metaphors of the urban-industrial backbeat
In 1979, the late great music critic Ellen Willis gave a brief yet compelling explanation for how rock and roll sounds like the city, writing about “rock-and-roll’s oldest metaphor for modern city life—anarchic energy contained by a tight repetitive structure.” Her formulation has two components. First, rock and roll functions as metaphor, not the lyrical...
my favorite music of 2011
What business does a blog like this have releasing its own end-of-year music list? Well, over any given year I find myself idly speculating about how this new album might compare to this one, and how well that new record will stand up by December. A habitual consumer of other people’s lists, I can’t really...
the hipsterization of global protest reporting
Maria came to the Kremlin demonstration wearing her designer eyeglasses. Does that explain why she protests? Many commentators have pointed out how after big American news media (many of them regularly accused of liberal bias) refused to report on Occupy Wall Street for several weeks, they then often sought to explain the movement by characterizing...
the five-year plan: a review of “Love Goes to Buildings on Fire” by Will Hermes
New York music doesn’t lack for good books. Nor does the history of 1970s New York. The intersection of these two subjects has been so worked over in the past ten years, it would seem any worthwhile new title would have to move on to fresher fields. So it’s utterly remarkable how Will Hermes’ book Love...
Pitchfork urbanism
The award for Fun Read of the Week goes to “On Pitchfork,” Richard Beck’s smart, caustic review of indie rock’s überblog Pitchfork. You can’t find this lengthy essay anywhere but the latest issue of n+1, an NYC-based journal of politics, literature and culture, and yeah it’s worth the $10 PDF download. (The issue also features a...