{"id":6952,"date":"2012-09-27T17:28:53","date_gmt":"2012-09-27T21:28:53","guid":{"rendered":"http:\/\/pages.vassar.edu\/rosso\/?page_id=6952"},"modified":"2013-06-05T15:06:46","modified_gmt":"2013-06-05T19:06:46","slug":"rd-10","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/rejected-paintings-sculpture\/rd-10\/","title":{"rendered":"RD.10 Standing Nude Youth"},"content":{"rendered":"
\"\"<\/a>

RD.10, recto Standing Male Nude<\/p><\/div>\n

Recto<\/em>: Standing Male Nude Seen from the Front with His Arms Outstretched, His Left Hand Pointing Downward;<\/p>\n

Verso<\/em>: Four Male Heads<\/p>\n

Florence, Uffizi, no. 6485F.<\/p>\n

Fig.RD.10, recto<\/em><\/a>
\nFig.RD.10, verso<\/em><\/a><\/p>\n

Black chalk, 39 x 26.6; no wm. visible.\u00a0 Inscribed in pencil on the mat: Clemente Bandinelli (L.M.)<\/em> [Luisa Marcucci].<\/p>\n

LITERATURE:<\/p>\n

Berenson, 1903, 1938, 1961, no. 2416, as Rosso.<\/p>\n

Kusenberg, 1931, 135, 140, no. 23, as Rosso, around 1523.<\/p>\n

Barocchi, 1950, 201, Fig. 174 (recto<\/em>), as Rosso, 1521-1523\/24.<\/p>\n

Longhi, 1951, 59 (1976, 99), as not by Rosso.<\/p>\n

Carroll, 1964 (1976), II, Bk. 2, 463-464, F. 13, 542-543, Bk. 3, Figs. 156-157, as Bandinelli, or one of his pupils, and possibly of the late 1520s.<\/p>\n

Harprath, 1994, 359, Fig. 2 (recto<\/em>), 360-363, 361, Fig. 3 (verso<\/em>), as studies for Rosso\u2019s Dead Christ <\/em>and for the Rape of the Sabines <\/em>engraved by Caraglio.<\/p>\n

 <\/p>\n

The drawings on the recto<\/em> and verso<\/em> of this sheet cannot be related to any drawings certainly by Rosso.\u00a0 In 1964 I thought they were by Bandinelli and compared the recto<\/em> to his red chalk Drunkenness of Noah<\/em> in the Uffizi (Fig.Bandinelli, Noah<\/a>)1<\/sup><\/a> and to the red chalk Group of Nine Nudes in Repose <\/em>(Fig.RD.7<\/a>), which I ascribed to Bandinelli.\u00a0The Leonardesque heads on the verso<\/em> reminded me of his Portrait of Jacopa Doni <\/em>in the Louvre (Fig.Bandinelli, Doni<\/a>).2<\/sup><\/a>\u00a0 Ward did not include the Uffizi drawing in his catalogue of 1982.\u00a0 I do not think, however, that the drawing should be considered as part of the \u201csub-average Rosso material\u201d that Ward thought I wrongly shifted over to Bandinelli.3<\/sup><\/a> The figure on the recto<\/em> has a vigor and an expertise in its anatomical definition, as well as a certain subtlety in the handling of the lights and shades, that bespeak an artist of talent and education.\u00a0 The Leonardesque heads on the verso<\/em> reflect an artistic awareness of some poetic charm.\u00a0 If this drawing is not by Bandinelli then it is by someone who shares part of his background and artistic aspirations.\u00a0 I do not see the connections with Rosso\u2019s works that Harprath makes.<\/p>\n

\n

 <\/p>\n

\n
\n

<\/a>1<\/sup> Uffizi 6912F; see also under RD.7.<\/p>\n<\/div>\n

\n

<\/a>2<\/sup> Inv. 81.\u00a0 Philip Pouncey, \u201cDi alcuni disegni del Bandinelli e di un suo dipinto smarrito,\u201d BdA<\/em>, XLVI, 1961, 323, 324, Fig. 3; Ward, 1982, 356-357, no. 310, Fig. 33, as Bandinelli, with the implication of a date around 1515-1520.<\/p>\n<\/div>\n

\n

<\/a>3<\/sup> Ward, 1982, 178, n. 14.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Recto: Standing Male Nude Seen from the Front with His Arms Outstretched, His Left Hand Pointing Downward; Verso: Four Male Heads Florence, Uffizi, no. 6485F. Fig.RD.10, recto Fig.RD.10, verso Black chalk, 39 x 26.6; no wm. visible.\u00a0 Inscribed in pencil on the mat: Clemente Bandinelli (L.M.) [Luisa Marcucci]. LITERATURE: Berenson, 1903, 1938, 1961, no. 2416, […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":1357,"menu_order":110,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6952","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/6952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=6952"}],"version-history":[{"count":9,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/6952\/revisions"}],"predecessor-version":[{"id":9439,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/6952\/revisions\/9439"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/1357"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=6952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}