{"id":96,"global_id":"pages.vassar.edu\/creativearts-calendar?id=96","global_id_lineage":["pages.vassar.edu\/creativearts-calendar?id=96"],"author":"2579","status":"publish","date":"2016-01-21 13:43:35","date_utc":"2016-01-21 18:43:35","modified":"2016-01-21 13:43:35","modified_utc":"2016-01-21 18:43:35","url":"https:\/\/pages.vassar.edu\/creativearts-calendar\/event\/in-the-moog-understanding-how-the-electronic-music-synthesizer-became-a-new-instrument\/","rest_url":"https:\/\/pages.vassar.edu\/creativearts-calendar\/wp-json\/tribe\/events\/v1\/events\/96","title":"In the Moog: Understanding How the Electronic Music Synthesizer Became a New Instrument","description":"<p>Trevor Pinch is the Goldwin Smith Professor of Science and Technology Studies and\u00a0Professor of Sociology at Cornell University. He holds degrees in physics and sociology.\u00a0He has authored many books and numerous articles on aspects of the sociology of\u00a0science, the sociology of technology, the sociology of economics, and sound studies. His\u00a0books include Analog Days: The Invention and Impact of the Moog Synthesizer and he is\u00a0co-editor of the Oxford Handbook of Sound Studies. 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