{"id":4232,"date":"2012-04-05T16:20:15","date_gmt":"2012-04-05T20:20:15","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4232"},"modified":"2012-08-20T11:21:46","modified_gmt":"2012-08-20T15:21:46","slug":"e-101-master-ndb-holy-family","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-101-master-ndb-holy-family\/","title":{"rendered":"E.101 MASTER NDB, Holy Family With St. Anne Set Within A Frame"},"content":{"rendered":"
\"\"<\/a>

E.101, I, Master NDB, Holy Family<\/p><\/div>\n

Chiaroscuro woodcut in three blocks by Master NDB, 27.7 x 23.3 S (Paris, Ea 26a R\u00e9s.).<\/p>\n

Two states:<\/p>\n

I.\u00a0 Inscribed twice at the lower left, in the lightest tone block, and below that in larger letters in the middle tone block: NDB<\/em>.<\/p>\n

II.\u00a0 The inscription in the middle tone block has been removed.<\/p>\n

Fig.E.101, I<\/a> (London)
\nFig.E.101, II<\/a> (Paris)<\/p>\n

Bartsch, XII, 1811, 59-60, 17 (State II, as above), as after Rosso and after Boyvin\u2019s engraving in reverse.\u00a0 Bartsch, XII, 1920, 30-31, 17, as after Rosso, and of the same composition in reverse of an anonymous print believed to be by Domenico del Barbiere (see below).<\/p>\n

COLLECTIONS: London, 1874-8-8-186 (I, frame cut off and top corners rounded off; dark ochre, gray-brown, and black on cream paper).\u00a0 New York, 58.636 (II, frame partly cut off on all sides; tan, brown, and very dark brown on white paper).\u00a0 Paris, Ea 26a R\u00e9s., p.22 (II, with full frame; ochre, brown, and black on cream paper).\u00a0 Vienna, It.I. Sect. Bd 1, p.75 (II, frame cut off; ochre, light olive green, and black on white paper).<\/p>\n

OTHER IMPRESSIONS (uncertain of status as original print but probably all original, State II): New York, 28.15.11 (with most of frame cut off).\u00a0 Paris, Ba 12, p.7 (frame cut off; tan, brown, and very dark brown on light tan paper).\u00a0 Vienna, It.I. Sect. Bd 1, p.75, second impression (frame cut off; gray-green, gray, and black on white paper); H.B.IV, Suppl. (Works after Rosso), p.68 (frame cut off and the N<\/em> of the inscription; russet, brown, and black on cream paper).<\/p>\n

LITERATURE:<\/p>\n

Nagler, Monogrammisten<\/em>, IV, 1864, 744, no. 2372, 2.<\/p>\n

Weigel, 1865, 656, no. 7732, as depicting St. Elizabeth.<\/p>\n

Servolini, Xilografia<\/em>, 1930, 91.<\/p>\n

Kusenberg, 1931, 167, as related to Rosso\u2019s drawing in Milan.<\/p>\n

Karpinski, IB<\/em>, 1, 1971, and IB<\/em>, 48, 1983, 78 (New York, 58.6.36).<\/p>\n

Karpinski, 1976, 23-25, no. 3, Fig. (Paris, Ea 26a R\u00e9s.), as by Master N.D. of Bologna after Rosso\u2019s drawing in Milan.<\/p>\n

Borea, 1980, 263, no. 677 (London, 1874-8-8-186).<\/p>\n

Carroll, 1987, 46, 358-359, no. 113, with Fig. (Paris, Ea 26a R\u00e9s., p.22, reproduced without printed frame).<\/p><\/blockquote>\n

This print is related to the copy of a lost drawing by Rosso in Milan, but it is in reverse of it.\u00a0 For the differences between them and its relation to the anonymous engraving of the same composition (Fig.E.161<\/a>), see under D.82 (Fig.D.82<\/a>).\u00a0 Like the engraving, the woodcut would seem to have been derived from Rosso\u2019s lost drawing; it is not based on the copy in Milan.<\/p>\n

COPY, PRINT: E.162 (Fig.E.162<\/a>).\u00a0 Anonymous, chiaroscuro woodcut, with frame but without the inscriptions.\u00a0 COLLECTION: London, W4-27, Case 55, Vol. 7 (with frame, 28.3 x 23.5; picture area 23.2 x 18.8; ochre, gray-brown, and black on cream paper).\u00a0 The following impressions may be of the same uninscribed copy: Chatsworth, Vol. IV, p.23, no. 32 (without frame, 23.5 x 19.1 S; two blocks only, olive green and black on light tan paper).\u00a0 Vienna, It.II., p.71 (with frame, 28.1 x 23.5 S; ochre, very light olive green, and black on white paper).\u00a0 LITERATURE: Carroll, 1987, 358, n. 1, under no. 113.<\/p>\n

The more regular cutting of the blocks of this woodcut suggest that it is a copy of the other print.<\/p>\n","protected":false},"excerpt":{"rendered":"

Chiaroscuro woodcut in three blocks by Master NDB, 27.7 x 23.3 S (Paris, Ea 26a R\u00e9s.). Two states: I.\u00a0 Inscribed twice at the lower left, in the lightest tone block, and below that in larger letters in the middle tone block: NDB. II.\u00a0 The inscription in the middle tone block has been removed. Fig.E.101, I […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":109,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4232","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4232"}],"version-history":[{"count":11,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4232\/revisions"}],"predecessor-version":[{"id":6637,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4232\/revisions\/6637"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}