Reading Response to Ray

I think it was a few class sessions ago that we discussed what it means to read critically and how teachers should go about teaching students to do that. The complexity of these seemingly simple questions really puzzled me and left me thinking for quite some time afterward. For this reason, I found Ray’s piece on inquiry-based teaching really thought-provoking. I was at first somewhat reluctant to accept Ray’s notion of the efficacy of this method of teaching/learning. I thought it was a little bit risky as a pedagogical strategy and too loosely structured for comfort. But having gone through all of Ray’s explications and illustrations–as well as Skinner’s own model of inquiry-based learning in conjunction with critical media literacy strategies–of the ways that inquiry-based teaching can and does work in the classroom, I became convinced of the method’s power to help students learn critical reading and writing skills.
I was particularly drawn to Ray’s emphasis on immersion within well-written, real-world texts that, after all, are from and are representative of texts from the real world. Often times students encounter in the classroom oversimplified writing samples and models that have no resemblance to good, quality writing. Even the academic writing that college students encounter have no resemblance to the sort of writing that they are taught to learn as young students. Letting students figure out, roughly for themselves, what good writing looks like can be a powerful strategy that encourages deeper levels of examination and critical interrogation in reading. As Ray stresses over and again, students must not merely be taught so they can learn, but instead taught to learn how to learn.
I think there’s a lot of power in letting students learn through immersion. Of course, this method of teaching presents many challenges and risks. Clearly, it is much more difficult to improvise a lesson than come to class prepared with one. Furthermore, inquiry-based learning places a lot of pressure on the students themselves to be active agents in their own learning. But I think this is what this type of learning is all about: the challenge of and growth that spring from inquiry. If we judge students’ work on what they do correctly and what learning they’ve exhibited in their work, rather than on what they fail to do or include in their writing, teaching through inquiry can be an empowering strategy for both students and teachers alike.
What I found initially troubling was this idea that the curriculum is to be generated with the students and not all planned out beforehand. But what’s really poignant about this exercise is that teachers will gain instructional expertise from it, and content expertise will necessarily follow. No teacher can be an expert in everything s/he teaches, but any teacher can become an expert in teaching students how to learn. As Ray suggests, I believe that the key to critical reading, writing and thinking is rooted in this idea that process is infinitely more important than product.

Amanda and Isabella: Progress!

In our most recent meeting, Isabella and I  got to work on putting together her digital story about crew. We now have videos and pictures of professional rowers and their coaches, photographs of Vassar’s crew team, and a few images from Poughkeepsie High School. Isabella brought in the transcripts from her interviews with her teammates. We began to extract quotes from those interviews and spliced the text in between the images. We found some other entertaining quotes about crew on this website. Isabella liked these three in particular:

“Rowers do more before 8:00am than most people do all day.” — Rowing Shirt Logo

“Real athletes row. Everyone else just plays games.” — Rowing Shirt Logo

“Crew is life … everything else is just details.” — Racing Shirt Logo

We also interviewed Fiona about her experiences rowing. (Shout out to Emily and Fiona who are making an awesome movie trailer – Isabella and I got to try out our acting skills, which are sorely lacking on my part, and play supporting roles! You can read more about their project here). Next class we are going to put in the last of the quotes and photos and write Isabella’s narration! We still have a lot of work to do but I am so happy about all the progress we made!

Reading the World

In Emily Skinner’s article “Writing Workshop Meets Critical Media Literacy: Using Magazines and Movies as Mentor Texts,” she writes about Teenage Addiction, an after-school writing club that uses popular media as a spring-board for critical writing projects. Skinner cites Freire and Macedo’s concept of “reading the world” as grounding philosophy for Teenage Addiction. “Reading the world” is described as “reading not only words (and images) in texts, but also critically interpreting the ideologies that underlie the words and images (p. 30). Skinner provides the example of Raquel’s project- looking at fashion magazines in a critical way. I thought this project was great because it harnessed the interest Raquel already had in fashion magazines and helped direct it toward critical thinking and literacy skills.

I think this idea of “reading the world” is really powerful! Showing students the connection between what they are reading, looking at, or watching and the wider world is not only inherently interesting, but also teaches an invaluable life skill. Katie Wood Ray’s article about “Exploring Inquiry as a Teaching Stance in the Writing Workshop” echoes these ideas- encouraging students to constantly ask question and search for hidden meanings in texts. I loved the idea of students writing Op-Eds!

It is incredibly beneficial for students to see the connection between things that they read and the world around them, and both of these articles do a great job of providing examples of how to help students realize the way the word reflects the world. This is important, because it both allows them to understand problems of the world, and allows them to develop the skills they will need to create change. I was reminded of this book by Linda Christensen (a Rethinking Schools publication) which includes essays, lesson ideas, and student writing that help show the connection between language arts and social justice: http://www.rethinkingschools.org/ProdDetails.asp?ID=0942961250

 

Using Popular Texts in the Classroom

Emily Skinner’s text explores using popular magazines and movies as ‘mentor texts’ through which students could practice numerous skills.  Skinner explains that students can be encouraged to critically consume popular texts and to use these texts to examine various social issues and aspects of there personal lives on a deeper level.  Using popular texts not only can easily motivate normally reluctant students but can also allow students to enjoy learning something which I believe has been lost in many school systems.  The ability to instill genuine intellectual curiosity and a desire to learn and improve can be accomplished in several ways, one of these ways being through using popular texts and images in the classroom.  Basing writing exercises on popular materials encourages critical examination both of texts and of the writing and planning process in general.  Although the use of these texts in the classroom would seem to be a wholly positive experience for students, their use would definitely need to be carefully monitored in order to keep students on task.

Katie Wood Ray’s article, “Exploring Inquiry as a Teaching Stance in the Writing Workshop,” gave insight into a pedagogy that seeks to construct knowledge alongside students. As she demonstrated, this is the ideal way to teach writing as a craft—as grounded as any practice, with concrete materials—rather than as a formula. Even more remarkable is that, by examining the mechanics of more established writers and writing alongside them, I think that students might see themselves as a part of a community of writers. Often, creativity gets mixed up with the need to be “unique,” but this mentality can often be an intimidating hindrance and an obstacle to learning. At a time when writing is so important, yet so archaically taught, I found this stance to be a useful guide.

Using the online audience to motivate students

In “Unleashing Potential with Emerging Technologies,” Sara Kajder recounts her experience of creating a reader’s guide wikibook with her 11th grade English students. Upon realizing that the book The Stranger had an infamous reputation among her students, Sara decided to challenge her class to create their own guide to understanding the book. As a class, they compiled and posted pictures, charts, summaries, explanatory notes, and character lists alongside an online copy of the book. Not only did the 11th graders enjoy the fast-paced yet casual nature of wikibook, but they were also very motivated by the knowledge that others outside of their class were frequently viewing their work. Kajder noticed a remarkable upsurge in participation and online activity after she told her class about an English class is Seattle that was using the site to aid their own reading of The Stranger. “Within three days,” she writes, “content was explodingon the site. Students had added videos that offered enactments of scenes. Some were podcasting their literature group discussions. Others were linking to every bit of relevant content that they could find.” (223) Students were motivated by the knowledge that other people were following and appreciating their work. This seemed to give the project added value, as if the wikibook was a community service rather than a regular class project. I think this observation speaks to the effects of responsibility. When students realize that their work is helping others, it suddenly becomes more important. They invest time and energy into their work in order to make the project as legitimate as possible. Online technology is an easy and effective way for teachers to provide an audience for students. Perhaps giving students an audience that depends upon and benefits from the students’ work is one strategy for instigating motivation in classroom activities and projects.

Emily and Fiona: Movie

Many thanks to Amanda and Izzy for lending their fabulous acting skills to our movie trailer project. We were able to finish our filming today, so we are right on schedule. We have chosen to create our movie trailer using iMovie, which has been both fun and frustrating. Neither Fiona nor I have a lot of experience using iMovie, so we’re learning as we go. The process of movie editing certainly requires a lot of patience! Next week we aim to finish splicing the clips and then add some cool special effects, mysterious music, and final touches.

Moral Quandaries

Today Luis interviewed people in the class and asked them to answer one of the moral dilemmas he wrote last week. We recorded their reactions and responses in Audacity. We got 13 people to answer! Next time we will record Luis’s voice as the narrator of the radio podcast and we can start putting all the sound clips in the right order.

If we interviewed you, thanks for answering our questions!

Update

Today, we searched for music to put in our digital story. We found numerous songs to place in the story. This was a difficult decision to make. We listened to some Cello music, more classical, and a lot of hip hop—XV, Kendrick Lamar, Wiz Khalifa. At the end of the day we decided to go with “Tonight’s the Night” by Outasight and “When I’m Gone” by Wiz. Hopefully next time we will have a finished 1st draft to work with and revise!