Choreographer:\u00a0 John Meehan
\nCostumes:\u00a0 Richard Prouse
\nMusic:\u00a0 \u00a0 Shostakovitch:\u00a0\u00a0 Excerpts from Jazz Suite<\/p>\n
Opening:\u00a0\u00a0 Rebecca Ain, Miriam Greenstein, Marina Hitosugi-Levesque,
\nMarianne Kies, Sarah Knerr, Claudia Rea, Miranda Robertson, Jessica Waxler<\/p>\n
Ashley’s Waltz:\u00a0\u00a0 Ashley Otremba with
\nMiriam Greenstein, Marina Hitosugi-Levesque, Claudia Rea, Miranda Robertson<\/p>\n
Jessica’s Polka:\u00a0\u00a0 Jessica Waxler with
\nRebecca Ain, Marianne Kies, Sarah Knerr<\/p>\n
Claudia’s Waltz:\u00a0\u00a0 Claudia Rea with
\nMiriam Greenstein, Miranda Robertson<\/p>\n
Finale:\u00a0\u00a0 Rebecca Ain, Miriam Greenstein, Marina Hitosugi-Levesque,
\nMarianne Kies, Sarah Knerr, Ashley Otremba, Claudia Rea,
\nMiranda Robertson, Jessica Waxler<\/p>\nngg_shortcode_0_placeholder\n
Choreographer:\u00a0 Rachel Elliot
\nMusic:\u00a0 Come Sunday by Duke Ellington
\nfeaturing Mahalia Jackson<\/p>\n
Dancers:\u00a0 Dwayne Brown, Lisa Field, Dana Fitchett, Catlin Henderson,
\nDanielle Patterson, Kaia Ross-Duggan<\/p>\n
I had fainted, unless I had believed to see the goodness of the Lord in the land of the living.\u00a0<\/em>Wait on the Lord: be of courage and he shall strengthen thine heart: wait, I say, on the Lord. <\/em>\u00a0\u2014Psalm 27:13-14<\/em><\/p>\nngg_shortcode_1_placeholder\n Choreographer:\u00a0 Ashley Otremba Dancers:\u00a0 Rebecca Ain, Miriam Greenstein, Ashley Otremba, Claudia Rea, Choreographer:\u00a0 Abby Saxon and Martha Tobias Dancers:\u00a0 \u00a0 Dwayne Brown, Lisa Field, Suzanne Gerdes, Claire Grandison, Kaitlyn Hipple (3\/5, Marianne Kies (3\/4), <\/p>\n <\/big>\u00a0Choreographer:\u00a0 Gabrielle Revlock<\/p>\n Music: Original music by Ennio Morricone.\u00a0\u00a0Arranged by Kerry Kenney Dancers:\u00a0 Robin Cherof, Ariel Braverman, Dana Fitchett, David Rodriguez, Claire Grandison, Kaia Ross-Duggan, end’s ending then these dolls of joy and grief<\/em> “O to be self-balanced for contingencies,<\/em> Choreographer:\u00a0 Pascal Rioult Dancers:\u00a0 \u00a0 Dwayne Brown, Rama Jaima, David Rodriguez Faithful to Ravel\u2019s intentions, Wien is a fantastic and fatal swirling of tragic dimensions.\u00a0 The Viennese waltz, the very image of social refinement, becomes the symbol of a disintegrating society taken into a whirlpool of violence and humiliation.\u00a0 The piece has the poisoned atmosphere of despair and fatalism.\u00a0 It is the trail of failed humanity.\u00a0 It is a premonition of triumphant evil.<\/em><\/p>\n *Wien (Vienna) is the original title of the musical score. <\/em> Choreographer:\u00a0\u00a0 Claudia Rea Dancers: Miranda Robertson, Miriam Greenstein, Ashley Otremba, Claudia Rea<\/p>\nngg_shortcode_6_placeholder\n <\/p>\n Choreographer:\u00a0 Kathy Wildberger Dancers:\u00a0 Nick DeCarlo, Lisa Field, Claire Grandison, Kaitlyn Hipple, Rama Jaima, Choreographer:\u00a0 Steve Rooks Dancers:\u00a0 Dwayne Brown, Rachel Elliott, Dana Fitchett, Miriam Greenstein, Choreographer:\u00a0 David Rodriguez Dancers: \u00a0Robin Cherof, Marina Hitosugi-Levesque, Marianne Kies, Cameron Lussier, Jackson Reeves, David Rodriguez, Kaia Ross-Duggan<\/p>\nngg_shortcode_9_placeholder\n <\/p>\n Choreographer:\u00a0 Dana Fitchett Dancers:\u00a0 \u00a0 Dwayne Brown, Dana Fitchett, Suzanne Gerdes, Miriam Greenstein, Catlin Henderson, Choreographer:\u00a0 Barrington Moncrieffe<\/p>\n Music:\u00a0 \u00a0 Traditional Dancers:\u00a0 \u00a0 The Company:<\/p>\nngg_shortcode_11_placeholder\n <\/p>\n","protected":false},"excerpt":{"rendered":" CLAUDIA’S WALTZ Choreographer:\u00a0 John Meehan Costumes:\u00a0 Richard Prouse Music:\u00a0 \u00a0 Shostakovitch:\u00a0\u00a0 Excerpts from Jazz Suite Opening:\u00a0\u00a0 Rebecca Ain, Miriam Greenstein, Marina Hitosugi-Levesque, Marianne Kies, Sarah Knerr, Claudia Rea, Miranda Robertson, Jessica Waxler Ashley’s Waltz:\u00a0\u00a0 Ashley Otremba with Miriam Greenstein, Marina Hitosugi-Levesque, Claudia Rea, Miranda Robertson Jessica’s Polka:\u00a0\u00a0 Jessica Waxler with Rebecca Ain, Marianne Kies, Sarah […]<\/p>\n","protected":false},"author":1035,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[16187],"tags":[],"class_list":["post-1657","post","type-post","status-publish","format-standard","hentry","category-2005-2006"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/posts\/1657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/users\/1035"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/comments?post=1657"}],"version-history":[{"count":5,"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/posts\/1657\/revisions"}],"predecessor-version":[{"id":1663,"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/posts\/1657\/revisions\/1663"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/media?parent=1657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/categories?post=1657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.vassar.edu\/vrdt\/wp-json\/wp\/v2\/tags?post=1657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}CHANGED MY MIND<\/h3>\n
\nMusic:\u00a0 The Killers<\/p>\n
\nMiranda Robertson, Jessica Waxler<\/p>\nngg_shortcode_2_placeholder\nVOODOO RENDEZVOUS<\/h3>\n
\nMusic:\u00a0 \u00a0 Ben Charest–from the soundtrack of Triplets of Belleville<\/p>\n
\nSacha Manov, David Rodriguez, Kaia Ross-Duggan, Marion Spencer(3\/4), Analiese Umana (3\/5)<\/p>\nngg_shortcode_3_placeholder\nKALIEDOSCOPE FACE<\/h3>\n
\nCostumes: Kerry Kenney, Gabrielle Revlock, Kathy Wildberger<\/p>\n
\nJessica Jacobson, Lindsay Kozlowski, Bianca Londono, Marion Spencer<\/p>\n
\n these recent memories of future dream<\/em>
\n these perhaps who have lost their shadows if<\/em>
\n which did not do the losing spectres mime<\/em>
\n \u00a0 -e.e. cummings<\/em><\/p>\n
\n To confront night, storms, hunger, ridicule, <\/em>
\n accidents, rebuffs, as the trees and animals do.”<\/em>
\n \u00a0 -Walt Whitman<\/em><\/p>\nngg_shortcode_4_placeholder\nWIEN* (1995)<\/h3>\n
\nReconstructionist:\u00a0 Joyce Herring
\nLighting:\u00a0 David Finley\u00a0\u00a0\u00a0\u00a0 Costumes:\u00a0 Russ Vogler
\nMusic:\u00a0 La Valse by Maurice Ravel<\/p>\n
\nMarch 4th\u2014 Dana Fitchett, Marina Hitosugi-Levesque, Ashley Otremba,
\nMarch 5th\u2014 Ariel Braverman, Suzanne Gerdes, Catlin Henderson,<\/p>\n
\n \u00a0 <\/em>
\n (First Performed January 13, 1995 \u2013 Sylvia and Danny Kaye Playhouse, New York) <\/em>
\n \u00a0 <\/em>
\n \u00a0Acquisition of Wien for VRDT\u2019s 2005-06 season was made possible through a grant from <\/em>Dance\/USA\u2019s National College Choreography Initiative.\u00a0 Costumes courtesy of SUNY Purchase Dance Conservatory.<\/em><\/p>\nngg_shortcode_5_placeholder\n<\/big>\u00a0 TAKE 5<\/h3>\n
\nMusic: Take Five by David Brubeck<\/p>\nKNEE DEEP IN DARK WATER<\/h3>\n
\nMusic:\u00a0 \u00a0 Beethoven\u00a0 (opus 27 no.2, third movement, played by Arthur Rubenstein)<\/p>\n
\nJessica Jacobson, Sarah Knerr, Lindsay Kozlowski, Bianca Londono,<\/p>\nngg_shortcode_7_placeholder\nblack\/red<\/h3>\n
\nMusic:\u00a0 Howard Kilik<\/p>\n
\nCatlin Henderson, Marina Hitosugi-Levesque, Rama Jaima,
\nCameron Lussier, Ashley Otremba, Claudia Rea<\/p>\nngg_shortcode_8_placeholder\nSKIN DEEP<\/h3>\n
\nMusic:\u00a0 Tosca Tango Orchestra<\/p>\ndystopian paradise (section III)<\/h3>\n
\nMusic:\u00a0 Clint Mansell remixed by Josh Wink
\n(edited by Keith Croxton)<\/p>\n
\nRama Jaima, Cameron Lussier, Claudia Rea, Leah Wilks<\/p>\nngg_shortcode_10_placeholder\nJAMAICAN SUITE (1991)<\/h3>\n
\nPercussionists: Henry Miller, Leaford Jeremiah McFarlane, Cedric Thomas, Douglas Carnes
\nFlautist:\u00a0 Orawan Gardner
\nCostume Design:\u00a0 Barrington Moncrieffe
\nHorse Head Construction:\u00a0 Paul O\u2019Connor<\/p>\n