{"id":1347,"date":"2010-03-05T04:55:55","date_gmt":"2010-03-05T08:55:55","guid":{"rendered":"http:\/\/blogs.vassar.edu\/engl177\/?p=1347"},"modified":"2010-03-05T04:55:55","modified_gmt":"2010-03-05T08:55:55","slug":"a-symphonic-resolution","status":"publish","type":"post","link":"https:\/\/pages.vassar.edu\/engl177\/?p=1347","title":{"rendered":"A Symphonic Resolution"},"content":{"rendered":"<p>This from Douglas Harper, who operates the Online Etymology Dictionary and, as it happens, lives rather near me:<\/p>\n<blockquote><p>Symphony<\/p>\n<p>late 13c., the name of various musical instruments, from O.Fr. <span>symphonie<\/span> &#8220;harmony&#8221; (12c.), from L. <span>symphonia<\/span> &#8220;a unison of sounds, harmony,&#8221; from Gk.  <span>symphonia<\/span> &#8220;harmony, concert,&#8221; from <span>symphonos<\/span> &#8220;harmonious,&#8221; from <span>syn-<\/span> &#8220;together&#8221; + <span>phone<\/span> &#8220;voice, sound&#8221;[.]<\/p><\/blockquote>\n<p>Thus, at their most basic, the elements of the word &#8220;symphony&#8221; can be used to describe sounds together. In this sense, many things in chapter 132 make symphony. When Melville describes the weather by writing, &#8220;The firmaments of air and sea were hardly separable in that all-pervading azure,&#8221; he creates a sense of fluidity between elements of nature, and in going on to provide each with masculine or feminine characteristics, creates a harmony of both the natural world and gender. He explores this idea further by associating &#8220;gentle&#8230; feminine&#8221; birds with the air and &#8220;murderous&#8230; masculine&#8221; beasts (leviathans, sharks, etc.) with the sea, and by illustrating the natural balance created by the two groups.<\/p>\n<p>Immediately after Ahab enters the scene, however, Ishmael&#8217;s tone changes dramatically:<\/p>\n<blockquote><p>Tied up and twisted; gnarled and knotted with wrinkles; haggardly firm and unyielding; his eyes glowing like coals, that still glow in the ashes of ruin; untottering Ahab stood forth in the clearness of the morn; lifting his splintered helmet of a brow to the fair girl&#8217;s forehead of heaven.<\/p><\/blockquote>\n<p>By combining all these thoughts with semicolons, Melville links them through a sort of simultaneity; Ahab&#8217;s disruption of the symphonic beauty of nature is emphasized by having all the details of his entry be read at once. Were this chapter a musical symphony, this paragraph would be pure dissonance. However, the trend of classical music is to resolve dissonance, and despite Ahab&#8217;s best efforts, he cannot stay such a resolution&#8230; and what a beautiful resolution it is:<\/p>\n<blockquote><p>But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, that cantankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him&#8230; Ahab dropped a tear into the sea; nor did all the Pacific contain such wealth as that one wee drop.<\/p><\/blockquote>\n<p>If Melville is a composer, this is his Romantic testament to the power of nature. Nowhere in the book\u2014and this is saying something\u2014is there a clearer or more powerful example of the triumph of nature over the will of man. Until the end, maybe.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This from Douglas Harper, who operates the Online Etymology Dictionary and, as it happens, lives rather near me: Symphony late 13c., the name of various musical instruments, from O.Fr. symphonie &#8220;harmony&#8221; (12c.), from L. symphonia &#8220;a unison of sounds, harmony,&#8221; from Gk. symphonia &#8220;harmony, concert,&#8221; from symphonos &#8220;harmonious,&#8221; from syn- &#8220;together&#8221; + phone &#8220;voice, sound&#8221;[.] [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[86,1],"tags":[],"class_list":["post-1347","post","type-post","status-publish","format-standard","hentry","category-environmental-criticism","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/posts\/1347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1347"}],"version-history":[{"count":3,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/posts\/1347\/revisions"}],"predecessor-version":[{"id":1350,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/posts\/1347\/revisions\/1350"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}