Blogging at the intersection of urban studies and popular music

Author Archive
under the shadow of Woodstock: listening to the Hudson Valley

under the shadow of Woodstock: listening to the Hudson Valley

Another problem with the “Brooklynization of Hudson River Valley” thesis that I discussed in my last post is that the music in these parts isn’t very hip.  That’s not a judgment, just a statement of fact if by “hip” we mean the product or embrace of 20-something hipsters who disproportionately reside in Brooklyn. However, the Hudson Valley...
looking for the Hudson Valley hipster

looking for the Hudson Valley hipster

In the town where I live, there’s been a lot of chatter over a recent NY Times article which reports how Brooklynites (an apparent synonym for NYC’s mobile, creative types) are descending upon the Hudson Valley area some 75 miles north of the city to live, visit, consume, and generally do their Brooklyn thing.  Local businesses,...
the end of the line in Sheffield: Sex City? a review of "Uncommon: An Essay on Pulp" by Owen Hatherley

the end of the line in Sheffield: Sex City? a review of “Uncommon: An Essay on Pulp” by Owen Hatherley

With the horribly regressive debt-ceiling legislation passed by the U.S. Congress today, the West took yet another step toward making the neoliberal dream — gutting social programs, enshrining the market as the means and end of social well-being, idealizing upward mobility and the consumer good life, and leaving the lower classes to their own fate...
musical urbanism: statement of a scholarly project

musical urbanism: statement of a scholarly project

It’s promotion review time for me, and in writing a research statement for the three anonymous sociologists evaluating my work, I’ve had the occasion to compile and synthesize my thinking on musical urbanism into a single essay.  Think of this post as a users manual for understanding what I’ve been up to academically with this...
how Joy Division came to sound like Manchester

how Joy Division came to sound like Manchester

[Update: this blog post has been expanded and revised into an article for the Journal of Popular Music Studies.] I’m always puzzled when I hear how Elvis Presley or Mick Jagger “sounded black” when they first appeared on the radio.  Back in the 70s, when I was a kid listening commercial radio that played pop,...
totally PV, "Totally Go-Go's": the ambitions of Los Angeles new wave

totally PV, “Totally Go-Go’s”: the ambitions of Los Angeles new wave

It’s Friday night, December 4, 1981, in Palos Verdes Estates, California, and tonight the Go-Go’s — the Los Angeles band of the moment — are playing your high school. OMIGAWD! Palos Verdes Estates was probably not a big stomping grounds for the Go-Go’s. A tiny, coastal municipality sheltered from the rest of Los Angeles County...
sons of Norway: scratching at the local myth of the Replacements

sons of Norway: scratching at the local myth of the Replacements

The Replacements are in the ether again.  Do they ever leave?  Their legend has hardly faded since they broke up in 1991, but it seems now that popular culture, having cycled through late 70s/early 80s new wave and post-punk, is in the midst of a nostalgic phase for late 80s/early 90s college-radio music.  There was...
listening alone, together: a review of "Pop Music, Pop Culture" by Chris Rojek

listening alone, together: a review of “Pop Music, Pop Culture” by Chris Rojek

British sociologist Chris Rojek has just published a major work in the social analysis of pop music.  To say its argument isn’t completely satisfying doesn’t belittle the remarkable accomplishment of Pop Music, Pop Culture (Polity, 2011), which covers the gamut of musical production, content, and reception from the pre-historic oral tradition to today’s P2P networks.  Most distinctively, Pop...
my guest blog on Social Shutter Re: Maryland Deathfest 2011

my guest blog on Social Shutter Re: Maryland Deathfest 2011

This week the visual urban sociology blog Social Shutter ran my photos and a new essay about Maryland Deathfest.  If you didn’t see the post, I’ve reprinted it below.  And do check out Social Shutter, where Georgia State University sociologist Deirdre Oakley and her students offer some compelling and provocative photoessays. Deathfest Posted by Leonard Nevarez, BALTIMORE, MD — The Maryland Deathfest...
Maryland Deathfest 2011: my photos and a first take

Maryland Deathfest 2011: my photos and a first take

Maryland Deathfest 2011, a set on Flickr. So much to chew on from my weekend in Baltimore. Talked to a lot of folks, got a decent look at a few local areas, did some record shopping, and became acquainted with National Bohemian beer, a.k.a. Natty Bo, the cheap beer of choice in Baltimore. Plus, I...

getting ready for Maryland Deathfest, part 2: scanning the schedule

Now, which bands to see?  I know a handful of the older ones from having listened to and seen them in concert 20 or more years ago.   Still, there’s much catching up to do, and I’ve been digesting all the preparatory material I can find: the Inverted Umlaut podcast, the Invisible Oranges program guide, the Baltimore City Paper cover...
getting ready for Maryland Deathfest, part 1: statement of intent

getting ready for Maryland Deathfest, part 1: statement of intent

Grades have been turned in, the school year is over, and now I turn to more important responsibilities — road trip! In eight days I’ll be attending Maryland Deathfest to experience the state of the art in extreme heavy metal. As the event’s website states, “With an emphasis on diversity, the festival brings together the very best death...

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