{"id":7000,"date":"2012-09-27T17:44:39","date_gmt":"2012-09-27T21:44:39","guid":{"rendered":"http:\/\/pages.vassar.edu\/rosso\/?page_id=7000"},"modified":"2014-04-22T16:30:06","modified_gmt":"2014-04-22T20:30:06","slug":"rd-34","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/rejected-paintings-sculpture\/rd-34\/","title":{"rendered":"RD.34 Nude Youth Seated on a Parapet"},"content":{"rendered":"
\"\"<\/a>

RD.34 Nude Youth Seated on a Parapet<\/p><\/div>\n

Rome, Private Collection.<\/p>\n

Fig.RD.34<\/a><\/p>\n

Red chalk, 29 x 10 (from Grassi).1<\/sup><\/a><\/p>\n

PROVENANCE: G. Vallardi (Lugt 1223).\u00a0 Locarno.<\/p>\n

LITERATURE:<\/p>\n

Luigi Grassi, \u201cAppunti sul Pontormo e i suoi Disegni,\u201d Emporium<\/em>, 103, 1946, 34, Fig. 7, 41, 46, n. 19, as by Pontormo at the time of the fresco at Poggio a Caiano but not used for it.<\/p>\n

Berenson, 1961, no. 2458D-I, as not showing Pontormo\u2019s touch; very near to Rosso and perhaps by him.<\/p>\n

Cox-Rearick, 1964, I, 409, A 352, as showing the influence of Pontormo\u2019s Poggio a Caiano drawings but in style closer to the School of Bandinelli.<\/p>\n

 <\/p>\n

I know this drawing only from the illustration in Grassi\u2019s article.\u00a0 This Pontormesque drawing does not resemble any by Rosso even at his most Pontormesque around 1519-1524 (see his Study for an Altarpiece<\/em>, Fig.D.4<\/a>, and his Standing Nude Woman<\/em>, Fig.D.5<\/a>).\u00a0 While Cox-Rearick recognized Pontormo\u2019s influence, it is not clear to me how the drawing would be related to the School of Bandinelli.2<\/sup><\/a><\/p>\n

\n

 <\/p>\n

\n
\n

<\/a>1<\/sup> From Grassi as on white paper \u201cpreparata a tempera avana chiaro.\u201d<\/p>\n<\/div>\n

\n

<\/a>2<\/sup> I do not know the School of Bandinelli drawings (Uffizi 6541F and 14006F) to which she compared the drawing.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Rome, Private Collection. Fig.RD.34 Red chalk, 29 x 10 (from Grassi).1 PROVENANCE: G. Vallardi (Lugt 1223).\u00a0 Locarno. LITERATURE: Luigi Grassi, \u201cAppunti sul Pontormo e i suoi Disegni,\u201d Emporium, 103, 1946, 34, Fig. 7, 41, 46, n. 19, as by Pontormo at the time of the fresco at Poggio a Caiano but not used for it. […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":1357,"menu_order":134,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7000","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=7000"}],"version-history":[{"count":8,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7000\/revisions"}],"predecessor-version":[{"id":10564,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/7000\/revisions\/10564"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/1357"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=7000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}