{"id":6942,"date":"2012-09-27T17:26:26","date_gmt":"2012-09-27T21:26:26","guid":{"rendered":"http:\/\/pages.vassar.edu\/rosso\/?page_id=6942"},"modified":"2013-06-05T15:06:06","modified_gmt":"2013-06-05T19:06:06","slug":"rd-05","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/rejected-paintings-sculpture\/rd-05\/","title":{"rendered":"RD.5 Draped Kneeling Woman"},"content":{"rendered":"<div id=\"attachment_7021\" style=\"width: 220px\" class=\"wp-caption alignright\"><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-Draped-Kneeling-Woman.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-7021\" class=\"size-medium wp-image-7021\" src=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-Draped-Kneeling-Woman-210x300.jpg\" alt=\"\" width=\"210\" height=\"300\" srcset=\"https:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-Draped-Kneeling-Woman-210x300.jpg 210w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-Draped-Kneeling-Woman-105x150.jpg 105w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-Draped-Kneeling-Woman-718x1024.jpg 718w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-Draped-Kneeling-Woman-400x569.jpg 400w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-Draped-Kneeling-Woman.jpg 851w\" sizes=\"auto, (max-width: 210px) 100vw, 210px\" \/><\/a><p id=\"caption-attachment-7021\" class=\"wp-caption-text\">RD.5 Draped Kneeling Woman<\/p><\/div>\n<p>Florence, Uffizi, no. 346F.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-Draped-Kneeling-Woman.jpg\" target=\"_blank\">Fig.RD.5<\/a><\/p>\n<p>Red chalk, 12 x 9.\u00a0 Inscribed in the upper right corner: <em>346<\/em>.<\/p>\n<p>LITERATURE:<\/p>\n<p>Ferri, 1890, 71, as Franciabigio.<\/p>\n<p>Berenson, 1938, 1961, no. 748, as Franciabigio.<\/p>\n<p>Marcucci, 1958, 27-28, 30, Fig. 4, as Bachiacca.<\/p>\n<p>Carroll, 1964 (1976), I, Bk. I, 1-5, Bk. II, 178-179, D. 2, Bk. III, Fig. 3, as Rosso, around 1512, and a copy of a figure in Fra Bartolommeo\u2019s <em>Noli me tangere<\/em> drawing in the Uffizi (484E); \u201cAddition to the Preface,\u201d 1976, vii, as not by Rosso.<\/p>\n<p>McKillop, 1974, 225, as not by Franciabigio, but very close to Fra Bartolommeo and perhaps a study for his <em>Noli me tangere<\/em> in the Louvre; by the same hand as Uffizi 446S [RD.15].<\/p>\n<p>Fischer, 1986, 156, under no. 97 (wrongly as 347E), as Rosso\u2019s copy of Fra Bartolommeo\u2019s drawing (see above).<\/p>\n<p>Fischer, 1989, 341, n. 70, as not by Rosso.<\/p>\n<p>Florence, <em>Figura<\/em>, 1, 1991, 346F, with Fig. and bibliography, as Franciabigio?<\/p>\n<p>&nbsp;<\/p>\n<p>This drawing is related to the upper left figure of the Magdalen on a sheet of two studies by Fra Bartolommeo in the Uffizi (484E <em>recto<\/em>) for a <em>Noli me tangere<\/em> (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.5-pen.jpg\" target=\"_blank\">Fig.RD.5, pen<\/a>).<a href=\"#endref1\"><sup>1<\/sup><\/a>\u00a0 My attribution of the drawing to Rosso in 1964 was based on its similarity to Uffizi 446S (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/09\/RD.15-Two-Draped-Figures-Seated.jpg\" target=\"_blank\">Fig.RD.15<\/a>) that is also related to a drawing by the Frate, and, in turn, on that drawing\u2019s stylistic similarity to several works, the <em>Madonna della Cintola<\/em> in Rome (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/06\/RP.21a-Assumption-of-the-Virgin.jpg\" target=\"_blank\">Fig.RP.21a<\/a>), the <em>Madonna and Child<\/em> at Bucknell (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/06\/RP.11-Madonna-and-Child-Landscape.jpg\" target=\"_blank\">Fig.RP.11<\/a>), the <em>Madonna and Child<\/em> from the Uffizi (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/06\/RP.6a-Madonna-and-Child-color.jpg\" target=\"_blank\">Fig.RP.6a<\/a>), and the <em>Holy Family<\/em> in Rome (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/06\/RP.20a-Holy-Family-color.jpg\" target=\"_blank\">Fig.RP.20a<\/a>), which I, and others, attributed to the early Rosso but which are now generally conceded to be by the Master of the Kress Landscapes.\u00a0 There is no reason now to recognize the <em>Draped Kneeling Woman<\/em> as Rosso\u2019s.<\/p>\n<p>McKillop denied its earlier attribution to Franciabigio and thought it close to Fra Bartolommeo.\u00a0 Given what may still be recognized as a stylistic relation to those paintings that had been attributed to Rosso, there may be some point in thinking about the drawing as connected to the Master of the Kress Landscapes, identified by Waldman, 1998, as Giovanni Larciani.\u00a0 While the drawing is closely related to Fra Bartolommeo\u2019s Magdalen in Uffizi 484E, it is not meticulously copied from it and could be derived from another of the Frate\u2019s drawings for this figure.<\/p>\n<div>\n<p>&nbsp;<\/p>\n<hr align=\"left\" size=\"1\" width=\"33%\" \/>\n<div>\n<p><a name=\"endref1\"><\/a><sup>1<\/sup> Fischer, 1986, 62-63, no. 23 <em>recto<\/em>, Fig. 31, with bibliography.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Florence, Uffizi, no. 346F. Fig.RD.5 Red chalk, 12 x 9.\u00a0 Inscribed in the upper right corner: 346. LITERATURE: Ferri, 1890, 71, as Franciabigio. Berenson, 1938, 1961, no. 748, as Franciabigio. Marcucci, 1958, 27-28, 30, Fig. 4, as Bachiacca. Carroll, 1964 (1976), I, Bk. I, 1-5, Bk. II, 178-179, D. 2, Bk. III, Fig. 3, as [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":1357,"menu_order":105,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6942","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/6942","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=6942"}],"version-history":[{"count":7,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/6942\/revisions"}],"predecessor-version":[{"id":9434,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/6942\/revisions\/9434"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/1357"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=6942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}