{"id":7847,"date":"2012-12-11T17:37:18","date_gmt":"2012-12-11T22:37:18","guid":{"rendered":"http:\/\/pages.vassar.edu\/rosso\/?page_id=7847"},"modified":"2013-04-08T11:52:47","modified_gmt":"2013-04-08T15:52:47","slug":"l-57","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/lost-works\/l-57\/","title":{"rendered":"L.57 Cartoon for a Panel Painting for the \u201cCongregazione Del Capitolo\u201d in Paris where Rosso was a Canon"},"content":{"rendered":"<p>1537-1538<\/p>\n<p>Vasari, 1550, 804, in the \u201cLife\u201d of Rosso: \u201cFece ancora un cartone per fare una tavola alla Congregazione del capitolo, dove era canonico,&#8230;\u201d\u00a0 This passage appears only in the first edition of Vasari\u2019s <i>Lives<\/i> at the very end of the short account of the works Rosso did in France.\u00a0 A few lines earlier Vasari reported (804) that, after Rosso had done many works for Francis I, the king \u201cgli don\u00f2 un canonicato della Santa Cappella della Madonna di Parigi.\u201d\u00a0 This information is repeated in the second edition (Vasari, 1568, II, 210; Vasari-Milanesi, V, 169).\u00a0 Vasari would appear to have conflated here two canonicates that Rosso held, one at Sainte Chapelle, obtained on 14 August 1532 (<a href=\"http:\/\/pages.vassar.edu\/rosso\/catalogues\/documents\/doc-25\/\">DOC.25<\/a>), the other at Notre Dame, received on 26 September 1537 (DOCS.31-34).\u00a0 It is not clear that Vasari means one of these when he says Rosso was a canon of the \u201cCongregazione del capitolo.\u201d\u00a0 This could be a reference to a third canonicate, for which documentary evidence has not yet been located.\u00a0 But it is more likely that Vasari had heard of only two canonicates and somewhat confused the information he received about them or received confusing information in the first place.\u00a0 It is also likely that the canonicate that Vasari related to the cartoon is that of Notre Dame because his other reference to a canonicate seems to refer more specifically to Sainte Chapelle.\u00a0 If the cartoon was made for the former then it dates after 26 September 1537; if for Sainte Chapelle then it could have been done at any time after 14 August 1532.\u00a0 One might, however, conjecture that, in as much as this cartoon survived, it was done late in Rosso\u2019s life and the painting that was to be made from it was either not begun or was incomplete when Rosso died in November of 1540.<\/p>\n<p>Kusenberg, 1931, 202, n. 238, mentioned this cartoon as having been made for Sainte Chapelle.\u00a0 B\u00e9guin, <i>Revue du Louvre<\/i>, 1969, 143, 146, n. 15, suggested that this cartoon might have been for the lost painting of <i>St. Michael<\/i> that Vasari said Rosso executed in France.\u00a0 But this is unlikely as there is no reason why its cartoon should have been kept after the painting was done (see <a href=\"http:\/\/pages.vassar.edu\/rosso\/catalogues\/lost-works\/l-61\/\">L.61<\/a>).\u00a0 What is possible is that the unspecified cartoon is to be identified with that of the <i>Augustus and the Tiburtine Sibyl<\/i> mentioned by Vasari in 1568 as one of two cartoons found in Rosso\u2019s house after his death (<a href=\"http:\/\/pages.vassar.edu\/rosso\/catalogues\/lost-works\/l-58\/\">L.58<\/a>), without, however, saying for what location a painting made from it was intended.\u00a0 (The other cartoon was of <i>Leda and the Swan<\/i>; see <a href=\"http:\/\/pages.vassar.edu\/rosso\/catalogues\/drawings\/d-74-leda-and-the-swan-after-michelangelo\/\">D.74<\/a>).\u00a0 This is a reasonable supposition that eliminates the need to recognize a third cartoon of an unknown subject.\u00a0 The Tiburtine Sibyl showing Augustus the Virgin and Child would have been a most appropriate subject for Notre Dame.\u00a0 In that cartoon also appeared, according to Vasari, Francis I, the Queen, together with their guards and a group of people, also suggesting a scene that could have been planned for an altar in the cathedral of Paris.\u00a0 This cartoon may have been made late in 1537 or early in 1538 (see L.54-L.56).\u00a0 It cannot be known that Vasari, having heard of the cartoon, could have been certain that it was for a \u201ctavola\u201d rather than a wall painting.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1537-1538 Vasari, 1550, 804, in the \u201cLife\u201d of Rosso: \u201cFece ancora un cartone per fare una tavola alla Congregazione del capitolo, dove era canonico,&#8230;\u201d\u00a0 This passage appears only in the first edition of Vasari\u2019s Lives at the very end of the short account of the works Rosso did in France.\u00a0 A few lines earlier Vasari [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":826,"menu_order":62,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7847","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=7847"}],"version-history":[{"count":7,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7847\/revisions"}],"predecessor-version":[{"id":9049,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7847\/revisions\/9049"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/826"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=7847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}