{"id":4111,"date":"2012-04-05T16:20:43","date_gmt":"2012-04-05T20:20:43","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4111"},"modified":"2012-08-24T16:30:56","modified_gmt":"2012-08-24T20:30:56","slug":"e-67-fantuzzi-cartouche-woman","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-67-fantuzzi-cartouche-woman\/","title":{"rendered":"E.67 Cartouche: Nude Woman holding Her Breasts"},"content":{"rendered":"
\"\"<\/a>

E.67 Fantuzzi, Cartouche with Nude Woman<\/p><\/div>\n

Cartouche with a Nude Woman holding Her Breasts at the Left and a Partially Draped Bearded Man at the Right Framing a Blank Oval<\/strong><\/p>\n

Etching by Antonio Fantuzzi, 43 x 28.1 S (Paris).\u00a0 Inscribed with a monogram (Fantuzzi\u2019s?) at the lower right: FA<\/em> ?<\/p>\n

Fig.E.67<\/a> (Paris)<\/p>\n

Herbet, II, 1896, 273 (1969, 69), 17, and V, 1902, 81 (1969, 233), as Fantuzzi.\u00a0 Zerner, 1969, A.F.78, as 1544-1545.<\/p>\n

COLLECTION: Paris, Eb 14d.<\/p>\n

LITERATURE:<\/p>\n

Kusenberg, 1931, 166, as in the style of Rosso and perhaps after a lost decoration at Fontainebleau.<\/p>\n

Zerner, in EdF<\/em>, 1972, 273, no. 327, 274, Fig., as perhaps Fantuzzi\u2019s invention.<\/p>\n

B\u00e9guin and Pressouyre, 1972, 141.<\/p>\n

B\u00e9guin, 1989, 831, and Fig. 22, as related to a lost decoration of the East Wall of the Gallery of Francis I.<\/p>\n

Brugerolles and Guillet, 1994, 44, under no. 16.<\/p>\n

Sara F. Matthews Grieco, \u201cGeorgette di Montenay: A Different Voice in Sixteenth-Century Emblematics,\u201d Renaissance Quarterly<\/em>, XLVII, 4, 1994, 811, 812, Fig. 8 (Paris), as by Fantuzzi, its ornamental imagery referring \u201calmost off-handedly to female physicality and male spirituality.\u201d<\/p>\n

 <\/p>\n

As indicated in the catalogue entry for the Gallery of Francis I (P.22, East Wall<\/a>), this etching would seem to be dependent on a lost drawing by Rosso for the center section of the east end of that room.\u00a0 Given the evidence of a copy of another lost drawing in Ensba in Paris (Fig.D.57<\/a>), the etching would seem to be in reverse of the lost image.<\/p>\n

COPY, PRINT: E.57,11.\u00a0 Du Cerceau, etching (Fig.E.57,11<\/a>).\u00a0 Herbet, IV, 1900, 307 (1969, 157), VI (Petits Cartouches), 28.\u00a0 Copy in reverse of Fantuzzi\u2019s print, with variations.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cartouche with a Nude Woman holding Her Breasts at the Left and a Partially Draped Bearded Man at the Right Framing a Blank Oval Etching by Antonio Fantuzzi, 43 x 28.1 S (Paris).\u00a0 Inscribed with a monogram (Fantuzzi\u2019s?) at the lower right: FA ? Fig.E.67 (Paris) Herbet, II, 1896, 273 (1969, 69), 17, and V, […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":72,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4111","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4111"}],"version-history":[{"count":13,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4111\/revisions"}],"predecessor-version":[{"id":6697,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4111\/revisions\/6697"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}