Emphasizing the fictional part of historical fiction

In “Constructing Anne Frank” Spector and Jones argue that historical fiction, while engaging, threatens to distort students’ perception of real events. As an alternative, they suggest that teachers supplement interpretive works like the Goodrich and Hackett play, with primary sources and real life accounts of the historical events, so that students can recognize the optimistic slant of the play. I agree with the authors’ teaching tips, and think it’s a great way to teach students to critically analyze any movie, play, or book that claims to be “based on true events.” Rather than choosing to exclude these works of historical fiction, teachers should allow their students to confront these interpretations and learn to view them as inherently biased and one-sided. From Freedom Writers to Pearl Harbor, there is so much in the popular media that claims to depict real life events. If viewers are not taught to critically analyze the films as a works of art, they fall into the trap of forgetting that the work is an interpretation rather than a primary source.
As I was reading this piece, I was thinking that it might be interesting to ask students to write their own short plays that take on a particular slant and interpret the historical events in a way that promotes a narrow understanding. When students take on the roll playwright, they will discover the creative freedom that an artist has in creating a work of historical fiction. Because a play is technically artwork, there is no pressure to depict events exactly according to fact. I think such an assignment would help students view images, films, and plays in the popular media as interpretative works of art rather than historically accurate sources.

Berenstein Bears podcast

My podcast pays homage to the late Jan Berenstein, who passed away at the end of February 2012. Jan co-authored and co-illustrated the Berenstein Bears series, which is a childhood favorite of mine. In this podcast, I highlight Jan and her work, and I discuss my favorite book in the series using dialogue clips and music from the animated TV show as well as a short interview with my Mom about using the books to teach her kids.

I was thinking this could be used in a high school English/Media class to discuss childhood books, films or TV shows. Not only would the project allow students to reflect on their childhood literary influences, but it would also challenge them to efficiently summarize using various types of media sources.

Warning: this podcast is REALLY cheesy. Also, I had to import it into Quicktime Video because the Audacity file was too big—so the sound quality was a little compromised.

Berenstein Bears podcast

Fiona and Emily: update

We finally finished the first draft of our script! It is seven pages long and full of awesomeness. While we still need to edit and make some changes, we have decided to begin filming a few of the scenes over spring break. These are the scenes without any monologues or dialogues. The scenes are flashbacks, so we’ll film the action and then record the voiceovers once the script is edited. We’re both excited to begin filming. We know that the writing process is just the first out of many steps to making a movie, so we’re ready and eager to move on!

FIGMENT–“Write yourself in”

http://figment.com/

This website is a portal for all kinds of readers and writers. It has everything from essay contests to book previews. Anyone over the age of 13 can sign up to be a member–and its free! Once you’ve created an account, you can submit your work to contests, order the latest recommended books, read other members’ work, and more! Fiona likes the website because she can find all different kinds of books that she likes. She just types in a genre and receives entire lists of recommended books. There are also tons of opportunities for her to share her work and read other members’ essays, stories, film screenplays, and poems! Check it out!

Update: Emily and Fiona

Fiona and I finished the first draft of our script this week! This will definitely be a movie that all different kinds of people will appreciate. It is a mystery movie that will keep you guessing, but this week, we added in some drama, romance, and a few historical references. Fiona and I have both decided to play characters in the movie, although we are looking for four other females and one male…so if you’re interested in acting, let us know! Next week we plan to edit the script and scope out some sites on campus for filming.
Fiona and Emily

Comparing Youth Voices

In Kinloch’s “The Whitefication of the Hood,” she describes how Quentin found inspiration in Jasmine’s story. Although Jasmine was younger and lived in a very different community, Quentin really connected to her appreciation of black history in her town. Intrigued by her description of “old stores, slave houses and old family memories,” he noted “I can see some of Harlem in what she’s saying. When the new come, then there’s white-ification.” (Kinloch 67) By drawing parallels between Egypt, Texas and Harlem, NY, Quentin was consolidating common struggles in an attempt to amplify the voice of Black youth in gentrifying neighborhoods. Gathering similar experiences to highlight an issue is key to the success of any political or social movement. This is something that could be done in a classroom between students of the same age or different ages. I think it would be even more interesting for youth from separate schools to start this conversation. Not only was Quentin able to compare and contrast his life to Jasmine’s, but he gained inspiration that strengthened his own narrative. It can be really eye-opening for young people to get a taste of what its like to grow up in another state or community because of both the differences and the common threads that arise to pull two struggling people together.

Censoring youth perspective

“As educators, we face new responsibilities to facilitate a process whereby young producers project five, ten, even twenty years down the line to determine what it will mean for something they say in their teens to follow them into perpetuity, leaving them very little control over who sees it and how it is used.” Drop That Knowledge, p. 112

I am intrigued by this ethical dilemma over how kids’ present day opinions will affect them in the future. While I realize that anything on the Internet can be accessed at anytime by future employers, admissions officers, or acquaintances, I think it is counter-intuitive for kids to compromise their current voices and opinions in hopes of securing a good job in twenty years. Our society has so many psychologists, educators, and politicians out there telling us how kids think and feel, but it is not the same as having youth themselves express their opinions and experiences. If students feel too much pressure to publish the “right” kind of attitude, they will inevitably censor the very important youth perspective. I can understand a student feeling apprehensive in admitting her struggle with peer pressure or her first experience with drugs or alcohol, but at the same time, if we encourage her to censor her story, it will be harder for adults to understand and appreciate the youth experience. If the purpose of Youth Radio and other young people’s publishing companies is to promote the perspective of youth, the last thing they should do is make kids feel so anxious about their future employers and dates that they can’t appropriately convey their experiences.