{"id":4400,"date":"2012-04-05T16:19:46","date_gmt":"2012-04-05T20:19:46","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4400"},"modified":"2012-08-23T10:47:47","modified_gmt":"2012-08-23T14:47:47","slug":"e-157-anonymous-christ-in-a-niche-ii","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-157-anonymous-christ-in-a-niche-ii\/","title":{"rendered":"E.157 Christ in a Niche II"},"content":{"rendered":"
\"\"<\/a>

E.157 Anonymous, Christ in Niche II<\/p><\/div>\n

Engraving, Anonymous, 23.6 x 12.3 S (Paris).<\/p>\n

Fig.E.157<\/a> (Paris)<\/p>\n

COLLECTION: Paris, Ba 12, p.13 (slightly stained at the upper right).<\/p>\n

The following bibliography would seem to refer to this print and\/or the copy of it, Christ in a Niche III<\/em>, E.158<\/a>.<\/p>\n

LITERATURE:<\/p>\n

Nagler, Monogrammisten<\/em>, I, 1858, 869, no. 2021.11, as in the Delbecq Catalogue, III, no. 351, attributed to Boyvin.<\/p>\n

Destailleur, 1895, 277, under no. 1145, addition 2, as Boyvin, although this reference could be to Christ in a Niche I<\/em> [E.156].<\/p>\n

Emile M\u00e2le, \u201cQuelques imitations de la gravure italienne par les peintures fran\u00e7ais du XVIe<\/sup> si\u00e8cle,\u201d M\u00e9langes offerts \u00e0 M. Henry Lemonnier. Archives de l\u2019Art Fran\u00e7ais<\/em>, nouvelle p\u00e9riode, VII, 1913, 149-150, as after Rosso, as related to Michelangelo\u2019s Minerva<\/em> Christ<\/em>, and as used as the model for a window in the choir of the church at \u00c9couen, dated 1545.<\/p>\n

Thirion, 1971, 33, as School of Fontainebleau, after Rosso; he also mentions the stained glass at \u00c9couen.1<\/sup><\/a><\/p>\n

Zerner, in EdF<\/em>, 1972, 247, under no. 279, and in Fontainebleau<\/em>, 1973, II, 77, under no. 279, as after Rosso, seemingly by a French printmaker, and as inspired by Michelangelo\u2019s Minerva<\/em> Christ<\/em>.<\/p>\n

Carroll, 1987, 352, 354, n. 1, under no. 111.<\/p>\n

 <\/p>\n

This print is a very accurate copy in reverse of Christ in a Niche I<\/em>, but the contours of the figure in this copy tend to be slightly more undulating.<\/p>\n

COPY: For an anonymous copy in reverse, see Christ in a Niche III<\/em>, E.158<\/a>.<\/p>\n

 <\/p>\n

\n
\n
\n

<\/a>1<\/sup> See also Leproux, 1988, 41.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Engraving, Anonymous, 23.6 x 12.3 S (Paris). Fig.E.157 (Paris) COLLECTION: Paris, Ba 12, p.13 (slightly stained at the upper right). The following bibliography would seem to refer to this print and\/or the copy of it, Christ in a Niche III, E.158. LITERATURE: Nagler, Monogrammisten, I, 1858, 869, no. 2021.11, as in the Delbecq Catalogue, III, […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":167,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4400","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4400"}],"version-history":[{"count":8,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4400\/revisions"}],"predecessor-version":[{"id":6670,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4400\/revisions\/6670"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}