{"id":4348,"date":"2012-04-05T16:19:59","date_gmt":"2012-04-05T20:19:59","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4348"},"modified":"2012-08-20T15:59:47","modified_gmt":"2012-08-20T19:59:47","slug":"e-140-anonymous-rage-and-madness","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-140-anonymous-rage-and-madness\/","title":{"rendered":"E.140 Allegorical Scene of Rage and Madness"},"content":{"rendered":"<div id=\"attachment_4349\" style=\"width: 275px\" class=\"wp-caption alignright\"><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.140-Rage-and-Madness-London-18500527.113.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4349\" class=\"size-medium wp-image-4349\" src=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.140-Rage-and-Madness-London-18500527.113-265x300.jpg\" alt=\"\" width=\"265\" height=\"300\" srcset=\"https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.140-Rage-and-Madness-London-18500527.113-265x300.jpg 265w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.140-Rage-and-Madness-London-18500527.113-132x150.jpg 132w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.140-Rage-and-Madness-London-18500527.113-400x451.jpg 400w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.140-Rage-and-Madness-London-18500527.113.jpg 750w\" sizes=\"auto, (max-width: 265px) 100vw, 265px\" \/><\/a><p id=\"caption-attachment-4349\" class=\"wp-caption-text\">E.140 Anonymous, Rage and Madness<\/p><\/div>\n<p>Etching, Anonymous, possibly by Master I.\u2640.V.?, 31.4 x 28.1 L (Boston).\u00a0 Inscribed on a small tablet in the trees at the right edge center: <em>1543<\/em>.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.140-Rage-and-Madness-London-18500527.113.jpg\" target=\"_blank\">Fig.E.140<\/a> (London)<\/p>\n<p>Bartsch, XVI, 1818, 410, 85, as Anonymous, School of Fontainebleau, but certainly by Fantuzzi, after Rosso.\u00a0 Herbet, II, 1896, 281 (1969, 77), 42, as Fantuzzi.\u00a0 He quotes from Mariette\u2019s <em>Ab\u00e9c\u00e9dario<\/em> that one of the figures is taken from Michelangelo.\u00a0 Zerner, 1969, XLI, rejected the attribution to Fantuzzi and suggested that it may be by Master I.\u2640.V.<\/p>\n<p>COLLECTIONS: Boston, 68.558.\u00a0 London, 1850-5-27-113.\u00a0 Vienna, H.B.IV, p.75, no. 88.<\/p>\n<p>LITERATURE:<\/p>\n<p>Mariette, <em>Ab\u00e9c\u00e9dario<\/em>, 1858-1859, 21-22, as after Rosso and as by the same etcher who did the <em>Silenus carried by Two Fauns<\/em>, also dated 1543 [probably Robert-Dumesnil, VIII, 1850, 32, 28].<\/p>\n<p>Kusenberg, 1931, 165, as Fantuzzi.<\/p>\n<p>Zerner, 1969, XXXIII, states that the two figures at the right of Limosin\u2019s <em>Resurrection<\/em> (Zerner, 1969, L.L.8) are taken from this etching.<\/p>\n<p>Zerner, <em>IB<\/em>, 33, 1979, 360 (London).<\/p>\n<p>Carroll, 1987, 46, 232-234, no. 72, with Fig. (London).<\/p>\n<p>Boorsch, 1988, 9, as by Master I.\u2640.V.<\/p>\n<p>&nbsp;<\/p>\n<p>On the relation of this print to Rosso\u2019s stucco relief in reverse under the <em>Combat of Centaurs and Lapiths<\/em> (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2011\/06\/P.22-I-S-c-Combat-ReliefRage-and-Madness.jpg\" target=\"_blank\">Fig.P.22, I S c<\/a>) in the Gallery of Francis I, see under <a href=\"http:\/\/pages.vassar.edu\/rosso\/catalogues\/paintings\/p-22\/i-south-the-combat-of-centaurs-and-lapiths\/\" target=\"_blank\">P.22, I S<\/a>, where it is suggested that the etching is based on a lost drawing by Rosso, the composition of which was slightly revised before the relief was executed.<\/p>\n<p>Zerner and Boorsch thought the print was by Master I.\u2640.V.<\/p>\n<p>Two figures in Limosin\u2019s <em>Resurrection<\/em> of 1544 (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.97-Resurrection-Paris.jpg\" target=\"_blank\">Fig.E.97<\/a>) are related, but reversed, to those in this etching.\u00a0 But it is possible that Limosin\u2019s entire scene goes back to a lost drawing by Rosso in which he used again his own figures.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Etching, Anonymous, possibly by Master I.\u2640.V.?, 31.4 x 28.1 L (Boston).\u00a0 Inscribed on a small tablet in the trees at the right edge center: 1543. Fig.E.140 (London) Bartsch, XVI, 1818, 410, 85, as Anonymous, School of Fontainebleau, but certainly by Fantuzzi, after Rosso.\u00a0 Herbet, II, 1896, 281 (1969, 77), 42, as Fantuzzi.\u00a0 He quotes from [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":150,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4348","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4348"}],"version-history":[{"count":9,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4348\/revisions"}],"predecessor-version":[{"id":6653,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4348\/revisions\/6653"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}