{"id":7321,"date":"2012-10-24T18:08:20","date_gmt":"2012-10-24T22:08:20","guid":{"rendered":"http:\/\/pages.vassar.edu\/rosso\/?page_id=7321"},"modified":"2013-06-05T15:16:34","modified_gmt":"2013-06-05T19:16:34","slug":"re23","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/rejected-paintings-sculpture\/re23\/","title":{"rendered":"RE.23 Cartouche with Two Reclining Nude Youths Framing a Seascape Set in an Oval"},"content":{"rendered":"
\"\"<\/a>

RE.23 Cartouche with Two Reclining Nude Youths<\/p><\/div>\n

Etching by Antonio Fantuzzi, 23 x 38.85 S (London).\u00a0 Inscribed with Fantuzzi\u2019s monogram at the bottom toward the left.<\/p>\n

Fig.RE.23<\/a> (Zerner)<\/p>\n

Passavant, VI, 1864, 198, 46.\u00a0 Herbet, II, 1896, 271-272 (1969, 66-67), 9, and Herbet, V, 1902, 80 (1969, 232).\u00a0 Zerner, 1969, A.F.41 (Paris), as 1542-1543, and Rossoesque.<\/p>\n

COLLECTIONS: Paris, Ed 14d.\u00a0 London, 1850-5-27-227 (upper left corner missing).<\/p>\n

LITERATURE:<\/p>\n

Kusenberg, 1931, 166, as in the style of Rosso and perhaps after a lost decoration at Fontainebleau.<\/p>\n

Adh\u00e9mar, 1946, Pl. IX, as Fantuzzi after a decoration of a lost apartment at Fontainebleau.<\/p>\n

Adelson, 1980, 160, Fig. 51.<\/p><\/blockquote>\n

Only Kusenberg suggested that the design might be Rosso\u2019s.\u00a0 The proportions of the cartouche and its tripartite division relate it to the Gallery of Francis I.\u00a0 Its oval center area could reflect the original design of some of the walls in the gallery, such as the one with the Education of Achilles<\/em> (Fig.P.22, II N a<\/a>).\u00a0 In fact, the shape of the side panels is similar to those of that wall.\u00a0 However, the overlapping in the etching of a large rectangular frame by the oval one with its cusped ends does not, in its slightly confusing intentions, suggest Rosso.\u00a0 The cartouche appears to be a pastiche of Rosso\u2019s motifs, some of which, however, may be derived from early plans he made for the gallery.<\/p>\n

COPIES: Du Cerceau.\u00a0 Etching.\u00a0 Herbet, IV, 1900, 304 (1969, 156), VI (Petits Cartouches), 5.<\/p>\n

See also Moro, Bartsch, XVI, 1818, 87, 23, as Schiavone.\u00a0 A battle scene is substituted for Fantuzzi\u2019s seascape.<\/p>\n","protected":false},"excerpt":{"rendered":"

Etching by Antonio Fantuzzi, 23 x 38.85 S (London).\u00a0 Inscribed with Fantuzzi\u2019s monogram at the bottom toward the left. Fig.RE.23 (Zerner) Passavant, VI, 1864, 198, 46.\u00a0 Herbet, II, 1896, 271-272 (1969, 66-67), 9, and Herbet, V, 1902, 80 (1969, 232).\u00a0 Zerner, 1969, A.F.41 (Paris), as 1542-1543, and Rossoesque. COLLECTIONS: Paris, Ed 14d.\u00a0 London, 1850-5-27-227 (upper […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":1357,"menu_order":223,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7321","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=7321"}],"version-history":[{"count":7,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7321\/revisions"}],"predecessor-version":[{"id":9491,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7321\/revisions\/9491"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/1357"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=7321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}