{"id":4093,"date":"2012-04-05T16:20:44","date_gmt":"2012-04-05T20:20:44","guid":{"rendered":"http:\/\/blogs.vassar.edu\/rosso\/?page_id=4093"},"modified":"2013-04-10T17:24:29","modified_gmt":"2013-04-10T21:24:29","slug":"e-62-fantuzzi-vertumnus-and-pomona","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/rosso\/catalogues\/engravings\/e-62-fantuzzi-vertumnus-and-pomona\/","title":{"rendered":"E.62 Vertumnus and Pomona"},"content":{"rendered":"<div id=\"attachment_4094\" style=\"width: 306px\" class=\"wp-caption alignright\"><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.62a-Vertumnus-BM-18500527.96.jpg\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-4094\" class=\"size-medium wp-image-4094\" alt=\"\" src=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.62a-Vertumnus-BM-18500527.96-296x300.jpg\" width=\"296\" height=\"300\" srcset=\"https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.62a-Vertumnus-BM-18500527.96-296x300.jpg 296w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.62a-Vertumnus-BM-18500527.96-148x150.jpg 148w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.62a-Vertumnus-BM-18500527.96-400x404.jpg 400w, https:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.62a-Vertumnus-BM-18500527.96.jpg 750w\" sizes=\"auto, (max-width: 296px) 100vw, 296px\" \/><\/a><p id=\"caption-attachment-4094\" class=\"wp-caption-text\">E.62 Fantuzzi, Vertumnus and Pomona<\/p><\/div>\n<p>Etching by Antonio Fantuzzi, 35.1 x 34.9\u00a0 L (London, W3-133).\u00a0 Inscribed on some impressions with a monogram at the lower left, appearing as: <em>TA<\/em>.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.62a-Vertumnus-BM-18500527.96.jpg\" target=\"_blank\">Fig.E.62a<\/a> (London, 1850-5-27-96)<br \/>\n<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2012\/04\/E.62b-Vertumnus-BM-W3-133.jpg\" target=\"_blank\">Fig.E.62b<\/a> (London, W3-133)<\/p>\n<p>Bartsch, XVI, 1818, 399-400, 62, as Anonymous, School of Fontainebleau, but appears to be by Fantuzzi, after Rosso.\u00a0 Herbet, II, 1896, 280 (1969, 76), 37, as Fantuzzi after Rosso\u2019s painting in the Pavilion of Pomona, on the authority of Mariette.\u00a0 Zerner, 1969, A.F.38 (London, W3-133), as 1542-1543.<\/p>\n<p>COLLECTIONS: Chatsworth, Vol. 5, p.63, no. 106.\u00a0 London, 1850-5-27-96 IMP. SIZE (monogram not visible); W3-133.\u00a0 Paris, Eb 14d; Ed 8b R\u00e9s. Vol. II, no. 24.<\/p>\n<p>LITERATURE:<\/p>\n<blockquote><p>Reiset, 1859, 204 and n. 1, as of Rosso\u2019s lost fresco in the Pavilion of Pomona.<\/p>\n<p>Dimier, 1900, 313, as related to Rosso\u2019s lost fresco, according to Mariette.<\/p>\n<p>Kusenberg, 1931, 165.<\/p>\n<p>B\u00e9guin, <em>RdA<\/em>, 1969, 105, mentions the possibility that the Louvre drawing (see below) was made in preparation for Fantuzzi\u2019s print.<\/p>\n<p>Zerner, in <em>EdF<\/em>, 1972, 264, Fig. (London, W3-133), 267, no. 315.<\/p>\n<p>Zerner, in <em>Fontainebleau<\/em>, 1973, I, 102, Fig. 76, II, 83-84, no. 315.<\/p>\n<p>Carroll, 1978, 42, 44, Fig. 30 (Paris), 48, n. 34.<\/p>\n<p>Zerner, <em>IB<\/em>, 33, 1979, 337 (London).<\/p>\n<p>Borea, 1980, 258, no. 650, 260, Fig. (London, W3-133).<\/p>\n<p>Adelson, 1980, 160, n. 66, Fig. 57.<\/p>\n<p>Carroll, 1987, 202-204, no. 65, with Fig. (London, 1850-5-27-96), as after a lost drawing by Rosso of 1532 to mid-1533 for the fresco in the destroyed Pavilion of Pomona.<\/p><\/blockquote>\n<p>Fantuzzi\u2019s etching is related to, but in reverse of, the copies in Paris (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2011\/12\/D.46Aa-Virtumnus-and-Pomona-Louvre-color.jpg\" target=\"_blank\">Fig.D.46Aa<\/a>) and Brussels (<a href=\"http:\/\/pages.vassar.edu\/rosso\/files\/2011\/12\/D.46B-Virtumnus-and-Pomona-Brussels.jpg\" target=\"_blank\">Fig.D.46B<\/a>) of Rosso\u2019s lost drawing made in 1532 or 1533 for his fresco in the destroyed Pavilion of Pomona at Fontainebleau (<a href=\"https:\/\/pages.vassar.edu\/rosso\/catalogues\/lost-works\/l-39\/\">L.39<\/a>).\u00a0 But as suggested in the catalogue entry of those copies, Fantuzzi\u2019s print was probably based not on the lost original from which the copies were made but on another lost drawing by Rosso with the composition in a square format.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Etching by Antonio Fantuzzi, 35.1 x 34.9\u00a0 L (London, W3-133).\u00a0 Inscribed on some impressions with a monogram at the lower left, appearing as: TA. Fig.E.62a (London, 1850-5-27-96) Fig.E.62b (London, W3-133) Bartsch, XVI, 1818, 399-400, 62, as Anonymous, School of Fontainebleau, but appears to be by Fantuzzi, after Rosso.\u00a0 Herbet, II, 1896, 280 (1969, 76), 37, [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":824,"menu_order":67,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4093","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4093","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/comments?post=4093"}],"version-history":[{"count":11,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4093\/revisions"}],"predecessor-version":[{"id":9075,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/4093\/revisions\/9075"}],"up":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/rosso\/wp-json\/wp\/v2\/media?parent=4093"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}