{"id":4136,"date":"2012-04-05T16:20:31","date_gmt":"2012-04-05T20:20:31","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4136"},"modified":"2012-08-20T09:30:50","modified_gmt":"2012-08-20T13:30:50","slug":"e-75-fantuzzi-cartouche-satyrs-landscape","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-75-fantuzzi-cartouche-satyrs-landscape\/","title":{"rendered":"E.75 Cartouche: Satyrs Framing a Landscape"},"content":{"rendered":"
\"\"<\/a>

E.75 Fantuzzi, Cartouche with Satyrs<\/p><\/div>\n

Etching by Antonio Fantuzzi, 26.4 x 53.6 L, 27.3 x 54.4 P (London).\u00a0 Inscribed at the lower left with a monogram composed of joined letters: ATF<\/em>, and the date 1543 (Herbet and Zerner).<\/p>\n

Fig.E.75<\/a> (London)<\/p>\n

Bartsch, XVI, 1818, 350, 30, as Fantuzzi after an artist of the School of Primaticcio.\u00a0 Herbet, II, 1896, 268 (1969, 64), 1, and V, 1902, 80 (1969, 232), as Fantuzzi after one of Rosso\u2019s frames in the Gallery of Francis I, the large letters FRF<\/em> above signifying: Franciscus Rex Franciae.\u00a0 Zerner, 1969, A.F.33 (Paris, Eb 14d).<\/p>\n

COLLECTIONS: Amsterdam (De Jong and de Groot, 1988, 268, 598).\u00a0 Berlin, 141-22.\u00a0 London, 1850-5-27-36 IMP. SIZE.\u00a0 New York, 49.95.183 (cut at top, damaged along left edge); 66.658.5 (slight tear at left and right, and upper left corner missing).\u00a0 Paris, Ba 12; Eb 14d; Ed 8b R\u00e9s., bo\u00eete, no. 137.\u00a0 Paris, Arsenal, Vol. 168(1), no. 14, dark brown ink, slightly cut at right.\u00a0 Vienna, Vol. XIII, 2, p.69, no. 429.<\/p>\n

LITERATURE:<\/p>\n

Sch\u00e9fer, 1894-1929, col. 552, no. 14.<\/p>\n

Berliner, 1925-1926, I, Pl. 110, Text volume, 40.<\/p>\n

Kusenberg, 1931, 165.<\/p>\n

Zerner, 1964, 75, 77, Fig.<\/p>\n

Hackford, in Ornament<\/em>, 1972, 52-53, no. 43, Pl. XL.<\/p>\n

Zerner, in EdF<\/em>, 1972, 267, no. 313, and in Fontainebleau<\/em>, 1973, I, 99, Fig. 73, II, 82, no. 313 (Paris).<\/p>\n

Zerner, 1972, 114, Fig. 169.<\/p>\n

B\u00e9guin and Pressouyre, 1972, 140.<\/p>\n

Zerner, IB<\/em>, 33, 1979, 250 (London).<\/p>\n

Wagner, 1979, 141-142, 265, Fig. 1.<\/p>\n

Byrne, 1981, 122, Fig. 159 (New York, 49.95.183), 123, no. 159.<\/p>\n

K. Wilson-Chevalier, in Fontainebleau<\/em>, 1985, 134-136, no. 81 (Paris, Ba 12).<\/p>\n

E. Hevers, in Zauber der Medusa<\/em>, 1987, 348, no. VII, 13, Fig. (Paris).<\/p>\n

Carroll, 1987, 255, 256, n. 12, under no. 79.<\/p>\n

Carroll, 1989, 27-28, Fig. 47 (wrongly as 48; Paris, Ed 8b R\u00e9s., no. 137).<\/p>\n

Reed and Wallace, 1989, 28-29, no. 15, Fig. (New York, 66.658.5).<\/p>\n

Boorsch, in French Renaissance<\/em>, 1994, 239-241, no. 40, 240, Fig. (Paris, Ed 8b), 152, Fig. 45 (detail), representing a conception of the ensemble for the gallery at a point close to but not yet the final resolution; the Flemish style landscape here and in related prints conceivably by Fantuzzi, or by Master I.\u2640.V., whose prints have the same kind of landscapes, and then borrowed by Fantuzzi, but this does not seem particularly plausible; likely by someone specializing in landscapes who was either Flemish or strongly influenced by Flemish landscapes; Thiry was Flemish but too little is known of him, and his landscapes etched by L\u00e9on Davent are very different.<\/p><\/blockquote>\n

This etching is related, in reverse, to the framing of the Enlightenment of Francis I<\/em> in the Gallery of Francis I (Fig.P.22, VII S a<\/a>), with the central fresco replaced by a landscape.\u00a0 The major differences between the etching and the frame in the gallery are specified in the catalogue entry of the latter (P.22, VII S<\/a>).\u00a0 As stated there, it is likely that Fantuzzi did his print from a lost drawing by Rosso of an early conception of this frame.\u00a0 Certain changes would seem to have been made by the etcher, including the decoration of the pilaster strips and the baskets on the satyrs\u2019 heads.\u00a0 But in general, except for the landscape, one should probably see the etching as representing a conception by Rosso, as is the case with Fantuzzi\u2019s other prints related to Rosso\u2019s inventions.\u00a0 The letters FRF<\/em> for Franciscus Rex Franciae could have been intended by Rosso in this location before it was decided that salamanders would appear above every large fresco in the gallery.\u00a0 This print by Fantuzzi is the only one by him of a frame in the gallery the central image of which was also etched by him (Fig.E.74<\/a>).<\/p>\n

COPY, PRINT: E.57,8.\u00a0 Du Cerceau, etching.\u00a0 Herbet, IV, 1900, 306 (1969, 156), VI (Petits Cartouches), 22.\u00a0 Derived from Fantuzzi\u2019s etching, reversed and with variations.<\/p>\n","protected":false},"excerpt":{"rendered":"

Etching by Antonio Fantuzzi, 26.4 x 53.6 L, 27.3 x 54.4 P (London).\u00a0 Inscribed at the lower left with a monogram composed of joined letters: ATF, and the date 1543 (Herbet and Zerner). Fig.E.75 (London) Bartsch, XVI, 1818, 350, 30, as Fantuzzi after an artist of the School of Primaticcio.\u00a0 Herbet, II, 1896, 268 (1969, […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":80,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4136","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4136"}],"version-history":[{"count":10,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4136\/revisions"}],"predecessor-version":[{"id":5350,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4136\/revisions\/5350"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}