{"id":1321,"date":"2010-03-05T00:31:16","date_gmt":"2010-03-05T04:31:16","guid":{"rendered":"http:\/\/blogs.vassar.edu\/engl177\/?p=1321"},"modified":"2010-03-05T13:37:52","modified_gmt":"2010-03-05T17:37:52","slug":"toilers-of-the-sea","status":"publish","type":"post","link":"https:\/\/pages.vassar.edu\/engl177\/?p=1321","title":{"rendered":"Toilers of the Sea"},"content":{"rendered":"

Herman Melville\u2019s Moby-Dick<\/em>, \u201cthe Great American Novel,\u201d has been compared to Victor Hugo\u2019s Les Miserables<\/em> , which may be \u201cthe great French novel, \u201c for its similar number of meditative digressions.\u00a0 (Porter vii).\u00a0 His digressions also function similarly to those in Moby-Dick, alluding to what \u201cnarratologists\u201d call \u201cevents\u201d (acts of God) rather than to \u201cacts\u201d (purposeful human actions) (28).<\/p>\n

However, I think it would be more interesting to compare Moby-Dick to Hugo\u2019s not much later novel Toilers of the Sea<\/em>, a once obscure novel to an even more obscure novel.<\/p>\n

Just as The Pequod<\/em> crosses pathes with the French ship The Rosebud<\/em> (Bouton-de-Rose), these two great novels cross paths.<\/p>\n

Toilers of the Sea has been viewed as a regional novel (77) but that is like saying Moby-Dick is a book about cetology!\u00a0 It takes place on the island of Guernsey where the people live off of and toil with the sea.\u00a0 Though perhaps the more correct word is \u2018battle\u2019: they are constantly exposed to the elements, the storms and the unbridled sea.\u00a0 The crew of the Pequod, as well as many sailors of the 19th<\/sup> century, Melville included, would not have been unfamiliar with the island.\u00a0 The first mate of The Rosebud, who humorously translates Stubb\u2019s words to his captain, also happens to be a Guernsey-man.<\/p>\n

Both books have prophetic beginnings: Moby-Dick opens with Ishmael saying \u201cCall me Ishmael.\u201d\u00a0 Toilers of the Sea opens up with a mysterious girl Deruchette writing \u201cGilliat,\u201d the main character\u2019s name, in the snow.<\/p>\n

Deruchette\u2019s father, Lethierry, has established the first steamboat service in the region, the La Durande<\/em>.\u00a0 His captain, Sieur Clubin (Ahab), who has long prided himself on his honesty, awaits an opportunity to defraud his boss and run off with the money.\u00a0 After a fortune is stolen from Lethierry, he tracks down the money only to trick his alcoholic helmsman (Flask) into crashing the ship on a treacherous reef.<\/p>\n

Hiding in the rocks he plans to swim to shore, where he will arrange a secret voyage overseas.\u00a0 But, like Ahab, he is struck down by fate.\u00a0 A monstrous octopus seizes and drowns him, leaving his rotting carcass to attract the crabs, which it feeds upon.<\/p>\n

Lethierry promises his daughter\u2019s hand in marriage to any man who can salvage the ship\u2019s engine.\u00a0 Only Gilliat takes up the challenge, though secretly.<\/p>\n

He struggles for weeks on the isolated reef where he constructs his own tools, battles fierce storms, and defeats the murderous octopus.\u00a0 Finding the engine, the fortune and Sieur Clubin\u2019s body, he returns to Lethierry who, ecstatic and devoutly thankful, wants Gilliat to be the captain of his new ship and have his Deruchette\u2019s hand in marriage.<\/p>\n

Tragically, in Gilliat\u2019s absence, Deruchette has fallen in love with a new handsome minister who Gilliat saved earlier from drowning.\u00a0 He fell asleep, contemplating the sea in \u201cthe Devil\u2019s chair,\u201d a stony armchair naturally carved out of the cliffs that is subsumed underwater during high tide.<\/p>\n

Finding this out, Gilliat offers to selflessly arrange their marriage secretly, and they accept his generosity, unaware of his suffering.\u00a0 As the couple sails away towards France, Gilliat sits in the stone armchair, watching them sail away until he drowns.<\/p>\n

As you can tell there are many themes in common, including environment, nature, fate, labor, industrialization,\u00a0\u00a0science and superstition, religion, race, politics, isolation, depression, and melancholy, or what psychoanalysts would call a \u201cmelancholic\u201d attitude: turning anger at the other against the self (79).<\/p>\n

Also, Moby-Dick is a metaphor for America in the nineteenth century, while Graham Robb has called this novel \u201ca metaphor for the nineteenth century\u2014technical progress, creative genius and hard work overcoming the immanent evil of the material world\u201d (78).<\/p>\n

And isn\u2019t a giant octopus just as awesome as a whale? Kraken vs. Leviathan. I would like to see Moby-Dick and the octopus duke it out any day.<\/p>\n

\"\"<\/p>\n

Porter, Laurence M.. Victor Hugo<\/em>. Michigan State University. Twayne Publishers: New York, 1999.<\/p>\n","protected":false},"excerpt":{"rendered":"

Herman Melville\u2019s Moby-Dick, \u201cthe Great American Novel,\u201d has been compared to Victor Hugo\u2019s Les Miserables , which may be \u201cthe great French novel, \u201c for its similar number of meditative digressions.\u00a0 (Porter vii).\u00a0 His digressions also function similarly to those in Moby-Dick, alluding to what \u201cnarratologists\u201d call \u201cevents\u201d (acts of God) rather than to \u201cacts\u201d […]<\/p>\n","protected":false},"author":129,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[87,79,1],"tags":[],"class_list":["post-1321","post","type-post","status-publish","format-standard","hentry","category-sources-or-literary-allusions","category-narrative","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/posts\/1321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/users\/129"}],"replies":[{"embeddable":true,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1321"}],"version-history":[{"count":8,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/posts\/1321\/revisions"}],"predecessor-version":[{"id":1385,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=\/wp\/v2\/posts\/1321\/revisions\/1385"}],"wp:attachment":[{"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pages.vassar.edu\/engl177\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}