{"id":2711,"date":"2025-01-01T19:43:33","date_gmt":"2025-01-02T00:43:33","guid":{"rendered":"https:\/\/pages.vassar.edu\/musicalurbanism\/?page_id=2711"},"modified":"2025-01-01T20:12:09","modified_gmt":"2025-01-02T01:12:09","slug":"references","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/musicalurbanism\/references\/","title":{"rendered":"references"},"content":{"rendered":"\n

Azzerad, M. 2001. Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991<\/em>. Boston: Little, Brown & Co.<\/p>\n\n\n\n

Barron, J. 1985. \u201cRain Parade: Hit Parade.\u201d Sounds<\/em>, June 1, 1985. Rock\u2019s Backpages. https:\/\/www.rocksbackpages.com\/Library\/Article\/rain-parade-hit-parade<\/a>.<\/p>\n\n\n\n

Blistein, J., and S. Exposito. 2019. \u201cRead Susanna Hoffs\u2019 Tender Rock Hall Tribute to the Zombies.\u201d Rolling Stone<\/em> (blog). March 29, 2019. https:\/\/www.rollingstone.com\/music\/music-news\/susanna-hoffs-the-zombies-rock-and-roll-hall-of-fame-2019-813641\/<\/a>.<\/p>\n\n\n\n

Bourdieu, P. 1986. \u201cThe Forms of Capital.\u201d In Handbook of Theory and Research For the Sociology of Education<\/em>, edited by John G. Richardson, 241\u201358. New York: Greenwood Press.<\/p>\n\n\n\n

Coley, B. 1983. \u201cL.A. Five.\u201d Boston Rock<\/em>, August 8, 1983.<\/p>\n\n\n\n

Crossley, N. 2015. Networks of Sound, Style and Subversion: The Punk and Post\u2013Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975\u201380<\/em>. Manchester, UK: Manchester University Press.<\/p>\n\n\n\n

Cumming, M., ed. 2004. The Carlyle Encyclopedia<\/em>. Madison and Teaneck, NJ: Fairleigh Dickinson University Press.<\/p>\n\n\n\n

Doe, J., and T. DeSavia. 2019. More Fun in the New World: The Unmaking and Legacy of L.A. Punk<\/em>. New York: Da Capo.<\/p>\n\n\n\n

Gold, J. 2000. Counter Intelligence: Where to Eat in the Real Los Angeles<\/em>. St. Martin\u2019s: New York.<\/p>\n\n\n\n

Gumprecht, B. 1983. \u201cThe Three O\u2019Clock.\u201d Alternative America<\/em>, Winter 1983. Rock\u2019s Backpages. https:\/\/www.rocksbackpages.com\/Library\/Article\/the-three-oclock<\/a>.<\/p>\n\n\n\n

Hann, M. 2013. \u201cThe Paisley Underground: Los Angeles\u2019s 1980s Psychedelic Explosion.\u201d The Guardian<\/em>, May 16, 2013, sec. US news. https:\/\/www.theguardian.com\/music\/2013\/may\/16\/paisley-underground-history-80s-los-angeles-psychedelia<\/a>.<\/p>\n\n\n\n

Harris, W. 2011. \u201cSusanna Hoffs of The Bangles.\u201d The A.V. Club. October 11, 2011. https:\/\/www.avclub.com\/susanna-hoffs-of-the-bangles-1798228045<\/a>.<\/p>\n\n\n\n

Holdship, B. 1983. \u201cThe Dream Syndicate\u2019s Heavenly Feedback From Hell.\u201d Creem<\/em>, July 1983. Rock\u2019s Backpages.<\/p>\n\n\n\n

Hoskyns, B. 2007. Hotel California: The True-Life Adventures of Crosby, Stills, Nash, Young, Mitchell, Taylor, Browne, Rondstadt, Geffen, the Eagles, and Their Many Friends<\/em>. New York: Wiley.<\/p>\n\n\n\n

Kalberg, B. 1982. \u201cThe Bangs.\u201d No Mag<\/em>, 1982.<\/p>\n\n\n\n

Leviton, M. 1984. \u201cDream Syndicate: Acid Punk Grows Up.\u201d BAM<\/em>, July 13, 1984. Rock\u2019s Backpages. https:\/\/www-rocksbackpages-com.libproxy.vassar.edu\/Library\/Article\/dream-syndicate-acid-punk-grows-up<\/a>.<\/p>\n\n\n\n

Lin, J. 2019. Taking Back the Boulevard: Art, Activism, and Gentrification in Los Angeles<\/em>. New York: NYU Press.<\/p>\n\n\n\n

Liveten, S. 1986. \u201cThree O\u2019Clock: Tocking Heads?\u201d Creem<\/em>, March 1986.<\/p>\n\n\n\n

Magnet Magazine. 2001. \u201cOne Nation Underground: The Story Of The Paisley Underground.\u201d Magnet Magazine<\/em>, May 18, 2001. https:\/\/magnetmagazine.com\/2001\/05\/18\/one-nation-underground-the-story-of-the-paisley-underground\/<\/a>.<\/p>\n\n\n\n

Marsh, G., F. Cromey, and G. Callingham, eds. 1991. Blue Note: The Album Cover Art<\/em>. San Francisco, CA: Chronicle.<\/p>\n\n\n\n

MasterClass. n.d. \u201cPaisley Underground: History and Sound of Paisley Underground – 2022.\u201d MasterClass. Accessed May 31, 2022. https:\/\/www.masterclass.com\/articles\/paisley-underground-guide<\/a>.<\/p>\n\n\n\n

Molotch, H. 1996. \u201cL.A. as Design Product: How Art Works in a Regional Economy.\u201d In The City: Los Angeles and Urban Theory at the End of the Twentieth Century<\/em>, 225\u201375. Berkeley, CA: University of California Press.<\/p>\n\n\n\n

PopMatters. 2002. \u201cTell Me When It\u2019s Over: The Paisley Underground Reconsidered.\u201d PopMatters<\/em> (blog). April 30, 2002. https:\/\/www.popmatters.com\/020430-paisleyunderground-2496101827.html<\/a>.<\/p>\n\n\n\n

Priore, D. 2007. Riot On the Sunset Strip: Rock\u2019n\u2019Roll\u2019s Last Stand in Hollywood<\/em>. London: Jawbone.<\/p>\n\n\n\n

Record Collector. 2019. \u201cThe Paisley Underground.\u201d Record Collector<\/em> (blog). March 18, 2019. https:\/\/recordcollectormag.com\/articles\/paisley-underground<\/a>.<\/p>\n\n\n\n

Reynolds, S. 2006. Rip It Up and Start Again: Postpunk 1978-1984<\/em>. New York: Penguin.<\/p>\n\n\n\n

Roberts, R. 2020. \u201cSusanna Hoffs and Friends Remember David Roback, Who Stayed Creative, and Enigmatic, to the End.\u201d Los Angeles Times. March 6, 2020. https:\/\/www.latimes.com\/entertainment-arts\/music\/story\/2020-03-06\/david-roback-mazzy-star-susanna-hoffs-opal-cancer<\/a>.<\/p>\n\n\n\n

Scoppa, B. 1984. \u201cLong Ryders Renovating Byrdsland.\u201d Record<\/em>, April 1984. Rock\u2019s Backpages. https:\/\/www.rocksbackpages.com\/Library\/Article\/long-ryders-renovating-byrdsland<\/a>.<\/p>\n\n\n\n

Scott, A. J. 2000. The Cultural Economy of Cities<\/em>. London: Sage.<\/p>\n\n\n\n

Segal, D. 1988. \u201cSixteen Miles High.\u201d Creem<\/em>, April 1988.<\/p>\n\n\n\n

Shade, E.M. 2023. All Over the Place: The Rise of the Bangles from the L.A. Underground<\/em>. Hozac.<\/p>\n\n\n\n

Silver, D. A., and T. N. Clark. 2016. Scenescapes: How Qualities of Place Shape Social Life<\/em>. Chicago: University of Chicago Press.<\/p>\n\n\n\n

Smith Maguire, J., and J. Matthews. 2012. \u201cAre We All Cultural Intermediaries Now? An Introduction to Cultural Intermediaries in Context.\u201d European Journal of Cultural Studies<\/em> 15 (5): 551\u201362. https:\/\/doi.org\/10.1177\/1367549412445762<\/a>.<\/p>\n\n\n\n

Spitz, M., and B. Mullen. 2001. We Got The Neutron Bomb: The Untold Story of L.A. Punk<\/em>. New York: Three Rivers Press.<\/p>\n\n\n\n

Stax, M. 2007. \u201cI Joined the Voxx Revolution: And I Didn\u2019t Even Get a Lousy T-Shirt.\u201d In Bomp! Saving the World One Record at a Time<\/em>, edited by Suzy Shaw and Mick Farren, 258\u201360. AMMO.<\/p>\n\n\n\n

Thomas, P. 2022. \u201cLiner Notes to Explosions in the Glass Palace, The Rain Parade.\u201d In Explosions in the Glass Palace, The Rain Parade<\/em>. Real Gone Music.<\/p>\n\n\n\n

Turner, G. 1986. \u201cCavern Club Psych-Out: The \u201860s Are Alive And Well (Sort Of).\u201d Creem<\/em>, March 1986.<\/p>\n\n\n\n

Williams, S. A., and J. R. Hipp. 2022. \u201cThe Shape of Neighborhoods to Come: Examining Patterns of Gentrification and Holistic Neighborhood Change in Los Angeles County, 1980\u20132010.\u201d Environment and Planning A: Economy and Space<\/em> 54 (2): 265\u201394. https:\/\/doi.org\/10.1177\/0308518X211053642<\/a>.<\/p>\n\n\n\n

Wynn, S. 2018. \u201cLiner Notes to 3 x 4, Various Artists.\u201d In 3 x 4: The Bangles \u2022 The Three O\u2019Clock \u2022 The Dream Syndicate \u2022 Rain Parade<\/em>. Yep Roc Records.<\/p>\n\n\n\n

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THE ROAD TO THE PAISLEY UNDERGROUND:<\/strong><\/p>\n\n\n\n