Spring 2019

Letter From the Editors and Introduction

“EXQUISITE, GOLDEN, FRAGRANT, FLAUNTING”: CLARE KENDRY’S COLLAPSING HOUSE OF RACE CARDS By Andrea Everett

SIGHTS AND SOUNDS IN “SIRENS” By Andrea Yang

VIOLENCE, LYRICISM, AND THE MODERN BLUES AESTHETIC By Ben Papsun

SITES OF HISTORY AND CULTURAL RECLAMATION: RIVERS AND SEAS IN THE POETRY OF WALCOTT AND HUGHES By Gelsey White

DAVIE MAY BE DAVID, BUT ZION IS BABYLON: MISCOMMUNICATION AND THE PERFORMANCE OF POWER IN V.S. REID’S NEW DAY By Gerardo J. Lamadrid

“DEAR WILLIAM WORDSWORTH”: OPPRESSION REINSCRIBED AND RESISTED IN EPISTOLARY WRITING By Maria Bell

FLESH AND BODY HORROR FANTASIES IN AN UNKINDNESS OF GHOSTS By Max DuBois

BROKEN BLUES:THE GRAMMAR OF SILENCE IN CORREGIDORA By Nick Erichson

EATING WORDS:“BREAKFAST” WITH GERTRUDE STEIN By Sam Panken

LUCID DREAM By Stephen Jin

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