{"id":4121,"date":"2012-04-05T16:20:31","date_gmt":"2012-04-05T20:20:31","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4121"},"modified":"2012-08-20T09:20:51","modified_gmt":"2012-08-20T13:20:51","slug":"e-70-fantuzzi-cartouche-landscape","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-70-fantuzzi-cartouche-landscape\/","title":{"rendered":"E.70 Cartouche Framing a Landscape"},"content":{"rendered":"
\"\"<\/a>

E.70 Fantuzzi, Cartouche Framing a Landscape<\/p><\/div>\n

Cartouche with a Large Female Nude at the Left and a Large Male Nude at the Right Framing a Landscape<\/strong><\/p>\n

Etching by Antonio Fantuzzi, 24.2 x 49.4 L (London, 1850-5-27-38).\u00a0 Inscribed with a monogram in the lower left corner: A<\/em>.<\/p>\n

Fig.E.70<\/a> (London, 1850-5-27-40)<\/p>\n

Bartsch, XVI, 1818, 352, 33, as Fantuzzi, and perhaps of his own invention.\u00a0 Herbet, II, 1896, 270 (1969, 66), 4, and V, 1902, 81 (1969, 233), as Fantuzzi, as after one of the frames in the Gallery of Francis I.\u00a0 Zerner, 1969, A.F.36 (London, 1850-5-27-38), as probably 1543.<\/p>\n

COLLECTIONS: Berlin, 140-22; 957-19.\u00a0 London, 1850-5-27-38 IMP. SIZE; 1850-5-27-40 IMP. SIZE.\u00a0 Paris, Ba 12; Eb 14d (2 impressions, one in reddish-brown ink, the other inscribed in pencil in the small framed area at bottom: De Pierre \/ Courteys<\/em>).\u00a0 Vienna, Vol. XIII, Suppl. (in dark brown ink).<\/p>\n

LITERATURE:<\/p>\n

Berliner, 1925-1926, I, Pl. III, 1, Text Volume, 40.<\/p>\n

Kusenberg, 1931, 165.<\/p>\n

Zerner, 1964, 77, as late 1542-1543.<\/p>\n

Golson, 1969, 95, 96, Fig. 1.<\/p>\n

Zerner, in EdF<\/em>, 1972, 266, 267, Fig., no. 314 (London, 1850-5-27-38).<\/p>\n

Zerner, 1972, 113, Fig. 168 (London, 1850-5-27-38).<\/p>\n

B\u00e9guin and Pressouyre, 1972, 125.<\/p>\n

Zerner, IB<\/em>, 33, 1979, 252 (London).<\/p>\n

Adelson, 1980, 162.<\/p>\n

Carroll, 1987, 228-231, no. 71, with Fig. (London, 1850-5-27-40).<\/p>\n

Rubin, 1987, 93, Pl. 19a, as an example of Rosso\u2019s Fontainebleau style influential on Salviati\u2019s frames in the chapel in the Cancelleria, Rome.<\/p><\/blockquote>\n

This etching is related to, but in reverse of, the framing of the Venus and Minerva<\/em> in the Gallery of Francis I (Fig.P.22, I N a<\/a>).\u00a0 As proposed in the catalogue entry of the gallery (P.22, I N<\/a>), the print would seem to be after a lost drawing by Rosso of an early conception of the framing of this wall.\u00a0 It is even possible that the small scene above the large central area goes back to the lost drawing.\u00a0 That scene shows a triton kneeling on the shore, with a large ship behind him, before a reclining nude woman.\u00a0 The triton appears to be pointing to the ship with his left hand.\u00a0 Whatever subject it may represent, this scene does bear some relation in its depiction of water and a nude woman to the Venus and Minerva<\/em> fresco in the gallery.<\/p>\n

COPY, PRINT: E.57,5.\u00a0 Du Cerceau, etching.\u00a0 Herbet, IV, 1900, 305 (1969, 155), VI (Petits Cartouches), 17.\u00a0 In the same direction as Fantuzzi\u2019s etching, but without the landscape.<\/p>\n

METALWORK: Ecouen, Mus\u00e9e Nationale de la Renaissance, Cl. 544a (formerly Paris, Mus\u00e9e de Cluny).\u00a0 Lock plate with the arms of Anne de Montmorency and Madeleine de Savoie, 25 cm. width.\u00a0 LITERATURE: Ferdinand de Lasteyrie, \u201cUn Grand Seigneur du XVIe<\/sup> Si\u00e8cle, Le Conn\u00e9table de Montmorency,\u201d Part I, G.d.B.-A.<\/em>, 2nd series, XIX, 1879, 316, 319, Fig.\u00a0 Du Sommerard, 1883, 463, no. 5836. \u00a0Herbet, V, 1902, 80, (1969, 232), no. 4.<\/p>\n

Because of a variety of details such as the complete visibility of the right foot of the male figure at the right, it seems that this lock plate is derived from Fantuzzi\u2019s print rather than from Du Cerceau\u2019s copy or from Moro\u2019s copy of Du Cerceau (see under E.57,5<\/a>).<\/p>\n","protected":false},"excerpt":{"rendered":"

Cartouche with a Large Female Nude at the Left and a Large Male Nude at the Right Framing a Landscape Etching by Antonio Fantuzzi, 24.2 x 49.4 L (London, 1850-5-27-38).\u00a0 Inscribed with a monogram in the lower left corner: A. Fig.E.70 (London, 1850-5-27-40) Bartsch, XVI, 1818, 352, 33, as Fantuzzi, and perhaps of his own […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":75,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4121","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4121"}],"version-history":[{"count":10,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4121\/revisions"}],"predecessor-version":[{"id":6595,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4121\/revisions\/6595"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}