the end of the line in Sheffield: Sex City? a review of “Uncommon: An Essay on Pulp” by Owen Hatherley
With the horribly regressive debt-ceiling legislation passed by the U.S. Congress today, the West took yet another step toward making the neoliberal dream — gutting social programs, enshrining the market as the means and end of social well-being, idealizing upward mobility and the consumer good life, and leaving the lower classes to their own fate...
musical urbanism: statement of a scholarly project
It’s promotion review time for me, and in writing a research statement for the three anonymous sociologists evaluating my work, I’ve had the occasion to compile and synthesize my thinking on musical urbanism into a single essay. Think of this post as a users manual for understanding what I’ve been up to academically with this...
how Joy Division came to sound like Manchester
[Update: this blog post has been expanded and revised into an article for the Journal of Popular Music Studies.] I’m always puzzled when I hear how Elvis Presley or Mick Jagger “sounded black” when they first appeared on the radio. Back in the 70s, when I was a kid listening commercial radio that played pop,...
totally PV, “Totally Go-Go’s”: the ambitions of Los Angeles new wave
It’s Friday night, December 4, 1981, in Palos Verdes Estates, California, and tonight the Go-Go’s — the Los Angeles band of the moment — are playing your high school. OMIGAWD! Palos Verdes Estates was probably not a big stomping grounds for the Go-Go’s. A tiny, coastal municipality sheltered from the rest of Los Angeles County...
sons of Norway: scratching at the local myth of the Replacements
The Replacements are in the ether again. Do they ever leave? Their legend has hardly faded since they broke up in 1991, but it seems now that popular culture, having cycled through late 70s/early 80s new wave and post-punk, is in the midst of a nostalgic phase for late 80s/early 90s college-radio music. There was...
listening alone, together: a review of “Pop Music, Pop Culture” by Chris Rojek
British sociologist Chris Rojek has just published a major work in the social analysis of pop music. To say its argument isn’t completely satisfying doesn’t belittle the remarkable accomplishment of Pop Music, Pop Culture (Polity, 2011), which covers the gamut of musical production, content, and reception from the pre-historic oral tradition to today’s P2P networks. Most distinctively, Pop...
my guest blog on Social Shutter Re: Maryland Deathfest 2011
This week the visual urban sociology blog Social Shutter ran my photos and a new essay about Maryland Deathfest. If you didn’t see the post, I’ve reprinted it below. And do check out Social Shutter, where Georgia State University sociologist Deirdre Oakley and her students offer some compelling and provocative photoessays. Deathfest Posted by Leonard Nevarez, BALTIMORE, MD — The Maryland Deathfest...
Maryland Deathfest 2011: my photos and a first take
Maryland Deathfest 2011, a set on Flickr. So much to chew on from my weekend in Baltimore. Talked to a lot of folks, got a decent look at a few local areas, did some record shopping, and became acquainted with National Bohemian beer, a.k.a. Natty Bo, the cheap beer of choice in Baltimore. Plus, I...
getting ready for Maryland Deathfest, part 1: statement of intent
Grades have been turned in, the school year is over, and now I turn to more important responsibilities — road trip! In eight days I’ll be attending Maryland Deathfest to experience the state of the art in extreme heavy metal. As the event’s website states, “With an emphasis on diversity, the festival brings together the very best death...
4/20/11 panel: “Media and the Community: A Concept of Public Culture”
I haven’t been able to write on the Musical Urbanism blog for awhile, thanks to the crush of teaching, grading, and overseeing surveys for the city of Poughkeepsie’s community food assessment, all of which have peaked in the month of April. (Twitter has been a good time-suck, too, I’ll admit.) So I’m excited to be participating...
just stay put: an alternative vision for arts-based urban revitalization
Here are some thoughts about a different way to think about arts-based urban revitalization, written in the form of a suspiciously confident manifesto. These ideas are completely pie-in-the-sky and fly in the face of the prevailing wisdom in this field, but I’m fine with that if it reveals some fallacies and unspoken assumptions of most...