{"id":2144,"date":"2020-01-24T11:05:57","date_gmt":"2020-01-24T16:05:57","guid":{"rendered":"http:\/\/pages.vassar.edu\/musicalurbanism\/?p=2144"},"modified":"2020-02-11T12:19:24","modified_gmt":"2020-02-11T17:19:24","slug":"martha-and-the-muffins-insect-love-b-w-cheesies-and-gum-din-4","status":"publish","type":"post","link":"https:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/24\/martha-and-the-muffins-insect-love-b-w-cheesies-and-gum-din-4\/","title":{"rendered":"Martha and the Muffins \u2013 &#8220;Insect Love&#8221; b\/w &#8220;Cheesies and Gum&#8221; (DIN 4)"},"content":{"rendered":"<p><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-A.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2145\" src=\"http:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-A.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-A.jpg 600w, https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-A-290x290.jpg 290w, https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-A-300x300.jpg 300w, https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-A-50x50.jpg 50w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p><strong>&#8220;Insect Love&#8221; b\/w &#8220;Cheesies and Gum&#8221;<\/strong><br \/>\n<strong>DinDisc Records DIN 4 (UK)<\/strong><br \/>\n<strong>Released on November 3, 1979<\/strong><br \/>\n<strong>Produced by Mike Howlett<\/strong><\/p>\n<p>Once more, with feeling: Martha and the Muffins re-recorded &#8220;Insect Love&#8221; for their first release on <a href=\"https:\/\/pages.vassar.edu\/musicalurbanism\/2019\/03\/01\/the-story-of-dindisc-records\/\">DinDisc Records<\/a>, a boutique label established by Carol Wilson under the Virgin UK umbrella. What a difference a producer makes! Mike Howlett, not a commercially proven record producer at this time, separates the instruments quite distinctly and draws out the attack of a well-rehearsed group. The a-side opens with the sound of a buzzing fly, possibly made by Andy Haas on sax.\u00a0 The organ now takes its place of prominence in the sound of the classic Martha and the Muffins lineup; Ladly&#8217;s wurlitzer has a reedy quality that rises above the trebly mix and is held back from the general accompaniment duties it had on the demo version.<\/p>\n<p><iframe loading=\"lazy\" title=\"Martha And The Muffins - Insect Love\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/9SKqxxQpzmg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>This version of &#8220;Insect Love&#8221; was never released on a studio album, but it is included on the 1987 Martha and the Muffins compilation <i>Faraway In Time<\/i>. Even Howlett&#8217;s improved arrangement doesn&#8217;t mask the song&#8217;s odd melody and bizarre sentiments, which made for an odd debut single. In fact, this was DinDisc&#8217;s intent:<\/p>\n<blockquote><p>Mark Gane: The interesting thing about Dindisc\/Virgin&#8217;s approach was, &#8220;We&#8217;re going to put out this first single, &#8216;Insect Love.'&#8221; They did it quite deliberately because what that meant was everybody went, <a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/a-bunch-of-canadians-from-the-colonies-martha-and-the-muffins-martha-ladly-nash-the-slash\/\">&#8220;Wot, it&#8217;s a bunch of Canadians from the colonies!&#8221;<\/a> And the colonies bullshit came up a lot\u2026 They deliberately did that because they knew the single was gonna go nowhere. But it got everybody talking about this weird Canadian band.<\/p>\n<p>Carol Wilson: There is a very great deal more to having a hit than making a good record. &#8220;Insect Love&#8221; was released as an EP, to build a groundswell of interest among the UK music press and the &#8216;cool&#8217; radio shows. It was ideal for that, and did the job. It was never imagined to be a chart hit. Call it a &#8220;loss-leader.&#8221;<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"Martha and the Muffins \u2013 Cheesies And Gum\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/r9D9yiXh97Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>The b-side is the <i>Metro Music <\/i>version of &#8220;Cheesies and Gum,&#8221; previewed here a couple of months before the debut album&#8217;s release. Melodically, it&#8217;s simpler and more pleasing than the a-side. The song is an instrumental except for breaks where Johnson, Ladly and Gane sing the title four times in a row. (The title refers to the theme of a loft party that Gane, Ladly, and fellow OCA-student Robin Cass threw at their 280 College Street, Toronto flat \u2014 &#8220;cheesies&#8221; being what Americans call cheese puffs.) The song opens with its main hook, a playful interlocking of Martha Johnson&#8217;s Ace Tone organ and Martha Ladly&#8217;s Wurlitzer organ. (Oddly, the single credits list only one organ player: Martha Ladly on Ace Tone organ.) The rotating showcase of keyboard, saxophone, and guitar solos recalls &#8220;Remake\/Remodel&#8221; \u2014 another aspect of the Roxy Music influence that British critics detected in Martha and the Muffins. Personally, I never tire of hearing &#8220;Cheesies and Gum&#8221;; the joy in the band&#8217;s performance is visceral and infectious.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-B.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-2146\" src=\"http:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-B.jpg\" alt=\"\" width=\"600\" height=\"600\" srcset=\"https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-B.jpg 600w, https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-B-290x290.jpg 290w, https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-B-300x300.jpg 300w, https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/DIN-4-B-50x50.jpg 50w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>The &#8220;Insect Love&#8221; single made no dent on the British music market, notwithstanding some <a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/files\/2019\/02\/1979.11-DIN-single-review.jpg\">insulting hot takes in the music weeklies<\/a>. Consequently, DinDisc\/Virgin pressed the 7&#8243; only in the UK. Meanwhile, back home in Toronto,, Martha and the Muffins were the toast of the town \u2014 <a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/the-last-house-band-martha-and-the-muffins\/\">the last house band of Queen Street West<\/a> before ambitions, profit-seeking, and gentrification scattered the first cohort of downtown artists and musicians. The band received the distinct honor of a two-page announcement for their single in the <a href=\"https:\/\/artmetropole.com\/shop\/3220\" target=\"_blank\" rel=\"noopener\">&#8220;special transgressions issue&#8221;<\/a> of <a href=\"https:\/\/en.wikipedia.org\/wiki\/General_Idea\" target=\"_blank\" rel=\"noopener\">General Idea<\/a>&#8216;s <a href=\"https:\/\/en.wikipedia.org\/wiki\/FILE_Megazine\" target=\"_blank\" rel=\"noopener\">FILE Megazine<\/a>.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/InsectLoveFILE.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-2148\" src=\"http:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/InsectLoveFILE-1024x680.jpg\" alt=\"\" width=\"1024\" height=\"680\" srcset=\"https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/InsectLoveFILE-1024x680.jpg 1024w, https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/InsectLoveFILE-300x199.jpg 300w, https:\/\/pages.vassar.edu\/musicalurbanism\/files\/2020\/01\/InsectLoveFILE-768x510.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<table border=\"0\" width=\"100%\" cellspacing=\"1\" cellpadding=\"1\">\n<tbody>\n<tr>\n<td><span id=\"docs-internal-guid-a31be332-7fff-e174-f58f-ab368b6bcf43\"><u>The 7&#8243; catalogue:<\/u><\/span><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/22\/dance-with-me-while-they-sleep-the-7-singles-of-martha-and-the-muffins\/\"><span id=\"docs-internal-guid-a31be332-7fff-e174-f58f-ab368b6bcf43\">introduction<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/23\/martha-and-the-muffins-insect-love-b-w-suburban-dream-mm-001\/\"><span id=\"docs-internal-guid-a4e2e0be-7fff-fe9a-284e-619a55afabed\">Martha and the Muffins \u2013 &#8220;Insect Love&#8221; b\/w &#8220;Suburban Dream&#8221; (MM 001)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/24\/martha-and-the-muffins-insect-love-b-w-cheesies-and-gum-din-4\/\"><span id=\"docs-internal-guid-08d81894-7fff-1741-e5e1-a4afb8c79578\">Martha and the Muffins \u2013 &#8220;Insect Love&#8221; b\/w &#8220;Cheesies and Gum&#8221; (DIN 4)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/25\/martha-and-the-muffins-echo-beach-b-w-teddy-the-dink-din-9\/\"><span id=\"docs-internal-guid-6b4ad729-7fff-3550-9a4d-d894e6935486\">Martha and the Muffins \u2013 &#8220;Echo Beach&#8221; b\/w &#8220;Teddy The Dink&#8221; (DIN 9)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/26\/martha-and-the-muffins-saigon-b-w-copacabana-din-17\/\"><span id=\"docs-internal-guid-c7df00be-7fff-5477-e4f3-bce9fc2f69f6\">Martha and the Muffins \u2013 &#8220;Saigon&#8221; b\/w &#8220;Copacabana&#8221; (DIN 17)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/27\/martha-and-the-muffins-paint-by-number-heart-b-w-copacabana-vs-1115\/\"><span id=\"docs-internal-guid-b873ae6a-7fff-712c-131b-ffab5a720dfc\">Martha and the Muffins \u2013 &#8220;Paint By Number Heart&#8221; b\/w &#8220;Copacabana&#8221; (VS 1115)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/28\/martha-and-the-muffins-about-insomnia-b-w-1-4-6-din-19\/\"><span id=\"docs-internal-guid-5859fcdc-7fff-93dd-a01d-da0b4da19d27\">Martha and the Muffins \u2013 &#8220;About Insomnia&#8221; b\/w &#8220;1 4 6&#8221; (DIN 19)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/29\/martha-and-the-muffins-suburban-dream-b-w-girl-fat-din-21\/\"><span id=\"docs-internal-guid-99343b1b-7fff-c093-903a-858ec6fbb424\">Martha and the Muffins \u2013 &#8220;Suburban Dream&#8221; b\/w &#8220;Girl Fat&#8221; (DIN 21)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/30\/martha-and-the-muffins-was-ezo-b-w-trance-and-dance-din-27\/\"><span id=\"docs-internal-guid-cfdc6345-7fff-da4b-816f-122392b65614\">Martha and the Muffins \u2013 &#8220;Was Ezo&#8221; b\/w &#8220;Trance And Dance&#8221; (DIN 27)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/01\/31\/martha-and-the-muffins-women-around-the-world-at-work-b-w-twenty-two-in-cincinnati-din-34\/\"><span id=\"docs-internal-guid-af511523-7fff-f30c-2fe6-1059b867d3ac\">Martha and the Muffins \u2013 &#8220;Women Around The World at Work&#8221; b\/w &#8220;Twenty-Two in Cincinnati&#8221; (DIN 34)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/01\/martha-and-the-muffins-one-day-in-paris-b-w-women-around-the-world-at-work-104-209\/\"><span id=\"docs-internal-guid-b8099fcb-7fff-0dcd-08c8-6ebd73690ab4\">Martha and the Muffins \u2013 &#8220;One Day in Paris&#8221; b\/w &#8220;Women Around the World at Work&#8221; (104.209)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/02\/martha-and-the-muffins-swimming-b-w-little-sounds-excerpts-vs-1136\/\"><span id=\"docs-internal-guid-81593acf-7fff-2cfd-0254-1b05b37cca03\">Martha and the Muffins \u2013 &#8220;Swimming&#8221; b\/w &#8220;Little Sounds (Excerpts)&#8221; (VS 1136)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/03\/martha-and-the-muffins-danseparc-everyday-its-tomorrow-b-w-whatever-happened-to-radio-valve-road-wake-1\/\"><span id=\"docs-internal-guid-cbee6d5c-7fff-4cff-554f-365f44d92251\">Martha and the Muffins \u2013 &#8220;Danseparc (Everyday It&#8217;s Tomorrow)&#8221; b\/w &#8220;Whatever Happened to Radio Valve Road&#8221; (WAKE 1)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/04\/martha-and-the-muffins-world-without-borders-b-w-boys-in-the-bushes-wake-2\/\"><span id=\"docs-internal-guid-b48f4740-7fff-63c2-758b-21f30322cbc7\">Martha and the Muffins \u2013 &#8220;World Without Borders&#8221; b\/w &#8220;Boys in the Bushes&#8221; (WAKE 2)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/05\/martha-and-the-muffins-several-styles-of-blonde-girls-dancing-b-w-im-no-good-at-conversation-wake-4\/\"><span id=\"docs-internal-guid-d52fdd89-7fff-801e-33d8-02f5589ce8e2\">Martha and the Muffins \u2013 &#8220;Several Styles of Blonde Girls Dancing&#8221; b\/w &#8220;I&#8217;m No Good at Conversation&#8221; (WAKE 4)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/06\/mm-black-stations-white-stations-b-w-xoa-oho-wake-7\/\"><span id=\"docs-internal-guid-65d39677-7fff-9baa-b925-8401145481e5\">M+M \u2013 &#8220;Black Stations\/White Stations&#8221; b\/w &#8220;Xoa Oho&#8221; (WAKE 7)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/07\/mm-cooling-the-medium-b-w-big-trees-wake-8\/\"><span id=\"docs-internal-guid-50d0ba5f-7fff-b1e9-d75b-58b67d4f44fd\">M+M \u2013 &#8220;Cooling the Medium&#8221; b\/w &#8220;Big Trees&#8221; (WAKE 8)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/09\/mm-song-in-my-head-b-w-riverine-wake-14\/\"><span id=\"docs-internal-guid-6d640536-7fff-d339-403c-33d275404572\">M+M \u2013 &#8220;Song In My Head&#8221; b\/w &#8220;Riverine&#8221; (WAKE 14)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/10\/mm-someone-elses-shoes-b-w-million-dollars-wake-16\/\"><span id=\"docs-internal-guid-6d640536-7fff-d339-403c-33d275404572\">M+M \u2013 &#8220;Someone Else&#8217;s Shoes&#8221; b\/w &#8220;Million Dollars&#8221; (WAKE 16)<\/span><\/a><\/td>\n<\/tr>\n<tr>\n<td><a href=\"http:\/\/pages.vassar.edu\/musicalurbanism\/2020\/02\/11\/mm-only-you-b-w-watching-the-boys-fall-down-wake-18\/\"><span id=\"docs-internal-guid-66a1b387-7fff-ec90-d735-3a93f3f8ecc7\">M+M \u2013 &#8220;Only You&#8221;; b\/w &#8220;Watching the Boys Fall Down&#8221; (WAKE 18)<\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Insect Love&#8221; b\/w &#8220;Cheesies and Gum&#8221; DinDisc Records DIN 4 (UK) Released on November 3, 1979 Produced by Mike Howlett Once more, with feeling: Martha and the Muffins re-recorded &#8220;Insect Love&#8221; for their first release on DinDisc Records, a boutique label established by Carol Wilson under the Virgin UK umbrella. What a difference a producer makes! Mike Howlett, not a commercially proven record producer at this time, separates the instruments quite distinctly and draws out the attack of a well-rehearsed group. The a-side opens with the sound of a buzzing fly, possibly made by Andy Haas on sax.\u00a0 The organ now takes its place of prominence in the sound of the classic Martha and the Muffins lineup; Ladly&#8217;s wurlitzer has a reedy quality that rises above the trebly mix and is held back from the general accompaniment duties it had on the demo version. This version of &#8220;Insect Love&#8221; was never released on a studio album, but it is included on the 1987 Martha and the Muffins compilation Faraway In Time. Even Howlett&#8217;s improved arrangement doesn&#8217;t mask the song&#8217;s odd melody and bizarre sentiments, which made for an odd debut single. In fact, this was DinDisc&#8217;s intent: Mark Gane: The [&hellip;]<\/p>\n","protected":false},"author":308,"featured_media":2145,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[43691,43643,43651,43658,43663,43660,43673,43681,524],"class_list":["post-2144","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-aesthetics","tag-arts-based-urban-revitalization","tag-creative-city","tag-hipster-studies","tag-london","tag-music-industry","tag-music-scene","tag-new-wave","tag-toronto"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/posts\/2144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/users\/308"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/comments?post=2144"}],"version-history":[{"count":21,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/posts\/2144\/revisions"}],"predecessor-version":[{"id":2467,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/posts\/2144\/revisions\/2467"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/media\/2145"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/media?parent=2144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/categories?post=2144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/tags?post=2144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}