{"id":1041,"date":"2020-02-10T10:41:40","date_gmt":"2020-02-10T15:41:40","guid":{"rendered":"http:\/\/pages.vassar.edu\/film-majors\/?page_id=1041"},"modified":"2025-02-04T14:37:30","modified_gmt":"2025-02-04T19:37:30","slug":"premiere-pro-project-organization","status":"publish","type":"page","link":"https:\/\/pages.vassar.edu\/film-majors\/premiere-pro-project-organization\/","title":{"rendered":"Premiere Pro &#8211; Five Ideas for Great Project Organization"},"content":{"rendered":"<h2><strong>1. Use Our Template Project<\/strong><\/h2>\n<p>Want to get organized without spending a lot of time creating bins, moving clips, and setting sequence preferences? Just start your project by downloading our Premiere Pro Template project <a href=\"https:\/\/drive.google.com\/file\/d\/15IkVbDxFDPDRE7OjTnvQC-oJuBut3QOu\/view?usp=sharing\" target=\"_blank\" rel=\"noopener\">here<\/a>. We&#8217;ve already created an organized bin structure with bins for syncs, scenes, master clips, named track layers, and a sequence optimized for working in the 23.976 frame rate.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Bins.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1086\" src=\"http:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Bins-300x124.png\" alt=\"\" width=\"607\" height=\"251\" srcset=\"https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Bins-300x124.png 300w, https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Bins-768x318.png 768w, https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Bins-1024x423.png 1024w\" sizes=\"auto, (max-width: 607px) 100vw, 607px\" \/><\/a><\/p>\n<h2><strong>2. Make Use of Bins<\/strong><\/h2>\n<p>Is your Premiere Pro Project Manager is simply a giant collection of clips, sequences, and sound effects? Is it always a challenge to find the clip you really need? Use bins to sort them into separate separate folders to keep track of all your files.\u00a0It&#8217;s really easy to do this in Premiere Pro.<\/p>\n<p>To create a new bin, right-click in the Project Manager and select <strong>New Bin<\/strong> (or click the <strong>New Bin<\/strong> icon in the lower right corner of the Project Manager)<\/p>\n<p>Next, label it descriptively so you know what&#8217;s inside. <strong>\u201cSequences,\u201d \u201cScenes,\u201d \u201cSFX,\u201d \u201cMusic,\u201d<\/strong> all work great. You can take it one step further and use numbering ahead of the bin name to keep all your projects looking sharp and staying in a sorted order. See our template project for a good example.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-NewBin.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1087\" src=\"http:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-NewBin-178x300.png\" alt=\"\" width=\"178\" height=\"300\" srcset=\"https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-NewBin-178x300.png 178w, https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-NewBin.png 439w\" sizes=\"auto, (max-width: 178px) 100vw, 178px\" \/><\/a><\/p>\n<h2><strong>3. Use Colors for Identification and Organization<\/strong><\/h2>\n<p>Use color coding to add a quick and intuitive layer of info to your project. No need to hunt down the &#8220;Good Take&#8221; column of metadata if all your good takes are marked in green.<\/p>\n<p>Right-click on any clip (or on a highlighted selection of clips) go to Label, and select a color.<br \/>\nOnce you\u2019ve chosen your colors, go to File &gt; Project Settings &gt; General, and select the check box at the bottom\u00a0 for <strong>&#8220;Display the project item name and label color for all instances.\u201d<\/strong><br \/>\nSince this change is global, everything in your project manager, bins, and timeline will now take on the assigned label color.<br \/>\nAre the stock colors too bland for your palette? You can manually choose custom colors under Premiere Pro &gt; Preferences &gt; Labels.<\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Labels.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1088\" src=\"http:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Labels-300x74.png\" alt=\"\" width=\"620\" height=\"153\" srcset=\"https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Labels-300x74.png 300w, https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Labels-768x190.png 768w, https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Labels-1024x253.png 1024w, https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-Labels.png 1616w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/a><\/p>\n<h2><strong>4. Versioning Sequences &amp; Projects<\/strong><\/h2>\n<p>Ever find yourself at the end of a very complex edit that just didn&#8217;t work out? What seemed like a great idea three hours ago now clearly isn&#8217;t working on your timeline? Stuck because you just wiped out a perfectly good edit in the process? Protect your edits by versioning your sequence! What do we mean by versioning? It&#8217;s simple. Right-click on the sequence you&#8217;d like to version and select <strong>&#8220;Duplicate&#8221;<\/strong>. Now, rename the new sequence and open it in the timeline. If you spend hours honing it and it doesn&#8217;t work out, you can always go back to the original sequence. Versioning sequences is also a great way to prep scenes, keep a record of exports, and log your footage.<\/p>\n<p><span style=\"color: #000000\">You can take versioning one step further and use it to protect your entire Premiere Pro project as well. We highly recommend you duplicate and relabel your project with a dated name (&#8220;200205_ProjectName&#8221;, for example) each time you begin working. This way, if your project gets corrupted (or accidentally upgraded to a new version of Premiere) you can always revert to your latest versioned copy. Better to lose a day of work than everything!<\/span><\/p>\n<p><a href=\"http:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-TrackLabels.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1090\" src=\"http:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-TrackLabels-300x107.png\" alt=\"\" width=\"622\" height=\"222\" srcset=\"https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-TrackLabels-300x107.png 300w, https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-TrackLabels-768x275.png 768w, https:\/\/pages.vassar.edu\/film-majors\/files\/2020\/02\/Premiere-TrackLabels-1024x366.png 1024w\" sizes=\"auto, (max-width: 622px) 100vw, 622px\" \/><\/a><\/p>\n<h2><strong>5. Rename Your Tracks\u00a0<\/strong><\/h2>\n<p>By default, tracks on your timeline are all labeled \u201cVideo 1, 2, &#8230;\u201d or \u201cAudio 1, 2, &#8230;\u201d but you can customize these labels. It&#8217;s a handy way to keep different kinds of timeline video and audio easy to decipher.<\/p>\n<p>Select the track you want to rename.<br \/>\nYou may need to adjust the height of the track layer to see the name. Right-click the name, select Rename, and change it. For example, you can split out audio into Dialogue, Ambience, SFX, and Music while video is organized by Video, Graphics, and Titles.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Use Our Template Project Want to get organized without spending a lot of time creating bins, moving clips, and setting sequence preferences? Just start your project by downloading our Premiere Pro Template project here. We&#8217;ve already created an organized bin structure with bins for syncs, scenes, master clips, named track layers, and a sequence [&hellip;]<\/p>\n","protected":false},"author":8744,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1041","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/film-majors\/wp-json\/wp\/v2\/pages\/1041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/film-majors\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pages.vassar.edu\/film-majors\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/film-majors\/wp-json\/wp\/v2\/users\/8744"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/film-majors\/wp-json\/wp\/v2\/comments?post=1041"}],"version-history":[{"count":20,"href":"https:\/\/pages.vassar.edu\/film-majors\/wp-json\/wp\/v2\/pages\/1041\/revisions"}],"predecessor-version":[{"id":1927,"href":"https:\/\/pages.vassar.edu\/film-majors\/wp-json\/wp\/v2\/pages\/1041\/revisions\/1927"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/film-majors\/wp-json\/wp\/v2\/media?parent=1041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}