few years later, I have never seen students given time to write, or assigned daily journaling. This confounds me, because it seems like an equally important, if not more important, time to be writing. If, as children, we are exploring, then as adolescents we are discovering. We are getting a hold on our own voices, on who we want to be and what we want to do as we reach adulthood. Therefore, this is an essential time to be developing a strong writing voice–but where is the space to do that? Perhaps I’m mistaken, and it is just my limited experiences that make me think students no longer have the kind of required free-writes I had as a child. But if not–why? Why does this open reading and writing space disappear when it’s needed most? Is it a lack of time due to test preparation, or basic skill reinforcement? Could twenty minutes be found to work on something that helps even nervous students get comfortable with the basic process of writing, of not worrying about errors? I know this would’ve helped me in middle and high school.

 

 

Writing to Create Meaning

At the beginning of this course we talked about who considered themselves readers and writers. I said I was a reader, but not a writer. And yet I write everyday! It seems a little silly in some ways. But part of what we talked about that first class was intention when you read and write, that being purposeful and thoughtful were what ‘made it count.’ I don’t completely agree with that statement when it comes to reading, but I think it’s huge in writing. I wrote papers for school and notes to myself, but nothing that mattered much to me. I was focused much more on the ideas I was writing about than using writing as a process to find meaning.

Now, halfway through the semester, I would call myself a writer (albeit, not a particularly good one). The reason for this change is that I’ve really been forced to use many different styles of writing quite regularly. I have to write blog posts every class for two of my courses. I never know what I could possibly have to say until I sit down and slowly find myself responding. I have to write a one to two page analysis paper every week for my religion class and every two weeks I get a new creative assignment to slave over in my english class. Then I have the typical larger papers due around midterms and finals! What I’m constantly finding is that writing is incredibly difficult for me. And what I’ve found most true–particularly in the english class–is that writing is how I find meaning. I can’t possibly find what I’m grasping at until I hit upon a word that seems to capture something that I didn’t even know I was trying to say. And that just leads to more words that take me somewhere–often somewhere completely different from where I thought I thought I might go.

My point is that the chapters in our textbook this week really resonated with me because they stressed how the process of writing–which can really only be taught by someone who participates in the writing process regularly–is really what creates meaning. That means meaning in the content of what’s being said, but also in the concepts and presentations used to express it. I think that’s what makes writing such a good tool in the classroom. It just naturally evokes meaning of all kinds that we can always use to examine and learn.

Bringing Non-Academic Literacies into the Classroom

In “Dear Tupac,” Heidi Hallman illustrates an interesting alternative to teaching “at-risk” students. She emphasizes the need to incorporate out-of-class literacies into the academic curriculum. Hallman provides a powerful example of students from a school for pregnant and parenting teens who use hip-hop to practice and improve literacy skills. While I find her argument salient, especially when considering the marginalization and degradation (academic as well as societal) of teen parents, she doesn’t address too deeply a fundamental issue: academic literacy.
In my opinion, Bob Schaefer’s approach, or at least what Hallman reports of it, is not as academically inclined as it should be. The students do have an opportunity to improve their writing skills through journal writing, narrative writing and poetry, but Hallman makes it seem like these exercises are designed more for therapeutic purposes than for academic purposes. While I completely agree that students labeled as “at-risk” youth deserve the opportunity to learn and express themselves in ways more easily afforded to other students, basic skills are still necessary. It is important for students of all levels to “investigate their individual agency,” but they must also be equipped with the knowledge necessary to succeed in school and beyond. Certainly, we must be careful to not drill basic skills and rote memorization into these students’ heads. It is unfortunate that arbitrary standards are what teachers are forced to focus on in the classroom, but sadly, it is what ensures academic and future success.

I think hip-hop is valuable in that it allows students to engage with the things they’re interested in and are most familiar with. But bringing out-of-class literacies and technologies into the classroom also has the potential to be distracting. I don’t mean to impugn the value that out-of-school literacies present. They are of extreme importance when it comes to drawing students into their own learning. But in my opinion, academic learning should still be a central part of the curriculum. In no way do I mean to discredit the value of what Hallman is encouraging teachers to practice. I just wish she had clarified more specifically what was being done to prepare these students for more fulfilling and promising futures beyond school.

Eastview School for Pregnant and Parenting Teens

I found the article “’Dear Tupac, you speak to me’: Recruiting Hip Hop as Curriculum at a School for Pregnant and Parenting Teens”, not only interesting because of its ideas for an English class curriculum, but also because of the school itself. I agree that using hip hop can be a great tool for students to identify with themselves, culture, and society in a way that is very meaningful. I have read about other teachers who try to incorporate hip hop into reading and writing and for the most part, it seems to be a successful tactic. However, I have never before heard of a school that is only for pregnant and parenting teens. I think the concept of this school is a great idea. It creates a safe space for these girls who have all gone through similar experiences and are motivated enough to further their education. Many girls drop out of school when they are pregnant or after giving birth due to struggles with finding daycare, getting harassed by peers, and having nobody with shared experiences to relate to. All these girls have the ability to achieve academic success, but there are so many barriers standing in their way that they lose all hope. This school solves all those problems. Using hip hop as a source of getting in touch with the students’ “authentic voice” and bridging out-of-school and in-school learning was definitely beneficial to these girls, but I think the atmosphere of the school itself is also a huge factor in their academic achievement. Without this safe space, the girls may not have been comfortable sharing their personal stories in their raps, poems, and songs.

Update: Evil Bunny Project

In our most recent meeting, Karen and Amanda, whose respective partners were out for the day, teamed up together to create a temporary partnership. After some rapid bonding over a math worksheet, we got to work on Karen’s project. Because Karen and Michelle had a well formulated plan from the previous session, we were able to pick up right where they left off and round of the story of the Evil Velveteen Rabbit. Before diving headfirst into the writing of the story, we created story arc and Karen determined her story’s, rising actions, climax, and falling actions; we used the original Velveteen Rabbit as a jumping off point. Karen found an online of the version to remind us of the details of the story. Here is the link we used:

http://digital.library.upenn.edu/women/williams/rabbit/rabbit.html

After we mapped out the story, Karen began writing and we talked about the importance of distinguishing between her words and the original text through quotation, citation, and italics. Karen was able to draft the story’s beginning and rising actions. Hopefully next session she can complete the first draft and start working on revision. Although Karen and Amanda may not have another opportunity to work together, Amanda is looking forward to seeing how the final project turns out.

Pop Culture in the Classroom

The reading that resonated with me most this week was ““Dear Tupac, you speak to me”: Recruiting Hip Hop as Curriculum at a School for Pregnant and Parenting Teens” by Heidi L. Hallman. I think that this reading demonstrates that pop culture literacy is inappropriately undervalued in educational settings. In education classes, we read a lot about the difficulties of connecting with students and engaging them with the course material. In this article, Hallman’s examination of “out-of-school” literacies demonstrates that not only should elements of pop culture be incorporated into the classroom, but they can also serve as effective and creative modes of entry into the curriculum.  I was particularly interested in how being able to write about Hip Hop songs and artists inspired the pregnant and parenting teens to express their own feelings and stories through verse and prose; the songs that spoke to the students seemed to serve as better models for self-reflection than a form of traditional in-school literacy, such as a textbook or one of the novels in the educational literary canon.

The connection between Hip Hop and autobiographical expression also reminded me of an English class I took last semester on Jay-Z, which was called “Shawn Carter: Autobiography of an Autobiographer.”  This class marked my first experience in which out-of-school literacies, which I did not have, were valued over in-school literacies. Although I felt out of my element through much of the semester, I learned about the connection between Hip Hop and identity and developed a better understanding and appreciation for rap lyrics and artistry. I also witnessed the high level of engagement and participation that results from allowing students to employ their pop culture knowledge in a classroom setting. I found the class discussions to be both provocative and highly relevant; they seemed like more advanced and academic versions of conversations my friends and I were having. Learning about Hip Hop also gave me new tools for expressing my own identity and prompted me to conceptualize my  autobiography in a different way.

Although I grew tremendously as a writer and listener in the class on Jay-Z, it didn’t occur to me that high school students might also benefit from a course that employs Hip Hop music until I mentioned the class to one of the senior high school students in the classroom that I observe. He was so excited about the prospect of taking an entire course on his favorite rapper that he told me that he would apply to Vassar with the solely based on that class. It was exciting to see a student become passionate simply about potential course content. I think that my experience with the student, in addition to Hallman’s article, demonstrates that if educators crossed the line between in-school and out-of-school literacies and brought pop culture into the classroom, it would open up the curriculum and student involvement in new and exciting ways.