{"id":211,"date":"2013-09-15T09:41:55","date_gmt":"2013-09-15T13:41:55","guid":{"rendered":"http:\/\/pages.vassar.edu\/hvamenityeconomy\/?p=211"},"modified":"2013-09-15T11:17:02","modified_gmt":"2013-09-15T15:17:02","slug":"basilica-soundscape","status":"publish","type":"post","link":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/2013\/09\/15\/basilica-soundscape\/","title":{"rendered":"Basilica Soundscape"},"content":{"rendered":"

\"Photo<\/a>On Friday the 13th, I attended the first night of the second annual music festival held at the Basilica Hudson<\/a> in Hudson, New York.\u00a0 Last year this event had the functional title of “Basilica Music Fest.”\u00a0 This year, they called it Basilica Soundscape.\u00a0 Hudson, New York \u2014 a city of just over 6,000 people in Columbia County \u2014 is becoming known a music destination in the Hudson Valley (as mentioned by Mary Kay Vrba from Hudson Valley Tourism).\u00a0 The programming at Basilica Hudson, and especially this annual event, are some of the main reasons for this reputation.<\/p>\n

\"IMG_0096\"<\/a><\/p>\n

Basilica is a 19th-century factory located on the city’s waterfront, just a two-minute walk from the city’s train station. It was purchased a couple of years ago by independent filmmaker Tony Stone (a Bard College graduate) and musician Melissa Auf der Maur (formerly of Hole and Smashing Pumpkins), who thought its unique grounds, vast interiors and industrial grit would make an ideal space for art, performance, production and events. \"IMG_0072\"<\/a> \"IMG_0049\"<\/a>Perhaps unlike most owners of music venues or art galleries in the Hudson Valley, Stone and Auf der Maur had the creative-industry credentials and personal contacts to put the new Basilica Hudson on the map right away.\"IMG_0073\"<\/a> \"IMG_0074\"<\/a>With capacity for about 1,000 people, Basilica Soundscape doesn’t try to be an all-purpose music festival.\u00a0 The musicians, artists, and writers who contributed to the event tended toward the extreme, avant-garde and “ethereal doom”<\/a> (as the New York Times put it). Yet they brought out a remarkable variety of attendees in terms of age and lifestyle, from college students and Brooklyn hipsters to an older art audience.<\/p>\n

\"IMG_3365\"<\/a>

Evian Christ<\/p><\/div>\n

\"IMG_3368\"<\/a>

A four-way musical collaboration conducted by Jonathan Bepler, featuring (clockwise from left) Julianna Barwick, Evian Christ and Pig Destroyer. Not featured: Pharmakon.<\/p><\/div>\n

\"IMG_3366\"<\/a>

sculpture by Matthew Barney<\/p><\/div>\n

The event also hosted food trucks, pop-up stores, and other new trends in urbanism not usually associated \u2014 at least for now \u2014 with a small, upstate city like Hudson.<\/p>\n

\"IMG_3351\"<\/a> \"IMG_3350\"<\/a>For more on Basilica Soundscape, click here.<\/a><\/p>\n

For more photos from the first night, click here.<\/a><\/p>\n

For an urban analysis of the Basilica Hudson and last year’s music festival, click here.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

On Friday the 13th, I attended the first night of the second annual music festival held at the Basilica Hudson in Hudson, New York.\u00a0 Last year this event had the functional title of “Basilica Music Fest.”\u00a0 This year, they called it Basilica Soundscape.\u00a0 Hudson, New York \u2014 a city of just over 6,000 people in […]<\/p>\n","protected":false},"author":308,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[978,57566,57564,57563,809],"class_list":["post-211","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-art","tag-basilica-hudson","tag-columbia-county","tag-hudson","tag-music"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/posts\/211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/users\/308"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/comments?post=211"}],"version-history":[{"count":5,"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/posts\/211\/revisions"}],"predecessor-version":[{"id":227,"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/posts\/211\/revisions\/227"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/media?parent=211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/categories?post=211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.vassar.edu\/hvamenityeconomy\/wp-json\/wp\/v2\/tags?post=211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}