the curious case of Mariya Takeuchi’s Plastic Love: guest blog by Thomas Calkins
[I’ve wanted Thomas Calkins to write something for this blog since well before I served as external adviser to his University of Wisconsin-Milwaukee sociology dissertation on the life and death of urban record stores. While that project currently evolves into academic journals publications, he found the time to share some thoughts on a quite recent...
the story of DinDisc Records
OMD were a perfect fit for what I had in mind for DinDisc — they had a serious, artistic side with real depth, as well as a commercial, pop side. That duality was reflected in all the early DinDisc signings, like Martha and the Muffins, and then the Monochrome Set. – Carol Wilson, head of...
how the Queen Street West scene began, pt. 2: OCA bands
How did a bunch of kids in suburban Thornhill ignite a Toronto music scene and bring new energy to Queen Street West, now a hip urban neighborhood? My last post introduced the key players and forgotten bands in the so-called Thornhill sound, but their network, activities, and energies would need to relocate and expand in...
how the Queen Street West scene began, pt. 1: the Thornhill sound
THE EVERGLADES are ambassadors of the Thornhill Sound, a sound long fermenting in the rec rooms and condo apartments just north of STEELES AVE. Among its proponents include: Martha and the Muffins, Johnny and the G-Rays, the B-Girls, and the now defunct Dishes, Cads, E-Static and the legendary Oh Those Pants! Even Canada’s songbird Anne...
concert stories: an #aprilconcertchallenge collection
Last week, a Facebook meme made the rounds asking users to list “10 Concerts I’ve Been To, One is a Lie.” While I’m game for almost any music list meme, I didn’t participate because I got sucked into into a smaller one on Instagram created by an old punk rocker @bookishlife: the #aprilconcertchallenge. I think...
David Mancuso at Dub Spot Records
In this year of awful news, I wonder if we’re currently experiencing what evangelical Christians call the rapture. Only now the evangelicals remain on earth, while great people whose contributions made the world a better place are passing away almost daily. Just reviewing the music world memoriam since January: David Bowie, Lemmy, Glenn Frey, Blowfly...
the commodification of Appalachian music: guest blog by Julia Simcoe
[This past year, I had the delight to supervise two Vassar College senior theses that, through no effort of mine, were inspiring and insightful examples of research in musical urbanism. With these students’ permission, I’m going to share their theses on this blog. The first comes from Sociology major Julia Simcoe (‘16), whose work reflects...
a few words about Glenn Frey
They say the deaths of significant cultural figures come in threes. It seems you don’t get to choose those three, because here we are: Lemmy Kilmeister. David Bowie. And now, Glenn Frey. Growing up a music snob, certain groups you naturally come to disdain and mock. The Eagles and Glenn Frey in particular filled that...
how the sound of New York came from four Brooklyn high schools
One of the great eras in New York City music comes not from a ‘scene’ of musicians and audiences as we normally think of this term, but from the very mercenary activities associated with the songwriters, publishers, and promoters associated with the city’s Tin Pan Alley. In Always Magic in the Air: The Bomp and...
a history of rave: from the UK to Ultra Miami
Almost six months since the Ultra Music Festival held its ninth annual event in Miami, an official “aftermovie” was just released two days ago. It’s so bonkers and over the top in how it depicts the state of the art in rave culture, it calls for a juxtaposition with an earlier moment in rave culture,...
under the shadow of Woodstock: listening to the Hudson Valley
Another problem with the “Brooklynization of Hudson River Valley” thesis that I discussed in my last post is that the music in these parts isn’t very hip. That’s not a judgment, just a statement of fact if by “hip” we mean the product or embrace of 20-something hipsters who disproportionately reside in Brooklyn. However, the Hudson Valley...
sons of Norway: scratching at the local myth of the Replacements
The Replacements are in the ether again. Do they ever leave? Their legend has hardly faded since they broke up in 1991, but it seems now that popular culture, having cycled through late 70s/early 80s new wave and post-punk, is in the midst of a nostalgic phase for late 80s/early 90s college-radio music. There was...