{"id":319,"date":"2011-05-25T20:08:13","date_gmt":"2011-05-25T20:08:13","guid":{"rendered":"http:\/\/pages.vassar.edu\/musicurbanism\/?p=319"},"modified":"2012-11-11T04:16:30","modified_gmt":"2012-11-11T04:16:30","slug":"getting-ready-for-maryland-deathfest-part-2-scanning-the-schedule","status":"publish","type":"post","link":"https:\/\/pages.vassar.edu\/musicalurbanism\/2011\/05\/25\/getting-ready-for-maryland-deathfest-part-2-scanning-the-schedule\/","title":{"rendered":"getting ready for Maryland Deathfest, part 2: scanning the schedule"},"content":{"rendered":"<p>Now, which bands to see? \u00a0I know a handful of the older ones from having listened to and seen them in concert 20 or more years ago.\u00a0\u00a0 Still, there&#8217;s much catching up to do, and I&#8217;ve been digesting all the preparatory material I can find: the\u00a0<a href=\"http:\/\/invertedumlaut.tumblr.com\/post\/5799395807\/inverted-umlaut-podcast-no-28-maryland-deathfest\">Inverted Umlaut podcast<\/a>, the\u00a0<a href=\"http:\/\/www.magcloud.com\/browse\/Issue\/194318\">Invisible Oranges program guide,<\/a>\u00a0the\u00a0<a href=\"http:\/\/citypaper.com\/music\/unnatural-selections-1.1151604\">Baltimore City Paper cover story<\/a>.\u00a0 My friend and festival companion Francesco and I have chosen Friday and Sunday as the dates we&#8217;ll be attending.\u00a0 Here&#8217;s what we can look forward to:<\/p>\n<p><strong><span style=\"text-decoration: underline\">Day 1: Thursday, May 26<\/span><\/strong><br \/>\nWITCHAVEN &#8211; 4:45 &#8211; 5:15<br \/>\nSHITSTORM &#8211; 5:30 &#8211; 5:55<br \/>\nNOISEAR &#8211; 6:10 &#8211; 6:40<br \/>\nMIASMAL &#8211; 6:55 &#8211; 7:30<br \/>\nLACK OF INTEREST &#8211; 7:45 &#8211; 8:20<br \/>\nFLESH PARADE &#8211; 8:35 &#8211; 9:10<br \/>\nEXTORTION &#8211; 9:25 &#8211; 10:00<br \/>\nBUZZOV*EN &#8211; 10:15 &#8211; 11:00<br \/>\nTRAGEDY &#8211; 11:15 &#8211; 12:00 CATHEDRAL &#8211; 12:15 &#8211; end<\/p>\n<p>We&#8217;re not attending this date, but I&#8217;d love to see\u00a0<strong>Tragedy<\/strong>, the latest incarnation of a Memphis crust-punk\/metal collective that goes back to the early 90s.\u00a0 They started out as Cop Out, an unwashed, screamy-meemy outfit that I saw play in Santa Barbara with the Yah Mos (predecessors of !!!) and Jara (predecessors of my old band Born and Razed).\u00a0 Then they became a smaller unit, took on a bona-fide long-hair metal guitarists, and got ridiculously heavy as His Hero Is Gone.\u00a0 (Coincidentally, Born and Razed played with His Hero Is Gone and Still Life in Baltimore, in front of 10 people at a garage called the Shuffle House back in 1995.)\u00a0 Now they&#8217;re older, their hair is shorter, but they&#8217;re still as beefy and mighty as they used to be.<\/p>\n<iframe loading=\"lazy\" title=\"Tragedy - The Intolerable Weight - Live @ Ilosaarirock 2009\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/S5qnMAu0l1k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<p><strong><span style=\"text-decoration: underline\">Day 2: Friday, May 27<\/span><\/strong><br \/>\nTHE IMPALERS &#8211; 4:00 &#8211; 4:30<br \/>\nNOCTURNAL &#8211; 4:25 &#8211; 5:00<br \/>\nNAILS &#8211; 4:45 &#8211; 5:15<br \/>\nFUNEBRARUM &#8211; 5:15 &#8211; 5:55<br \/>\nPULLING TEETH &#8211; 5:30 &#8211; 6:00<br \/>\nAURA NOIR &#8211; 6:00 &#8211; 6:50<br \/>\nMACHETAZO &#8211; 6:40 &#8211; 7:20<br \/>\nCORROSION OF CONFORMITY &#8211; 7:20 &#8211; 8:20<br \/>\nCRIPPLE BASTARDS &#8211; 8:25 &#8211; 9:05<br \/>\nNEUROSIS &#8211; 9:10 &#8211; 10:45<br \/>\nKYLESA &#8211; 10:45 &#8211; 11:25<br \/>\nEXHUMED &#8211; 11:40 &#8211; 12:25<br \/>\nMARDUK &#8211; 12:40 &#8211; end<\/p>\n<p>Friday gets thick with great acts starting at 6 pm with\u00a0<strong>Aura Noir<\/strong>, a Norwegian black metal act that nods heavily to old-school thrash metal.\u00a0\u00a0<strong>Corrosion of Conformity<\/strong>are one of the big vintage acts at MDF, a hardcore punk band from North Carolina that led the crossover to underground metal back in the 80s.\u00a0 I saw the version led by Pepper Keenan that got signed to a major label back in the early 90s, but apparently the original trio from their &#8220;Animosity&#8221; heyday will be playing tonight. \u00a0<strong>Kylesa<\/strong>\u00a0are indie-rock&#8217;s favorite metal band of the moment, with two drummers and probably the only woman on stage all weekend (guitarist\/vocalist Laura Pleasants); their latest album is a tad too alternative for me, but I&#8217;m betting they&#8217;ll be pulling the Pixies-sounding numbers from their setlist in favor of their old sludge metal classics.\u00a0 The evening closes with the self-proclaimed &#8220;most blasphemous band in the world,&#8221; Swedish black metal icons\u00a0<strong>Marduk<\/strong>.\u00a0 This isn&#8217;t your quasi-psychedelic lo-fi black metal, but some of the fastest, loudest, and most &#8220;brutal&#8221; (an adjective that will get overused this weekend) metal I&#8217;ve heard.\u00a0 Frankly, it doesn&#8217;t make sense at all when played on an iPod, so I&#8217;m especially looking forward to hearing it on stage.<br \/>\n<a href=\"http:\/\/youtu.be\/Wx5XKSXh-kU\">http:\/\/youtu.be\/Wx5XKSXh-kU<\/a><br \/>\n<iframe loading=\"lazy\" title=\"Corrosion of Conformity- Intervention 1985\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/WJ7DCzKLMnA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n<iframe loading=\"lazy\" title=\"KYLESA - Scapegoat @ Brutal Assault 2010 ( good quality )\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/U7XDe_eKofQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n<a href=\"http:\/\/youtu.be\/gxRKXIUaaDY\">http:\/\/youtu.be\/gxRKXIUaaDY<\/a><\/p>\n<p><strong><span style=\"text-decoration: underline\">Day 3: Saturday, May 28<\/span><\/strong><br \/>\nMASAKARI &#8211; 12:30 &#8211; 12:55<br \/>\nINNUMERABLE FORMS &#8211; 1:10 &#8211; 1:35<br \/>\nCREATIVE WASTE &#8211; 1:50 &#8211; 2:20<br \/>\nMAMMOTH GRINDER &#8211; 2:35 &#8211; 3:05<br \/>\nCRETIN &#8211; 3:20 &#8211; 3:55<br \/>\nAVULSED &#8211; 3:50 &#8211; 4:30<br \/>\nTHE KILL- 4:10 &#8211; 4:40<br \/>\nCIANIDE &#8211; 4:35 &#8211; 5:10<br \/>\nBLOOD FREAK &#8211; 4:55 &#8211; 5:30<br \/>\nNUNSLAUGHTER &#8211; 5:30 &#8211; 6:10<br \/>\nIN SOLITUDE &#8211; 6:10 &#8211; 6:50<br \/>\nDROPDEAD &#8211; 6:25 &#8211; 6:55<br \/>\nHAIL OF BULLETS &#8211; 6:55 &#8211; 7:45<br \/>\nDOOM &#8211; 7:10 &#8211; 7:55<br \/>\nIMPALED NAZARENE &#8211; 7:55 &#8211; 8:45<br \/>\nEXHORDER &#8211; 8:50 &#8211; 9:40<br \/>\nVOIVOD &#8211; 9:45 &#8211; 10:45<br \/>\nDEFEATED SANITY &#8211; 9:55 &#8211; 10:30<br \/>\nACID WITCH &#8211; 10:45 &#8211; 11:25<br \/>\nHOODED MENACE &#8211; 11:40 &#8211; 12:20<br \/>\nINQUISITION &#8211; 12:35 &#8211; end<\/p>\n<p>We&#8217;re not attending this date either, but the one everyone&#8217;s talking about is\u00a0<strong>Voivod<\/strong>, a Quebecois thrash-cum-prog metal quartet that goes back to the mid-80s.\u00a0 I like Voivod on paper, but their music has often left me cold.\u00a0 Long ago I sold their 1986 album\u00a0<em>Rrr\u00f6\u00f6\u00f6aaarrr<\/em>, which I found too poorly produced, too amateurish, and too arch at the time (confessing this action now discredits any extreme metal credibility I have in 2011).\u00a0 I also sold their big commercial album from 1989\u00a0<em>Nothingface<\/em>, which went the opposite direction\u2014too slick and too commercially ambitious (including an unexciting version of Pink Floyd&#8217;s &#8220;Astronomy Domine&#8221;).\u00a0 However, I&#8217;ll still put 1988&#8217;s<em>Dimension Hatr\u00f6ss<\/em>\u00a0on the turntable from time to time.<br \/>\n<a href=\"http:\/\/www.youtube.com\/watch?v=M6POGP9r_As&#038;feature=player_embedded\">http:\/\/www.youtube.com\/watch?v=M6POGP9r_As&amp;feature=player_embedded<\/a><br \/>\n<strong><span style=\"text-decoration: underline\">Day 4: Sunday, May 29<\/span><\/strong><br \/>\nVISCERAL DISGORGE- 1:15 &#8211; 1:45<br \/>\nOAK &#8211; 2:00 &#8211; 2:30<br \/>\nNIGHTBRINGER &#8211; 2:45 &#8211; 3:20<br \/>\nBAD ACID TRIP &#8211; 3:35 &#8211; 4:10<br \/>\nGRAVEHILL -3:45 &#8211; 4:25<br \/>\nDEAD CONGREGATION &#8211; 4:25 &#8211; 5:05<br \/>\nNOKTURNEL &#8211; 5:00 &#8211; 5:40<br \/>\nREPUGNANT &#8211; 5:40 &#8211; 6:20<br \/>\nMALIGNANT TUMOUR &#8211; 6:00 &#8211; 6:45<br \/>\nSKINLESS &#8211; 6:45 &#8211; 7:30<br \/>\nORANGE GOBLIN &#8211; 6:45 &#8211; 7:30<br \/>\nLOCK UP &#8211; 7:30 &#8211; 8:15<br \/>\nBASTARD NOISE &#8211; 8:15 &#8211; 8:55<br \/>\nNUCLEAR ASSAULT &#8211; 8:20 &#8211; 9:10<br \/>\nCORONER &#8211; 9:20 &#8211; 10:50<br \/>\nCITIZENS ARREST &#8211; 9:50 &#8211; 10:30<br \/>\nWORMED &#8211; 10:45 &#8211; 11:25<br \/>\nLAST DAYS OF HUMANITY &#8211; 11:40 &#8211; 12:15<br \/>\nGHOST &#8211; 12:30 &#8211; end<\/p>\n<p>Not sure if we&#8217;re going to stay late into the night, but the two bands we&#8217;ll definitely catch are Nightbringer and Dead Congregation.\u00a0<strong>Nightbringer<\/strong>\u00a0is essentially what you want from black metal: not so fast and pummeling to veer into death metal territory, with a wash of distorted guitars that makes up in sonic depth what it loses in attack, and dudes in face-paint and\/or hooded cowls singing odes to Satan, oblivious to the absurdity of their mission.\u00a0 You could be more Scandinavian and more lo-fi than these guys, but they illustrate black metal&#8217;s generic charm about as well as anyone.\u00a0<strong>Dead Congregation<\/strong>\u00a0are responsible for probably the best album I picked up in preparation for MDF: very brutal (there&#8217;s that term again) death metal that feeds back all over the place.\u00a0 What do occult themes sound like from a Greek Orthodox perspective?\u00a0 We may get to find out with Dead Congregation.\u00a0 I&#8217;d be interested in checking out\u00a0<strong>Bastard Noise<\/strong>, who like Tragedy are an offshoot from 1990s DIY hardcore legends\u2014in this case, Man Is The Bastard (truly a great band name).\u00a0 It would be a gas to see\u00a0<strong>Nuclear Assault<\/strong>, one of the few east coast bands from the 80s thrash metal heyday that I thought were worth listening to.\u00a0 And I&#8217;d like to stick around until the end to see what the crowd makes of\u00a0<strong>Ghost<\/strong>, a Swedish metal band who sings Satanic themes in\u2014I kid you not\u2014some super-catchy 70s arena-rock\/80s glam-metal trappings.<br \/>\n<iframe loading=\"lazy\" title=\"Nightbringer\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/VVw7PfZbIv4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n<iframe loading=\"lazy\" title=\"Dead Congregation - NWN! Fest 2009 - PART 1\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/4f-VfZNF51Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><br \/>\n<a href=\"http:\/\/youtu.be\/E8siC5hBjnY\">http:\/\/youtu.be\/E8siC5hBjnY<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=\/http:\/\/youtu.be\/pQHeRlFAAGs%5B\/youtube\">https:\/\/www.youtube.com\/watch?v=\/http:\/\/youtu.be\/pQHeRlFAAGs[\/youtube<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Now, which bands to see? \u00a0I know a handful of the older ones from having listened to and seen them in concert 20 or more years ago.\u00a0\u00a0 Still, there&#8217;s much catching up to do, and I&#8217;ve been digesting all the preparatory material I can find: the\u00a0Inverted Umlaut podcast, the\u00a0Invisible Oranges program guide,\u00a0the\u00a0Baltimore City Paper cover story.\u00a0 My friend and festival companion Francesco and I have chosen Friday and Sunday as the dates we&#8217;ll be attending.\u00a0 Here&#8217;s what we can look forward to: Day 1: Thursday, May 26 WITCHAVEN &#8211; 4:45 &#8211; 5:15 SHITSTORM &#8211; 5:30 &#8211; 5:55 NOISEAR &#8211; 6:10 &#8211; 6:40 MIASMAL &#8211; 6:55 &#8211; 7:30 LACK OF INTEREST &#8211; 7:45 &#8211; 8:20 FLESH PARADE &#8211; 8:35 &#8211; 9:10 EXTORTION &#8211; 9:25 &#8211; 10:00 BUZZOV*EN &#8211; 10:15 &#8211; 11:00 TRAGEDY &#8211; 11:15 &#8211; 12:00 CATHEDRAL &#8211; 12:15 &#8211; end We&#8217;re not attending this date, but I&#8217;d love to see\u00a0Tragedy, the latest incarnation of a Memphis crust-punk\/metal collective that goes back to the early 90s.\u00a0 They started out as Cop Out, an unwashed, screamy-meemy outfit that I saw play in Santa Barbara with the Yah Mos (predecessors of !!!) and Jara (predecessors of my old band Born and Razed).\u00a0 Then [&hellip;]<\/p>\n","protected":false},"author":308,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[43779,43644,43776],"class_list":["post-319","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-baltimore","tag-festival","tag-heavy-metal"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/posts\/319","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/users\/308"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/comments?post=319"}],"version-history":[{"count":5,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/posts\/319\/revisions"}],"predecessor-version":[{"id":693,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/posts\/319\/revisions\/693"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/media?parent=319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/categories?post=319"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/tags?post=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}