{"id":7317,"date":"2012-10-24T18:07:05","date_gmt":"2012-10-24T22:07:05","guid":{"rendered":"http:\/\/pages.vassar.edu\/rosso\/?page_id=7317"},"modified":"2013-06-06T13:30:25","modified_gmt":"2013-06-06T17:30:25","slug":"re21","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/rejected-paintings-sculpture\/re21\/","title":{"rendered":"RE.21 Cartouche with Two Nude Men"},"content":{"rendered":"<div id=\"attachment_9652\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.21-Cartouche-with-Two-Nude-Men-Paris.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9652\" class=\"size-medium wp-image-9652\" alt=\"RE.21 Cartouche with Two Nude Men\" src=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.21-Cartouche-with-Two-Nude-Men-Paris-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.21-Cartouche-with-Two-Nude-Men-Paris-300x199.jpg 300w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.21-Cartouche-with-Two-Nude-Men-Paris-150x99.jpg 150w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.21-Cartouche-with-Two-Nude-Men-Paris-1024x680.jpg 1024w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.21-Cartouche-with-Two-Nude-Men-Paris-400x265.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-9652\" class=\"wp-caption-text\">RE.21 Cartouche with Two Nude Men<\/p><\/div>\n<p><strong>Cartouche with Two Nude Men Carrying Large Garlands Framing a View of a Port Set in an Oval<\/strong><\/p>\n<p>Etching by Antonio Fantuzzi, 32.2 x 48.1 S, the etched area arched at the top (London).\u00a0 Inscribed with Fantuzzi\u2019s monogram toward the lower left beneath the profile mask.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.21-Cartouche-with-Two-Nude-Men-Paris.jpg\" target=\"_blank\">Fig.RE.21<\/a> (Paris)<\/p>\n<p>Bartsch, XVI, 1818, 351, 31, as Fantuzzi.\u00a0 Herbet, II, 1896, 270-271 (1969, 66-67), 6.\u00a0 Zerner, 1969, A.F.44 (Paris), as 1542-1543.<\/p>\n<p>COLLECTIONS: London, 1850-5-27-39.\u00a0 Paris.\u00a0 Paris, Biblioth\u00e8que de l\u2019Arsenal, Vol. 168(1), no. 15 (see Sch\u00e9fer below).\u00a0 Vienna, Vol. XIII, 2, p.71, no. 431, printed in dark brown ink.<\/p>\n<p>LITERATURE:<\/p>\n<blockquote><p>Sch\u00e9fer, 1894-1929, col. 552, no. 15.<\/p>\n<p>Berliner, 1925-1926, I, Pl. 109, Text Volume, 40.<\/p>\n<p>Kusenberg, 1931, 166, as in the style of Rosso and perhaps after a lost decoration at Fontainebleau.<\/p>\n<p>Thomas, 1959, 66, Fig. 73, 70.<\/p>\n<p>Zerner, <em>IB<\/em>, 33, 1979, 251 (Vienna).<\/p>\n<p>Adelson, 1980, 161, Fig. 52.<\/p><\/blockquote>\n<p>Only Kusenberg suggested that the design of this etching might be Rosso\u2019s.\u00a0 It is related to the kind of decoration that he invented for the Gallery of Francis I, insofar as it has the divisions and the proportions of the wall schemes there.\u00a0 The oval center could reflect the original design of some of these schemes, such as for the <em>Education of Achilles<\/em>, which, in its actual rectangular format, has the central scene flanked by huge male nudes, not, however, carrying large garlands of fruits and vegetables.\u00a0 No schemes like those in the gallery would seem to have been invented by Rosso for another location.\u00a0 The upper part of the decoration in the etching rises too high ever to have been planned for the gallery and the largeness and more or less even breadth of the flat framing elements do not suggest Rosso.\u00a0 Nevertheless, while this cartouche as it specifically appears in this etching cannot be attributed to Rosso, it could reflect in some ways a design by him for the gallery.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cartouche with Two Nude Men Carrying Large Garlands Framing a View of a Port Set in an Oval Etching by Antonio Fantuzzi, 32.2 x 48.1 S, the etched area arched at the top (London).\u00a0 Inscribed with Fantuzzi\u2019s monogram toward the lower left beneath the profile mask. Fig.RE.21 (Paris) Bartsch, XVI, 1818, 351, 31, as Fantuzzi.\u00a0 [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":1357,"menu_order":221,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7317","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=7317"}],"version-history":[{"count":9,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7317\/revisions"}],"predecessor-version":[{"id":7595,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7317\/revisions\/7595"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/1357"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=7317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}