Martha and the Muffins – “Women Around The World at Work” b/w “Twenty-Two in Cincinnati” (DIN 34)
“Women Around The World at Work” b/w “Twenty-Two in Cincinnati” DinDisc Records DIN 34 (UK) Released on August 28, 1981 Produced by Martha and the Muffins and Daniel Lanois In 1981, Martha and the Muffins were back in Canada for good; they wouldn’t have known it at this time, but they would only tour one...
Martha and the Muffins – “Was Ezo” b/w “Trance And Dance” (DIN 27)
“Was Ezo” b/w “Trance And Dance” DinDisc Records DIN 27 (UK) Released on October 30, 1980 Produced by Mike Howlett More than any other Martha and the Muffins single, this feels like the one that got away. Like every single they released in 1980 after “Echo Beach,” this made no impact on the British charts....
Martha and the Muffins – “Paint By Number Heart” b/w “Copacabana” (VS 1115)
“Paint By Number Heart” b/w “Copacabana” Virgin/DinDisc Records VS 1115 (Canada) Released probably in summer 1980 Produced by Mike Howlett Like the rest of the world outside the UK, Martha and the Muffins’ home country Canada took longer to embrace “Echo Beach” for the simple reason that Virgin proposed a wait-and-see approach and delayed the...
Martha and the Muffins – “Echo Beach” b/w “Teddy The Dink” (DIN 9)
“Echo Beach” b/w “Teddy The Dink” DinDisc Records DIN 9 (UK) Released on January 25, 1980 Produced by Mike Howlett As the new decade began, Martha and the Muffins had a debut album in the can when they released their second British single. Written by guitarist Mark Gane, “Echo Beach” is exactly the same recording...
the shape of the Vassar College music scene: guest blog by Nicole Lipman
[Nicole Lipman has been my undergraduate research assistant for three years and has helped me immeasurably by transcribing interviews, scanning and indexing press clippings, and doing other work that my book project needed. Nicole is also a musician and music writer, so before she graduated in May, I asked her to update me on the...
the story of DinDisc Records
OMD were a perfect fit for what I had in mind for DinDisc — they had a serious, artistic side with real depth, as well as a commercial, pop side. That duality was reflected in all the early DinDisc signings, like Martha and the Muffins, and then the Monochrome Set. – Carol Wilson, head of...
in exile: the rootless cosmopolitanism of Jeffrey Lee Pierce and the Gun Club
I’ve never quite understood why the Gun Club, one of the all-time great Los Angeles bands, had an estranged relationship with their city of origin. It seems to me no local critic or serious music fan can deny their impact on L.A.’s music legacy. One of the great cult bands of rock music, the Gun...
let the children use it: the School of Rock presents David Bowie
Last weekend I saw my nephew play drums in a David Bowie tribute concert at the School of Rock in Fort Washington (a suburb of Philadelphia). Unsurprisingly, I had a blast. I mean, how could any Bowie fan resist the prospect of watching a rotating ensemble of middle- and high school-aged kids performing a 2+...
whey we don’t hear the city in Siouxsie and the Banshees
Currently I’m revising and expanding an essay I posted here a year ago, about how Joy Division came to sound like Manchester, to present at the 2012 EMP Pop Conference next month. The artistic connection between Joy Division and their city of origin is clear and powerful for many listeners, but my argument is that the connection isn’t...
between champagne and eviction: more new wave rent party
My last post introduced an imaginary sub-genre that I call new wave rent party and covered the basics of its aesthetic principles and historic urban context. Here, I continue that discussion with some more material from 1977-81 era. Well, maybe a couple of years further on as well—the sub-genre went on a few more years past its historic sell-by...
living the urban crisis at the new wave rent party
I recently downloaded the reissued Human Switchboard album, Who’s Landing in my Hangar? Anthology 1977-1984, which set me off again obsessing about a subgenre of new wave that I’ve never really seen recognized. I don’t even know how best to name this subgenre, although I’m convinced it has a musical coherence. I’ll call it new wave rent...
punk-rock dads in suburbia: reflections on “The Other F Word”
I’m still thinking about “The Other F Word,” Andrea Nevins’ new documentary about punk rock musicians who became fathers, since I saw it a week and a half ago at the Woodstock Film Festival. Featuring the dads who play in Pennywise, NOFX, Blink 182, Rancid, Bad Religion, Black Flag, Rise Against, U.S. Bombs, and Fear (represented by...