{"id":1655,"date":"2017-09-11T13:43:43","date_gmt":"2017-09-11T17:43:43","guid":{"rendered":"http:\/\/pages.vassar.edu\/musicalurbanism\/?page_id=1655"},"modified":"2019-11-25T18:33:31","modified_gmt":"2019-11-25T23:33:31","slug":"precocious-urbanites-the-ross-sisters","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/musicalurbanism\/precocious-urbanites-the-ross-sisters\/","title":{"rendered":"precocious urbanites: the Ross sisters"},"content":{"rendered":"

[This is the third section of the blog post \u201chow the Queen Street West scene began, pt. 1: the Thornhill sound\u201d<\/a>]<\/i><\/p>\n

The basic conditions were now in place for the flourishing of musical creation and performance that gave rise to the first wave of the Thornhill sound. Its location was the rec rooms, bedrooms, basements, and proverbial garages where kids often come together to create music and form bands. However, not all future stars of the QSW music scene who came from Thornhill arrived via this venerable garage-band tradition, as shown by the B-Girls.<\/p>\n

In the many accounts of the B-Girls, one of the more beloved groups of the QSW music scene and (along with the Curse) an early all-female group, it\u2019s hard to find mention of the Ross sisters\u2019 background in Thornhill. But they were there. The Ross family raised three girls in the North York neighborhood of Bathurst Manor, then relocated further north at the same time that eldest child Cynthia began high school at Georges Vanier Collegiate, a fine arts magnet school in North York. “I went to high school there with Alex Lifeson from Rush, and his wife Charlene was actually in my class,” Cynthia told me. “Geddy [Lee]\u2019s wife was also in that course.” A teenage pregnancy required Cynthia to drop out of Georges Vanier, but she eventually returned to Thornlea Secondary to finish her thirteenth grade in 1972. Three and a half years younger, Rhonda attended Thornlea Secondary and probably graduated in the class of \u201874. Scott Davey recalls both sisters lived in Thornhill as late as 1976. Yet they found their way into the city early on in the pre-punk \u201870s.<\/p>\n

I\u2019m a little big older than the other girls so I grew up with Humble Pie and Led Zeppelin and all these people at very small concerts. I\u2019d gone to England and I knew Ron Wood from the Stones. I had gone to New York fairly regularly in the early \u201870s, like \u201871, \u201872, and was friends with Johnny Thunders from the New York Dolls so I knew about that whole scene. [Cynthia Ross, quoted in Worth 2011: 138]<\/p>\n

The Ross sisters were always around. All these girls I\u2019d been seeing at gigs since I was fourteen or something \u2014 all those New York Dolls and Stooges gigs that were in the \u201873, \u201874 period \u2014 if you went to any gig then you\u2019d see Xenia [Splawinsky, future B-Girls guitarist] and you\u2019d see Lucasta [Ross, future B-Girls singer and no relation to Cynthia or Rhonda] and Cynthia and all of them. It\u2019s all intricately linked; all these disparate people who were around all got pulled together. [John Catto, quoted in Worth 2011: 138]<\/p>\n

I remember a party at their house in ’75. Sparks were in town (Propaganda tour – Massey Hall – they were brilliant) and I was intensely jealous that they had been able to meet them OF COURSE being gorgeous Jewish girls backstage at a Jewish boys band show. “You hung out with Sparks?!?” Doesn’t mean so much now, but in ’74 … [Tony Malone]<\/p><\/blockquote>\n

One factor in the Ross sisters\u2019 adventurousness and independence may be family background. Their father worked in Toronto\u2019s Jewish entrepreneurial sector \u2014 a non-corporate business milieu where family, connections, hard work, and perseverance in the face of pervasive resistance were the basis of success.<\/p>\n

My father, when I was a small child, he worked at a place at the corner of Bathurst and Dundas in Toronto, which was an Italian working class neighborhood. And he worked in a store called Buy-Right, I think it was. And it was basically work clothes for men, and he worked there when he was seventeen, along with several other people who went on to become famous clothiers in high end menswear in Toronto, like Albert Morton from Studio 267, Lou Myles, you know sort of like that. So it was like a training ground.\u00a0And then when I turned about fourteen I guess, my father opened his own business at Bayview and Sheppard, menswear, called H.T. Ross Clothiers. [Cynthia Ross]<\/p>\n

Rhonda was like, when you met Rhonda at fourteen, she was forty years old intellectually and business-wise. Because her father had come up with Harry Rosen<\/a>, right? […] You may know the Shoppers Drug Mart<\/a> business up here. That started in 1960. In this country, sorry to say this, but a Jewish man would have to go to a rich guy like E.P. Taylor<\/a> to get financing for a business like that, right? Like, if you read the Robbie Robertson book, these people that were in the Kensington<\/a> scene down in the early days of the Jewish community here in the city, they were cut out of the mainstream. It\u2019s the kind of people that became the Bronfmans<\/a> et cetera, because they start off as bootleggers. But these are people that are very smart. And without being stereotypical there, Rhonda was as smart as anybody was when she was fourteen years old. [John MacLeod]<\/p><\/blockquote>\n

Even before they finished high school, the Ross sisters were making moves toward behind-the-scenes occupations in these kinds of entrepreneurial sectors.<\/p>\n

I was a designer doing windows for the Bay<\/a> and Holt Renfrew<\/a> in Montreal, coming back and forth to Toronto. That was during the days when punk was just starting. [Cynthia Ross, quoted in Worth 2011: 137]<\/p>\n

Our original drummer [Rhonda Ross] was part of the management team for Rush, so there were all these connections through the industry as well. [Xenia Splawinski, quoted in Worth 2011: 138]<\/p>\n

You know, the funny thing is Rush were also at the same time as us, and they lived right across the border of Steeles [in Willowdale]<\/a>, right? […] [About 1976] Rush\u2019s management<\/a> was in Thornhill on Glen Cameron Road up there. And Rhonda worked there at that time. And she was a kid\u2026 I mean, obviously Rush went on to be huge. But at that time, there weren\u2019t even record companies to sign them. They\u2019d put out their own records, basically, which certainly was ahead of anyone else doing that. But we had no interaction with that. They just went into a different world, even though they were around. And they were excellent players; you\u2019d see them at fifteen or sixteen, and they could play. Literally half a mile away from where we were, but we just had no interaction with that, except for the fact that Rhonda worked for Ray Danniels and worked for SRO. [John MacLeod]<\/p><\/blockquote>\n

\"\"<\/a>

Undated ticket from a local performance. Source: https:\/\/bobsegarini.wordpress.com\/2012\/01\/30\/segarini-workin-the-barsand-a-great-video-tribute-to-one-of-canadas-most-charismatic-record-industry-icons\/<\/p><\/div>\n

 <\/p>\n

A music industry in the suburbs?<\/i><\/p>\n

This anecdote raises the question: did Thornhill and nearby suburbs (like Willowdale) outside metro Toronto limits have their own music industry development, and thus be able to provide some youth with their own entr\u00e9e into the city\u2019s music scene? The question is ultimately beyond the scope of this blog post, but the evidence I\u2019ve come across \u2014 rather accidentally, in the course of my interviews and archival research \u2014 suggests one hypothesis. (As this is a topic I\u2019d like to investigate further, I\u2019m open to any leads in the comments section below.)<\/p>\n

That sort of idea of music in Thornhill was going on in a bunch of different ways. Even before I had met any of those people, there was another music connection which was there was a guy who lived down the street who was the manager of a really big band in Toronto which was called Mandala<\/a>. They were a soul band, and his brother and I became friends, and we like worked on songs together. [Chris Terry]<\/p><\/blockquote>\n

The manager who Terry refers to here is George Elmes. What was the manager of one of the top Toronto acts of the day, doing out in Thornhill in the 1960s? For that matter, what was Rush manager Ray Danniels doing working there in the 70s? My guess is that their \u201cindustry base\u201d in Thornhill was simply a function of their suburban residence; like other baby boomers, their location followed the normative pattern of North American middle-class and working-class families leaving the city during the era of the \u201curban crisis.\u201d Their music-industry work involved a lot of phone calls and other activities that could be done remotely from the suburbs; their presence in Yorkville and on Yonge Street was generally during evenings, allowing for reverse commutes against the normal metropolitan rush hour; and their artist management activities didn\u2019t necessarily require the bureaucratic scaling-up that makes a city office location more likely.<\/p>\n

In other words, it seems that music managers Elmes and Danniels could make their impact from a suburban location, in contrast to the typical professional musician\u2019s career. In the suburbs, a family or neighborly connection to these men\u2019s music-industry hustle might be easier to come by, given the few degrees of separation linking suburban community networks, than in a large city.<\/p>\n

It\u2019s worth recalling the larger spatial context in the immediate post-WWII era of North America: the great dispersal of talent and \u201chuman capital\u201d into the suburbs. While it\u2019s true that Toronto cultivated scenes of musicians, nightclubs, and audiences in Yonge Street, Yorkville, and (the subject of my next post) later Queen Street West, these were relatively thin cross-sections of the otherwise corporate-dominated culture sectors \u2014 a contrast to the agglomerative \u201ccreative city\u201d model in the contemporary \u201cnew economy\u201d (Florida 2002). As well, Toronto was still very much a second city in this period \u2014 second to Montreal\u2019s economic and cultural centrality prior to the 1970s Quebecois sovereignty movement, and a hinterland to the hegemonic U.S. music and cultural sectors concentrated in New York City, just a day\u2019s drive to the south (Edwardson 2009, 2008). In contrast to the Big Apple\u2019s \u201cWarhol economy\u201d (Currid-Halkett 2007), Toronto\u2019s nightlife demi-monde played for much smaller stakes \u2014 initially, just the intrinsic satisfaction of \u2018finding yourself\u2019 and \u2018doing your own thing\u2019 against the backdrop of Toronto the good. This is where my second story of the Thornhill sound begins.<\/p>\n

Next \u2013 the starmaker: Steven Davey.<\/em><\/a><\/p>\n

 <\/p>\n

ROAD MAP TO QSW:<\/strong><\/p>\n

how the Queen Street West scene began, pt. 1: the Thornhill sound<\/a>
\nthe Thornhill sound
\nsuburban dream<\/a>
\nprecocious urbanites: the Ross sisters<\/a>
\nthe starmaker: Steven Davey<\/a>
\nthe bands of Thornhill<\/a><\/p>\n

how the Queen Street West scene began, pt. 2: OCA bands<\/a>
\nthe Thornhill sound leaves home
\n how art came to QSW<\/a>
\n Oh Those Pants! bring the Thornhill sound to OCA<\/a>
\n the Dishes open up QSW to new music<\/a>
\n punk and art: the Diodes<\/a>
\n the Thornhill sound set loose on QSW<\/a>
\n the last house band: Martha and the Muffins<\/a><\/p>\n

sources, citations and updates<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

[This is the third section of the blog post \u201chow the Queen Street West scene began, pt. 1: the Thornhill sound\u201d] The basic conditions were now in place for the flourishing of musical creation and performance that gave rise to the first wave of the Thornhill sound. Its location was the rec rooms, bedrooms, basements, and proverbial garages where kids often come together to create music and form bands. However, not all future stars of the QSW music scene who came from Thornhill arrived via this venerable garage-band tradition, as shown by the B-Girls. In the many accounts of the B-Girls, one of the more beloved groups of the QSW music scene and (along with the Curse) an early all-female group, it\u2019s hard to find mention of the Ross sisters\u2019 background in Thornhill. But they were there. The Ross family raised three girls in the North York neighborhood of Bathurst Manor, then relocated further north at the same time that eldest child Cynthia began high school at Georges Vanier Collegiate, a fine arts magnet school in North York. “I went to high school there with Alex Lifeson from Rush, and his wife Charlene was actually in my class,” Cynthia told […]<\/p>\n","protected":false},"author":308,"featured_media":1656,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1655","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/pages\/1655","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/users\/308"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/comments?post=1655"}],"version-history":[{"count":11,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/pages\/1655\/revisions"}],"predecessor-version":[{"id":2093,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/pages\/1655\/revisions\/2093"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/media\/1656"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/musicalurbanism\/wp-json\/wp\/v2\/media?parent=1655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}