{"id":7303,"date":"2012-10-24T18:03:13","date_gmt":"2012-10-24T22:03:13","guid":{"rendered":"http:\/\/pages.vassar.edu\/rosso\/?page_id=7303"},"modified":"2013-06-05T15:15:08","modified_gmt":"2013-06-05T19:15:08","slug":"re14","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/rejected-paintings-sculpture\/re14\/","title":{"rendered":"RE.14 Sixteen or Twenty Panels of Ornament with Pagan Gods"},"content":{"rendered":"<div id=\"attachment_7394\" style=\"width: 185px\" class=\"wp-caption alignright\"><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.141-Panels-of-Ornament-New-York.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7394\" class=\"size-medium wp-image-7394\" src=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.141-Panels-of-Ornament-New-York-175x300.jpg\" alt=\"\" width=\"175\" height=\"300\" srcset=\"https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.141-Panels-of-Ornament-New-York-175x300.jpg 175w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.141-Panels-of-Ornament-New-York-87x150.jpg 87w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.141-Panels-of-Ornament-New-York-599x1024.jpg 599w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.141-Panels-of-Ornament-New-York-400x683.jpg 400w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.141-Panels-of-Ornament-New-York.jpg 1368w\" sizes=\"auto, (max-width: 175px) 100vw, 175px\" \/><\/a><p id=\"caption-attachment-7394\" class=\"wp-caption-text\">RE.14,1 Panels of Ornament<\/p><\/div>\n<p>Engravings by Ren\u00e9 Boyvin, 17.2 x 10.2 S, with margins above and below (London).<\/p>\n<p>Fuhring, 1989, 332, writing of the set of sixteen in Amsterdam, and with reference to J. Lieure, \u201cRen\u00e9 Boyvin: Additions aux catalogues de Robert-Dumesnil, Duplessis et F\u00e9lix Herbet,\u201d <em>l\u2019Amateur<\/em>, IX, 1930, 2, 43-44, states that the set was first published with twenty prints; four plates were lost in an early phase: 5, <em>Neptune<\/em>; 6, <em>Thetis<\/em>; 15, <em>Hercules<\/em>; 16, <em>Hebe<\/em>; thus the set of sixteen has the last four renumbered as follows: 17, <em>Bacchus<\/em>, became no. 15; 18, <em>Ariadne<\/em>, became no. 5; 19, <em>Vulcan<\/em>, became no. 16; and 20, <em>Pallas<\/em>, became no. 6.<\/p>\n<p>Two states:<\/p>\n<p>I.\u00a0 The first of the series, <em>Saturn<\/em>, is inscribed: <em>Leonardus Theodoricus \/ Inuentor<\/em>.<\/p>\n<p>II.\u00a0 The name in I has been effaced and replaced with: <em>Rous Floren<\/em>.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/RE.141-Panels-of-Ornament-New-York.jpg\" target=\"_blank\">Fig.RE.14,1<\/a> (New York)<\/p>\n<p>Robert-Dumesnil, VIII, 1850, 64-68, 119-134 (16 prints).\u00a0 Le Blanc, 1854-1888\/90, I, 507, 112-127.\u00a0 Duplessis, 1871, 24 (additional print of <em>Neptune<\/em>).\u00a0 Destailleur, 1895, 95, no. 411, 1 (16 prints).\u00a0 Herbet, III, 1899, 36, 1-4 (includes the <em>Neptune<\/em> and three more, of <em>Hercules<\/em>, <em>Thetis<\/em>, and <em>Hebe<\/em>).\u00a0 Linzeler, 1932, 191-194.\u00a0 Levron, 1941, 77-78, 229-248, and Pls. LVI-LXIII (16 prints).<\/p>\n<p>COLLECTIONS: Amsterdam (De Jong and de Groot, 1988, 253-255, 579.1-16 [State I], Figs. 579.1, 4, 9, 16 [see Fuhring, 1989, 332, above]).\u00a0 Berlin, Kunstbibliothek, OS 296 (16 prints, State II).\u00a0 Hamburg (State II).\u00a0 London, 1850-5-27-178 (<em>Ariadne<\/em>, no. 5).\u00a0 New York, 36.31.9 (16 prints, State II).\u00a0 New York, Cooper-Hewitt Museum (1945-70-5, 6, State II).\u00a0 Paris, Ed 3, in-folio, and Cb 8b, in-folio (State I).\u00a0 Rennes (Inv. 794.1.2189-2203).\u00a0 Vienna, F.I.3, pp. 36a-b, nos. 113-129 (State II).<\/p>\n<p>LITERATURE:<\/p>\n<blockquote><p>Renouvier, 1854, 919, probably means this set as Boyvin\u2019s copies of Caraglio\u2019s <em>Gods in Niches<\/em>.<\/p>\n<p>Berliner, 1925-1926, I, 130, 1-2; 131, 1-4; 132, 1-4; 133, 1; Text Volume, 43-44 (nos. 1-6, 9, 12-15 of the series, State I).<\/p>\n<p>D\u00f6ry, 1960, 31, no. 129 (16 prints, State II).<\/p>\n<p>Wagner, 1979, 152-159, 268, Figs. 6-8.<\/p>\n<p>T.R. Hackford in <em>Ornament<\/em>, 1980, 32-33, nos. 29a and 29b, Pl. XVII (R-D. 119 and 120), as Boyvin after Thiry.<\/p>\n<p>Patrick Ramade, in <em>Renaissance<\/em>, Quebec, 1984, 292-294, Figs. (Rennes, State II), as Boyvin after Thiry.<\/p>\n<p>L\u00e9v\u00eaque, 1984, 34, Figs. (Rennes), as after Thiry.<\/p>\n<p>K. Wilson-Chevalier, in <em>Fontainebleau<\/em>, 1985, 202-204, no. 147, <em>Mars<\/em> (Paris), as Boyvin after Thiry.<\/p>\n<p>Massari, 1989, 119, 120, as Boyvin after Thiry, based on Caraglio\u2019s <em>Gods in Niches<\/em> after Rosso.<\/p><\/blockquote>\n<p>This series of prints is one of the major sources of our knowledge of L\u00e9onard Thiry\u2019s art.<\/p>\n<p>Although they have generally been recognized as engraved by Boyvin, Metman (1941, 206, 211, 313) suggested that they were by Milan and are the twenty plates of his \u201cLes Amours des dieux\u201d that were made before 29 March 1550.\u00a0 Zerner (1969, XXXV, n. 3, and in <em>EdF<\/em>, 1972, 332, no. 434, 333, 335, under no. 441) did not accept this identification.\u00a0 He believed their engraving style is close to Boyvin\u2019s but found it strange that they are not signed by him.\u00a0 Borea (1980, 248, under no. 618) thought they were derived from Caraglio\u2019s <em>Gods in Niches<\/em>.<\/p>\n<p>Very few of the figures of the gods and goddesses are related, and then only slightly, to Caraglio\u2019s <em>Gods in Niches<\/em>.\u00a0 Only <em>Proserpina<\/em> is closely related to Caraglio\u2019s print of this goddess.\u00a0 See also under <a href=\"http:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-26-45-caraglio-gods-in-niches#derivations\">E.26-45<\/a>, DERIVATIONS, PRINTS.<\/p>\n<p>Number 5, <em>Neptune<\/em>, of the first set, that Herbet thought was lost, along with <em>Thetis<\/em>, <em>Hercules<\/em>, and <em>Hebe<\/em>, survives in an impression in Vienna, F.I.3, p.36b, no. 129 (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/10\/Neptune-Vienna.jpg\" target=\"_blank\">Fig.Neptune, Vienna<\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Engravings by Ren\u00e9 Boyvin, 17.2 x 10.2 S, with margins above and below (London). Fuhring, 1989, 332, writing of the set of sixteen in Amsterdam, and with reference to J. Lieure, \u201cRen\u00e9 Boyvin: Additions aux catalogues de Robert-Dumesnil, Duplessis et F\u00e9lix Herbet,\u201d l\u2019Amateur, IX, 1930, 2, 43-44, states that the set was first published with [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":1357,"menu_order":214,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7303","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=7303"}],"version-history":[{"count":8,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7303\/revisions"}],"predecessor-version":[{"id":9482,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7303\/revisions\/9482"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/1357"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=7303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}