tuff Marian: sociological fiction and other people’s pictures
One of my most exciting and challenging writing assignments is now available. I was asked to write 150-200 words of text to accompany a photo featured in Other People’s Pictures: Snapshots from the Peter J. Cohen Gift, an exhibit that just opened at the Frances Lehman Loeb Art Center at Vassar College. Here’s the picture...
how to teach Musical Urbanism in three lectures
Thought I would share this for teachers and academics: a guest lecture section that I just gave in an undergraduate Introduction to Urban Studies course taught by Lisa Brawley at Vassar College. Readers are welcome to incorporate or adapt this material into their own teachings. Day 1: Theorizing the post-industrial city Readings: Richard Lloyd...
why I have two Twitter accounts
I set up a personal Twitter account, @LeonardNevarez, to accompany my original @MusicalUrbanism account. In explaining why, this is a good moment to review the evolution of my Musical Urbanism project. In the fall of 2007, I introduced a new co-taught course, Musical Urbanism, as a senior seminar at Vassar College’s Urban Studies Program. The...
Restless Records, 1989: from an independent label intern’s view
The inspiration for my latest post: a request. How cool to find out @enigmarecords, where I did my first internship, is on @twitter. Tweet more, Enigma! What are the Effigies up to? — Mara Schwartz (@mara_schwartz) December 8, 2013 @MusicalUrbanism @EnigmaRecords I would like to read this. — Mara Schwartz (@mara_schwartz) December 9, 2013 In...
studying the college music scene and beyond
Remember the bands that formed in college? You heard them at dorm parties, frat parties, apartment parties, the campus bar, battle-of-the-bands competitions, and impromptu outdoor settings. They practiced in dorm rooms, dorm basements, conservatory and theater rooms, backyard sheds, and laundry rooms, amusing/irritating neighbors and passers-by. Many college rockers and rappers dreamed of making it...
the five-year plan: a review of “Love Goes to Buildings on Fire” by Will Hermes
New York music doesn’t lack for good books. Nor does the history of 1970s New York. The intersection of these two subjects has been so worked over in the past ten years, it would seem any worthwhile new title would have to move on to fresher fields. So it’s utterly remarkable how Will Hermes’ book Love...
what’s local? a review of “The Dears: Lost in the Plot” by Lorraine Carpenter
Does it diminish a musician’s accomplishments to view them through his or her place of origin? Does the prism of the “hometown” assign the stigma of parochialism or, worse, artistic failure, implying that the musician never got out of the minor leagues, or never wanted to? Consider how we don’t find it fundamentally necessary to...
the end of the line in Sheffield: Sex City? a review of “Uncommon: An Essay on Pulp” by Owen Hatherley
With the horribly regressive debt-ceiling legislation passed by the U.S. Congress today, the West took yet another step toward making the neoliberal dream — gutting social programs, enshrining the market as the means and end of social well-being, idealizing upward mobility and the consumer good life, and leaving the lower classes to their own fate...
musical urbanism: statement of a scholarly project
It’s promotion review time for me, and in writing a research statement for the three anonymous sociologists evaluating my work, I’ve had the occasion to compile and synthesize my thinking on musical urbanism into a single essay. Think of this post as a users manual for understanding what I’ve been up to academically with this...