{"id":4124,"date":"2012-04-05T16:20:31","date_gmt":"2012-04-05T20:20:31","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4124"},"modified":"2012-08-20T09:22:13","modified_gmt":"2012-08-20T13:22:13","slug":"e-71-fantuzzi-nauplius","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-71-fantuzzi-nauplius\/","title":{"rendered":"E.71 Revenge of Nauplius"},"content":{"rendered":"<div id=\"attachment_4125\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.71-Nauplius-London.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4125\" class=\"size-medium wp-image-4125\" src=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.71-Nauplius-London-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" srcset=\"https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.71-Nauplius-London-300x214.jpg 300w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.71-Nauplius-London-150x107.jpg 150w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.71-Nauplius-London-1024x733.jpg 1024w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.71-Nauplius-London-400x286.jpg 400w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.71-Nauplius-London.jpg 1922w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-4125\" class=\"wp-caption-text\">E.71 Fantuzzi, Revenge of Nauplius<\/p><\/div>\n<p>Etching by Antonio Fantuzzi, 31.1 x 42.9 L (London).<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.71-Nauplius-London.jpg\" target=\"_blank\">Fig.E.71<\/a> (London)<\/p>\n<p>Bartsch, XVI, 1818, 413, 94, as Anonymous, School of Fontainebleau, but appears to be by Fantuzzi.\u00a0 Herbet, II, 1896, 280 (1969, 76), 34, as Fantuzzi.\u00a0 Zerner, 1969, A.F.26 (Vienna, H.B.IV) as 1542-1543.<\/p>\n<p>COLLECTIONS: London, 1850-5-27-120 (slight damage in lower right corner).\u00a0 New York, 49.50.220 (inscribed in ink in lower left corner: <em>rossi<\/em>).\u00a0 Paris, Eb 14d; Ed 8b R\u00e9s. Vol. II, no. 35 (upper corners added and re-drawn). \u00a0Vienna, It.III.3, p.30; H.B.IV, p.76, no. 89.<\/p>\n<p>LITERATURE:<\/p>\n<blockquote><p>Mariette, <em>Ab\u00e9c\u00e9dario<\/em>, 1858-1859, 21, 23, as after Rosso and by the same etcher who did the <em>Death of Adonis<\/em> [E.76] and the <em>Allegorical<\/em> <em>Scene of Rage and Madness<\/em> [E.140].<\/p>\n<p>Kusenberg, 1931, 165.<\/p>\n<p>Barocchi, 1950, 141, Fig. 118 (Paris, Eb 14d).<\/p>\n<p>Panofsky, 1958, 154, Fig. 40 (New York), 173, n. 76.<\/p>\n<p>Zerner, 1964, 75, as datable in 1542.<\/p>\n<p>Zerner, 1972, 113, Fig. 162 (Vienna, H.B.IV).<\/p>\n<p>B\u00e9guin and Pressouyre, 1972, 129, as 1542-1543.<\/p>\n<p>Zerner, <em>IB<\/em>, 33, 1979, 369 (London).<\/p>\n<p>Borea, 1980, 258, no. 656 (London).<\/p>\n<p>Wilson-Chevalier, 1982, 16, n. 43, as after Rosso\u2019s fresco.<\/p>\n<p>K. Wilson-Chevalier, in <em>Fontainebleau<\/em>, 1985, 209-211, no. 155 (Paris, Eb 14d).<\/p>\n<p>Carroll, 1987, 238-241, no. 74, with Fig. (London).<\/p><\/blockquote>\n<p>This etched scene is in reverse of Rosso\u2019s fresco in the Gallery of Francis I (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2011\/06\/P.22-III-N-a-Revenge.jpg\" target=\"_blank\">Fig.P.22, III N a<\/a>) but is based neither on it nor on Rosso\u2019s lost drawing known from a copy in Besan\u00e7on (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2011\/12\/D.59-Revenge-of-Nauplius.jpg\" target=\"_blank\">Fig.D.59<\/a>).\u00a0 The differences in these three images are specified in the catalogue entry of the gallery (<a href=\"http:\/\/pages.vassar.edu\/rosso\/catalogues\/paintings\/p-22\/iii-north-the-revenge-of-the-nauplius\/\" target=\"_blank\">P.22, III N<\/a>).\u00a0 There it is stated that Fantuzzi\u2019s etching appears to be based on another lost drawing by Rosso and preserves the earliest known version of this scene.\u00a0 Unlike Fantuzzi\u2019s other etchings after the large scenes in the gallery, this print is very finely and densely drawn and may in these respects have more of the texture of Rosso\u2019s lost drawing than do the other prints.\u00a0 The profile eye on the prow of one of the ships at the left is a remarkable detail of this etching.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Etching by Antonio Fantuzzi, 31.1 x 42.9 L (London). Fig.E.71 (London) Bartsch, XVI, 1818, 413, 94, as Anonymous, School of Fontainebleau, but appears to be by Fantuzzi.\u00a0 Herbet, II, 1896, 280 (1969, 76), 34, as Fantuzzi.\u00a0 Zerner, 1969, A.F.26 (Vienna, H.B.IV) as 1542-1543. COLLECTIONS: London, 1850-5-27-120 (slight damage in lower right corner).\u00a0 New York, 49.50.220 [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":76,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4124","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4124"}],"version-history":[{"count":10,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4124\/revisions"}],"predecessor-version":[{"id":6596,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4124\/revisions\/6596"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}