{"id":7,"date":"2012-08-17T15:00:32","date_gmt":"2012-08-17T15:00:32","guid":{"rendered":"http:\/\/blogs.vassar.edu\/tyronesimpson\/?page_id=7"},"modified":"2014-12-19T17:29:55","modified_gmt":"2014-12-19T22:29:55","slug":"publications","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/tyronesimpson\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

Books<\/strong><\/p>\n

Ghetto Images in Twentieth-Century American Literature: Writing
\nApartheid. <\/em><\/strong>(New York: Palgrave Macmillan, 2012)<\/p>\n

\u00a0Articles<\/strong><\/p>\n

“Extra Time: Vila Autodromo, Brazil’s Favelas, and the Contest Before the Games” Counterpunch, <\/em><\/strong>July 29, 2014.<\/p>\n

“How Barack Obama Killed Trayvon Martin” Black Agenda Report<\/em><\/strong> (online journal), March 4, 2014<\/p>\n

\u201cI Could Always Feel Race Trouble . . . Never More Than Two Feet Off\u201d: Chester Himes\u2019s Melancholic Perception\u201d in African American Review<\/em><\/strong> 43.2 (2009), 233-245.<\/p>\n

\u201cThe City in Literature\u201d in The Encyclopedia of Twentieth-Century Fiction<\/em><\/strong> eds. Patrick O\u2019Donnell and Justus Nieland (Oxford: Wiley-Blackwell, 2011)<\/p>\n

\u201cAnzia Yezierska\u201d in The Encyclopedia of Twentieth-Century Fiction<\/em><\/strong> eds. Patrick O\u2019Donnell and Justus Nieland (Oxford: Wiley-Blackwell, 2011)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

\u201c\u2018The Love of Colour in Me\u2019: Anzia Yezierska’s Bread Givers<\/em> and the Space of White Racial Manufacture\u201d MELUS<\/em><\/strong> (M<\/strong>ulti-E<\/strong>thnic L<\/strong>iterature in the U<\/strong>nited S<\/strong>tates) 34:3 (Fall 2009), 93-114.<\/p>\n

Aborto Verbale: Barack Obama e l\u2019Offensa alla Paternita Nera\u201d in Acoma <\/em>37 (Autumn 2008), 37-44.<\/p>\n

\u201cBarack Obama and The Abuse of Black Fathers,\u201d Black Agenda Report<\/em><\/strong> (online journal) July 23, 2008<\/p>\n

\u201cWhen Keeping It Real Goes Wrong?: Pryor, Chappelle and the Comedic Politics of the Post Soul\u201d in Richard Pryor: The Life and Legacy of a ‘Crazy\u2019 Black Man<\/strong><\/em> edited by Audrey T. McCluskey (Bloomington: Indiana University Press, 2008), 151-196.<\/p>\n

\u201cBlack Conservativism\u201d in International Encyclopedia of the Social Sciences,<\/em> 2nd edition, edited by William A. Darity, Jr. (New York, MacMillan Publishers, 2007).<\/p>\n

\u201cGuantanamo: Notes on Innocence, Knowledge, and the Carceral.\u201d Politics and Culture<\/em> (online journal) edited by Michael Ryan and Amitava Kumar (2007): Issue #1.<\/p>\n

\u201c\u2018And the Arc of His Witness Explained Nothing\u2019: Black Flanerie and Traumatic Realism in Wideman\u2019s Two Cities<\/em>\u201d. Critical Essays on John Edgar Wideman<\/em><\/strong>, edited by Bonne TuSmith and Keith Byerman, University of Tennessee Press, 2006, 221-239.<\/p>\n

\u201cWhat\u2019s the Matter with What\u2019s the Matter With Kansas<\/em> or Why Liberal Whites Worry Black Progressives,\u201d The Black Commentator <\/em>(online journal) November 10, 2005, Issue 158.<\/p>\n

\u201cDark Manhattan: Gangster Films,\u201d in African Americans in Cinema: The First Half Century<\/em><\/strong> edited by Phyllis R. Klotman; Urbana: University of Illinois Press, 2003<\/p>\n

\u201cHollywood Bait and Switch: The 2002 Oscars, Black Commodification and Black Political Silence (Part Two)\u201d Black Camera<\/em><\/strong> (18\/1) Fall 2002, Black Film Center Archive, Indiana University, Bloomington.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Books Ghetto Images in Twentieth-Century American Literature: Writing Apartheid. (New York: Palgrave Macmillan, 2012) \u00a0Articles “Extra Time: Vila Autodromo, Brazil’s Favelas, and the Contest Before the Games” Counterpunch, July 29, 2014. “How Barack Obama Killed Trayvon Martin” Black Agenda Report … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":906,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/tyronesimpson\/wp-json\/wp\/v2\/pages\/7","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/tyronesimpson\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/tyronesimpson\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/tyronesimpson\/wp-json\/wp\/v2\/users\/906"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/tyronesimpson\/wp-json\/wp\/v2\/comments?post=7"}],"version-history":[{"count":7,"href":"https:\/\/pages.vassar.edu\/tyronesimpson\/wp-json\/wp\/v2\/pages\/7\/revisions"}],"predecessor-version":[{"id":63,"href":"https:\/\/pages.vassar.edu\/tyronesimpson\/wp-json\/wp\/v2\/pages\/7\/revisions\/63"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/tyronesimpson\/wp-json\/wp\/v2\/media?parent=7"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}