New Faces in the Library

This December, Vassar College Libraries welcomed a new librarian, Heidy Berthoud

Q. What work do you do at Vassar College Libraries?

A. I am the Continuing Commitments Librarian, which means I work with any resource that we purchase on an ongoing basis. This includes our print serials and most of our electronic resources.

Q. You’ve worked at other libraries before coming to Vassar?

A. Yes, I have. I worked in various roles at the University of Chicago Library since 2002. Before coming to Vassar, I had been Supervisor for Continuing Resources Orders and Cataloging for almost five years.

Q. What did you do there and how is it different from your work here?

A. I was working with similar kinds of materials, but my position at Vassar gives me more freedom and independence to do activities that aren’t strictly in my job description. For example, I’m hoping to work more with managing discovery tools than I did at Chicago, and I would also like to learn some computer programming skills.

Q. Why do you like working in libraries? Or not like?

A. I’ve always liked research, solving puzzles, and bringing order to chaos. Every career I’ve ever considered has had some of those elements mixed in, but librarianship fits my temperament the best.

Q. What are your interests outside of work?

A. I like to travel and plan crazy vacations. Since moving to Poughkeepsie, I’ve been trying out the local restaurants and visiting the movie theater—a lot. I also enjoy stereotypical librarian pursuits, such as reading, knitting, and making fun of my cat.

When I’m not doing any of the above, I’m feverishly writing my doctoral dissertation; I am ABD in history at the University of Chicago.

Veronica

The Library Café is Back

978-0-226-32142-4-frontcoverThe Library Café returns to WVKR (91.3 FM) January 30 at noon to feature an interview with N. Katherine Hayles about her book: How We Think: Digital Media and Contemporary Technogenesis, published by the University of Chicago Press.

“If you are presently teaching or practicing digital, or a traditional academic in denial, or just curious about the impact of digital technology in the humanities, How We Think has arrived at the right time.”  New York Journal of Books.

 

Future guests this semester include Adina Hoffman and Peter Cole on their book Sacred Trash: The Lost and Found World of the Cairo Geniza (Shocken 2011) and Andrew Piper on his new book Book Was There: Reading in Electronic Times (Chicago UP, 2012).

 

Podcasts of previous editions of The Library Café can be found at: http://library-cafe.org.

 

Art Library Exhibit: “S.M.S. (Shit Must Stop) – 1968”

The Vassar College Art Library Presents: S.M.S. (Shit Must Stop)- 1968.”

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At the height of the global political and social upheavals of the 1960’s, the American surrealist painter and art dealer William Copley published an unusual periodical entitled S.M.S., which informally stood for “Shit Must Stop.”  Inspired by Dada and the anti-commercial, merged-media ethos of the Fluxus movement, the publication consisted of a series of six 7 x 11-inch cardboard portfolios published bimonthly between February and December of 1968.  Each portfolio contained seven to fourteen multiples by different artists, and included works of widely divergent materials and techniques, from constructions and printed matter to photographs, prints, drawings, and sound recordings.

Includes multiples by Marcel Duchamp, Robert Rauschenberg, Man Ray, Christo, Roy Lichtenstein, Merit Oppenheim, John Cage, Richard Artschwager, Walter De Maria, Ray Johnson, Richard Hamilton, Dieter Rot, Yoko Ono, and many others.

On View January 23 through March 30, 2013, in the Art Library Main Reading Room.

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S.M.S Issue Number 6 1968.  Limited Edition Multimedia Art Magazine.  11 x 7 inches (Closed)

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 Roy Lichtenstein, “Folded Hat” 1968. Ink on folded Mylar. 7 1/4 x 14 inches
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Yoko Ono, “Mend Piece for John” 1968. Cardboard, paper, plastic bag, ribbon, glue and broken tea cup.

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Mimmo Rotella, “6 Prison Poems 1964-1968. Ink on Various Papers. 9 1/2 x 6 1/2 inches (variable).
“These Poems were written Clandestinely in the prison of “Regina Coeli” in Rome, during the detention of five months of the artist Rotella for posession of marijuana in 1964″.