{"id":4344,"date":"2012-04-05T16:19:59","date_gmt":"2012-04-05T20:19:59","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4344"},"modified":"2012-07-05T09:34:03","modified_gmt":"2012-07-05T13:34:03","slug":"e-139-anonymous-two-groups-three-putti","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-139-anonymous-two-groups-three-putti\/","title":{"rendered":"E.139 Two Groups of Three Putti"},"content":{"rendered":"
\"\"<\/a>

E.139 Anonymous, Two Groups of Three Putti<\/p><\/div>\n

Two Groups of Three Putti Playing on and Before Two Garlands of Fruit Hanging From a Mask in the Center<\/strong><\/p>\n

Engraving, Anonymous, 8.5 (max.) x 39.2 S.<\/p>\n

Fig.E.139 <\/a>(New York)<\/p>\n

COLLECTION: New York, 26.50.1 (149) (the upper edge trimmed around the top of the mask; part of the mask missing, filled but not re-drawn).<\/p>\n

LITERATURE: Carroll, 1987, 234-235, no. 73, with Fig.<\/p>\n

This engraving reproduces in reverse the two painted groups of putti beneath the lateral stuccoes of the wall containing the Combat of Centaurs and Lapiths<\/em> in the Gallery of Francis I (Fig.P.22, I S a<\/a>).\u00a0 The mask and drapery and parts of the garlands in the center and the drapery and parts of the garlands at the ends of the print are not found in the gallery.<\/p>\n

It is most likely that the engraving was based on a drawing or two drawings by Rosso of 1534-1536 that were used for the decoration of the gallery, rather than upon the drawings made by or for the engraver from the frescoes themselves.\u00a0 Such seems to have been the case with all the prints related to the gallery.\u00a0 It is, of course, possible that the direct model for the engraving was a copy of Rosso\u2019s drawing or drawings.\u00a0 Those parts of the engraved image that do not appear in the gallery are probably additions by the printmaker to make one continuous scene out of Rosso\u2019s two and to provide appropriate ends to it.<\/p>\n

At the Metropolitan Museum of Art, the engraving is attributed to Boyvin.\u00a0 It appears not to be published.\u00a0 The cutting of the lines does not seem to have the regularity characteristic of Boyvin and the stippling also does not suggest his technique.\u00a0 The actual identity of the engraver is still to be determined.<\/p>\n","protected":false},"excerpt":{"rendered":"

Two Groups of Three Putti Playing on and Before Two Garlands of Fruit Hanging From a Mask in the Center Engraving, Anonymous, 8.5 (max.) x 39.2 S. Fig.E.139 (New York) COLLECTION: New York, 26.50.1 (149) (the upper edge trimmed around the top of the mask; part of the mask missing, filled but not re-drawn). LITERATURE: […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":149,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4344","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4344"}],"version-history":[{"count":9,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4344\/revisions"}],"predecessor-version":[{"id":6286,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4344\/revisions\/6286"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}