![metaphors of the urban-industrial backbeat metaphors of the urban-industrial backbeat](https://pages.vassar.edu/musicalurbanism/files/2011/12/14-290x290.jpg)
metaphors of the urban-industrial backbeat
In 1979, the late great music critic Ellen Willis gave a brief yet compelling explanation for how rock and roll sounds like the city, writing about “rock-and-roll’s oldest metaphor for modern city life—anarchic energy contained by a tight repetitive structure.” Her formulation has two components. First, rock and roll functions as metaphor, not the lyrical...
![don't cross a Scottish new romantic don't cross a Scottish new romantic](https://pages.vassar.edu/musicalurbanism/files/2011/03/467px-Midge_Ure-290x290.jpg)
don’t cross a Scottish new romantic
I’ve always loved Ultravox since I first heard “Vienna” in the early 1980s. However, my musical education from the New Musical Express (which, as I mentioned before, kind of fucked me up) quickly impressed upon me that Ultravox were actually fey pompous bourgeois muso popstars. (Just earning three of those five modifiers would ensure a critical death...
![adventures in arts-based urban revitalization: the RoboCop statue in Detroit adventures in arts-based urban revitalization: the RoboCop statue in Detroit](https://pages.vassar.edu/musicalurbanism/files/2011/02/Robocop-Statue-Detroit-300-x-231-290x231.jpg)
adventures in arts-based urban revitalization: the RoboCop statue in Detroit
On February 7th, someone tweeted the mayor of Detroit with a passing thought: “Philadelphia has a statue of Rocky & Robocop would kick Rocky’s butt. He’s a GREAT ambassador for Detroit.” The city’s mayor (and former NBA all star) Dave Bing replied, “There are not any plans to erect a statue to Robocop. Thank you...