Martha and the Muffins – “World Without Borders” b/w “Boys in the Bushes” (WAKE 2)
“World Without Borders” b/w “Boys in the Bushes” Current/RCA Records WAKE 2 (Canada) Released probably in winter or spring 1983 Produced by Daniel Lanois with Mark Gane and Martha Johnson Martha and the Muffins released two more album tracks for the second single to promote Danseparc. Opening with two thumps on the drums, “World Without...
Martha and the Muffins – “One Day in Paris” b/w “Women Around the World at Work” (104.209)
Licensing this single to Germany’s Ariola label must have been a quick matter for DinDisc/Virgin, if the cheap design reproduced on both sides of the sleeve cover is any indication. Superimposed over a generic photo of the Eiffel Tower is a promo portrait of the defunct Martha and the Muffins line-up — Martha Ladly, Carl...
concert stories: an #aprilconcertchallenge collection
Last week, a Facebook meme made the rounds asking users to list “10 Concerts I’ve Been To, One is a Lie.” While I’m game for almost any music list meme, I didn’t participate because I got sucked into into a smaller one on Instagram created by an old punk rocker @bookishlife: the #aprilconcertchallenge. I think...
new publications
I’ve had a couple of articles published in the past month. First, and most relevant to my musical urbanism project, an article about the proto-EU visions traced in the career of Simple Minds, “Sound in 70 Cities: The European Urbanism of Simple Minds,” has been published in a new edited volume: Unsichtbare Landschaften/Invisible Landscapes: Popular...
in exile: the rootless cosmopolitanism of Jeffrey Lee Pierce and the Gun Club
I’ve never quite understood why the Gun Club, one of the all-time great Los Angeles bands, had an estranged relationship with their city of origin. It seems to me no local critic or serious music fan can deny their impact on L.A.’s music legacy. One of the great cult bands of rock music, the Gun...
some thoughts on the decline of urban music retail
I had a brief but interesting Twitter conversation yesterday triggered by Maura Johnston’s link to a New York Times article about how J&R Music World, a venerable downtown NYC retailer of music, hardware and technology, is abandoning its CD sales. already happened to fans of all music across US… MT @nytimes NY classical fans running...
sound in 70 cities: the European urbanism of Simple Minds
Dream, dream, dream It’s the eighties’ youthful theme Loving the city A theme for great cities And loved ones And love – “Wonderful In Young Life” (1981) Americans know them mostly as “that Breakfast Club band” from the 80s, but Scotland’s Simple Minds have carried on in one form or another long enough to...
musical suburbanism, pt. 1: Kidz Bop and the commodification of kids’ listening
Last summer I took a family roadtrip and was driven slightly insane by the heavy rotation of Kidz Bop CDs on the car stereo. In a rare moment of solitude carved out of a frenzied week, I sent out these missives via Twitter: 1. if one promise of musical urbanism is Simmel’s vision of...
the dull ubiquity of placeless music festivals
Some questions for investigations here, presented in the form of a rant. As part of my research in musical urbanism, I consume a fair amount of music coverage in print and online. Jesus Christ, all I seem to find these days is “writing” about generic touring festivals headlined by Coldplay/Metallica/Fiona Apple/Beach House/you name it. News about new music...
swimming in the music ecosystem: an interview with Scott Reitherman of Throw Me The Statue
Scott Reitherman is the singer, multi-instrumentalist, songwriter and main guy behind Throw Me The Statue, an indie-pop band based in Seattle. They have two albums out on Secretly Canadian, an independent label based out of Bloomington, Indiana, and are currently in the studio recording a third one. Their 2007 debut Moonbeams got a warm reception...
Poughkeepsie and America’s musical hinterlands as seen from British eyes
Thanks to the Slicing Up Eyeballs blog, I’ve discovered a new BBC Four music documentary, “How the Brits Rocked America: Go West,” about the three generations of British musicians, from the Beatles to Duran Duran, who scaled the walls of American pop culture. Some of them made their fortunes, many more failed, and a few just wanted...
on the stroll: a book review of “The Chitlin’ Circuit and the Road to Rock ‘n’ Roll” by Preston Lauterbach
Cities shape music, we know, but how does music shape cities? To be specific, how can a DIY music industry heat up urban economies, enliven public spaces, foster local idioms and local traditions of artistic practice, and even create jobs? This question suggests the policy criteria adopted by creative-city analysts, as well as the legacy...